Search Results, p. 34

Santiago, Nascimento, 1960. An early collection of short stories, the fourth book by this Chilean writer, which was not translated into English or published in the U.S. for 17 years. This book precedes any publication of Donoso's work in the U.S. by five years. Pages browning with age but still near fine in self-wraps. A scarce volume, given the Chilean imprint, the fragile binding and the cheap, acidic paper used in production. [#013579] $100
On Sale: $65

NY/San Francisco, Knopf/McSweeney's, 2014. The uncorrected proof copy of this Eggers novel, built entirely of a conversation between the protagonist and his kidnapped astronaut. Fine in wrappers, with a Knopf Canada label on the rear cover that changes the contact information printed beneath, as well as the publication date and price. [#033164] $100

(n.p.), Privately Printed, 1895. First edition (not stated but with a C. Gerhardt bookseller's catalog page stating as such, back when it was offered for $1). Title is in all capital letters; the "L" and "W" being larger than the others. Red decorations precede each stanza. 4-1/2" x 5-3/4". Tiny notation and red dots on rear cover near spine; stapled spine is fragile. A near fine copy. Included at no charge is an unnumbered copy of Field's An Imitation of Robert Herrick which has tape marks on the inner covers. [#036073] $100

(London), Picador, (1994). The uncorrected proof copy of the uncommon first book by the author of Bridget Jones's Diary. The latter was the British Book of the Year in 1998. This title was not published in the U.S. until 2001. Near fine in wrappers and jacket; uncommon. [#018591] $100

Gorham/Portland, [University of Southern Maine], 1971. Poster advertising two dates for a showing of a film "featuring a history of experimental cartoon work and animation" by Charley Murphy and Stan Vanderbeek, and "a new film by Kenneth Anger," plus a "surprise film." 14-1/2" x 16". Black on gold; near fine. [#033333] $100

(Port Townsend), Graywolf Press, 1976. The poet's second book, this being the issue in wrappers, one of 1350 copies of a total edition of 1500. Inscribed by the author to another poet in 1981, with reference to "our days in Seattle," and signed with "Love." With the recipient's ownership signature. Fine in wrappers. A nice literary association. [#022701] $100

(Riverside), (National Shooting Sports Foundation), [ca. 1960s]. A youngster's gun craving is "as normal and as healthy as the love of ice cream" and if you would leave your youngster alone in the house for two or three hours, then he or she is ready for his or her first gun. A gender-neutral pro-gun brochure from a half-century ago. Fine in stapled wrappers. [#035007] $100

NY, Macmillan, (1963). A play, with a 58-page autobiographical preface. Inscribed by the author in the year of publication: "For Bill Sloane,/ colleague at Bread Loaf -/ with good wishes." William Sloane was a longtime faculty member at the Bread Loaf writers' conference. After his death, a Bread Loaf Fellowship was instituted in his name. Faint foxing to top edge; else fine in a lightly spine-faded dust jacket with a couple small corner chips; still about near fine. [#016252] $100

NY, Harper & Row, (1981). A discourse on the characteristics and components of an Indian aesthetic and perspective, which attempts to also define the differences between the "Western" world view and that of "primitive" cultures, particularly Native American. A PBS documentary series was launched based on the ideas put forth in this book. Inscribed by the author: "For Hank [i.e., Henry Kurth]/ with much affection & loving friendship/ Jamake." A good association copy albeit, like all of the author’s self-representations as Native American, ethically dubious in retrospect. Recipient's name under front flap. Near fine in a near fine dust jacket. [#026340] $100

Vancouver, Greystone Books, (2009). Second printing, signed by the author. Shallow crease to rear cover; near fine in wrappers. Blurbs by Leonardo DiCaprio, James Hansen, and Bill McKibben, among others. Uncommon signed. [#035639] $100

Richmond, Tiger of the Stripe, 2006. Inscribed by the author to Robert Stone and his wife: "two of the good buddies of all time." Stone gets a mention in the text. Fine in wrappers. [#033744] $100

(Tel Aviv), (Yedioth Ahronoth/Chemed Books), (1999). "The story of the joint research project with the Israel Air Force that led to peaceful coexistence between steel winged birds and their feathered companions in the sky." Inscribed by Leshem to Peter Matthiessen on a card tipped to the front flyleaf, along with Leshem's business card from the Department of Zoology at Tel-Aviv University. Trace foxing; else fine in a near fine dust jacket. [#031982] $100

Lewiston, Edwin Mellen Press, (1990). Volume 8 in the Mellen Poetry Series. Inscribed by Lurie "to a dear lost friend recovered..." Corner crease to rear cover; near fine in oblong wrappers. [#036040] $100

(Ancona/Rome), Institut International J. Maritain, 1978-1990. 24 volumes, totaling 34 issues (including double issues), as follows: Numbers: 10/11, 15, 17, 22/23, 24, 26, 27, 28, 29; and New Series Numbers: 1, 2/3, 4, 5/6, 7, 8, 9/10, 11/12, 13, 15/16, 19/20, 21/22, 23, 26, 27/28. About 1/4 of the covers are dampstained, although the texts are mostly unaffected but for some moderate foxing. The price of the lot has been reduced for condition. Text in French. [#035813] $100

London, Gollancz, (2017). The advance reading copy of McAuley's science fiction novel of a genetically-edited woman hiding out with a hostage in the newly established Antarctic Peninsula, in a world where the climate has changed dramatically faster than the politics of power, ethnicity or gender. Signed by McAuley. Fine in wrappers, with an announcement for the book signing laid in. [#033888] $100

London/NY, Putnam/Dutton, 1959/1961. A review copy of the American edition, consisting of the true first (British) edition, copyedited on the title page and front flap to reflect changes to be made in the American edition, with a pencil note on the front flyleaf about the projected change in size. With review slip laid in. Correspondence about Miller between Lawrence Durrell and Alfred Perles, with interjections by Miller. Miller met both Durrell and Perles in Paris in the Thirties. Dusty top edge; fine in a very near fine dust jacket. Together with a copy of the American edition, as issued. Fine in a fine dust jacket. [#027323] $100

NY, Exposition Press, (1963). A vanity press novel of a half-blood Apache who, after World War II, gets involved in a murder. Subtitled "a novel of Indian lore in the Southwest." Like his main character, the author is half-Apache. Blindstamp and signature of previous owner, near fine in a very good, price-clipped dust jacket with several short, open edge tears. [#035019] $100

Paris, (Durand), (1953). Six illustrations by American surrealist artist Leon Kelly. This is Copy No. 47 of an unspecified limitation by this prolific French writer and translator. A near fine copy in self-wrappers, with a very good glassine dustwrapper. [#035597] $100

NY, Sunbury Press, (1975). Her first book, a self-illustrated poetry collection. One of the earlier volumes published by Virginia Scott's feminist press, which operated out of the Bronx from 1973-1986. One small coffee spot on the front cover, else fine in stapled wrappers. [#036004] $100

Washington, DC, American Indian Policy Review Commission, 1976. Two reports: "Commission Briefing Paper/American Indian Policy Review Commission," dated November 19-22, 1976; and "Information Bulletin from the American Indian Policy Review Commission/A Joint Congressional Committee/(Public Law 93-580), which is undated. 41 and 26 pages, respectively. Corner stapled; edge-foxed; still about near fine. [#035858] $100

[Mount Vernon], (Walpole Printing Office), [1941]. Prospectus for the "regular edition" of 295 copies, after a deluxe edition of 50 copies. Three paragraph statement about the book by Patchen; blurb by Henry Miller; and the names of some of the subscribers that made publication possible (Maxwell Perkins, E.E. Cummings, Wallace Stevens, James Laughlin, Louis Untermeyer, William Carlos Williams, Stephen Vincent Benet, etc.) One sheet, folded to make four pages. Slight edge-sunning; near fine. Uncommon ephemeral piece for what is perhaps Patchen's best-known book. [#035684] $100
On Sale: $65

(Sydney), Picador, (2003). Signed by the author. Slight bump to crown; else fine in self-wrappers. [#912691] $100
On Sale: $65

(Arlington), Bogg, 1989. Poetry by this poet/collagist who was associated with the San Francisco Beat poetry scene and the hippie counterculture that emerged from it in the 1960s. Plymell was the publisher of the first issue of Zap! comix, the underground comic that introduced R. Crumb and S. Clay Wilson to the counterculture, and according to Allen Ginsberg he was the inspiration for the "Wichita Vortex Sutra." This copy is inscribed by Plymell on the front cover: "Hey Jim, hand on the doorknob [a reference to the cover photo]. Can't find nowhere to go!/ Charles Plymell. Getting into the the [sic] new." Fine in stapled wrappers. [#035607] $100
On Sale: $65

New Rochelle, Elizabeth Press, (1968). Inscribed by Randall to the British playwright Arnold Wesker in 1968: "For Arnold - w/all good wishes, Margaret/ 5.68." Randall, in addition to being a poet, co-founded El Corno Emplumado, a bilingual literary journal in Mexico that featured new writing from the Americas and elsewhere, until it was forced to close by the Mexican government after Randall's outspoken support of the Mexican student movement in 1968, and her criticism of the government's violent and deadly response to it. This is a fine copy in a very good dust jacket marred by a coffee stain near the lower spine, mostly on the rear panel. [#035324] $100

(n.p.), International Collectors Library, 1976. First thus: the International Collectors Library edition. Gold on black hardcover binding. Slight loss of gilt to spine, else fine, without dust jacket, as issued. The date (1976) is the copyright date: possibly issued later. [#035371] $100

La Laguna, Zasterle Press, 1990. Number 51 of 300 numbered copies. Inscribed by Rothenberg to Clayton [Eshleman] & Caryl: "some more invasions from elsewhere, with much love." Rothenberg was working on translations of Lorca at the time he wrote these poems; both he and Eshleman have translated Spanish language poetry, in addition to sharing an interest in indigenous, tribal, and prehistoric arts. Near fine in wrappers. [#033557] $100

(Washington, D.C.), National Association for Women in Education, (1996). An exploration of gendered experiences in the classroom, from nearly every conceivable angle. This is a follow-up to the 1982 report The Classroom Climate. Co-authored by Sandler, with Lisa A. Silverberg and Roberta M. Hall. This copy is inscribed by Sandler: "To Carol - keep up the good work." Near fine in wrappers. [#034716] $100

Ottawa, Borealis, 1974. Her second book. Fine in wrappers. [#912740] $100

Boston, Houghton Mifflin, 2008. A collection of poems, warmly inscribed to Peter and Maria Matthiessen. Fine in a fine dust jacket. [#032523] $100

NY, Time Out New York, 2001. An article on Gary Sinise, who played McMurphy in Dale Wasserman's stage revival of Kesey's One Flew Over the Cuckoo's Nest. This copy of the magazine is signed by Sinise and by Terry Kinney, who directed the play. Together with a display card for the play, also signed by Sinise and Kinney. Both items fine. [#027227] $100