Search Results, p. 33

Santa Fe, Red Crane Books, (1993). The well-received first novel by this author of Choctaw descent. This is the hardcover issue; there was a simultaneous issue in wrappers. Signed by the author. Fine in a fine dust jacket. [#024173] $125

NY, New York Times, 1988. Robinson's cover essay is a review of Raymond Carver's Where I'm Calling From, in which she proposes "to abduct Raymond Carver from the camp of the minimalists." Written in 1988, at which point Robinson's only published book was the novel Housekeeping. Some minor edge-toning; near fine. [#035968] $125

NY, FSG, (2015). The advance reading copy of this collection of essays. This was Robinson's ninth book after four books of fiction and four books of nonfiction, which together brought her a Pulitzer Prize, two National Book Critic Circle Awards, and an Orange Prize. Robinson, who was interviewed by President Obama in the year this book was published, also received a National Humanities Medal from the President, in 2012. Fine in wrappers. [#036006] $125
On Sale: $81

Denver, 1967. "Washday Detergent." A postcard for a performance of Blue Cheer and Superfine Dandelion in Denver on November 3rd and 4th, 1967. 5" x 7", done by Robert Fried. Art of Rock, #FD D-10. Fine. [#008044] $125

(Bretenoux), (Braad Press), (1977). Number 115 of 300 numbered copies, with woodcuts by Ian Tyson laid in. Inscribed by Rothenberg to Clayton [Eshleman] & Caryl, "a book from the cove country. With love." Near fine in wrappers and dust jacket. [#033546] $125

Sevenoaks, (Privately Published), 1967-1968. Sisson writes to Edith Heal, author of William Carlos Williams/I Wanted to Write a Poem: The Autobiography of the Works of a Poet, which was published in the U.K. in 1967. Sisson shares his thoughts on Williams, and on Heal's book, and transmits to her two chapbooks of his own work, which are included here: Roman Poems and The Discarnation. The letter is two pages, with hand corrections, and is signed by Sisson. Folded; near fine. The chapbooks are near fine in stapled wrappers. [#035888] $125

Boston/NY, Houghton Mifflin, 1997. His first collection of stories, spanning the years 1969 to 1997. Bound galley sheets; 8-1/2" x 11"; tapebound in cardstock covers. Presumably produced for in-house use only; we've never seen any indication of these having been distributed outside the publishing house. Fine. [#008297] $125

NY, Quantuck Lane Press, (2007). Inscribed by the author to Robert Stone, who provides a brief foreword: "Thank you for being such a kind first reader -- I appreciate your support!" Fine in a fine dust jacket, which has a blurb by Stone on the rear panel that is excerpted from his foreword. [#033781] $125

NY, Free Press, (2010). Traister's first book, about "the election that changed everything for American women," (until it didn't). To be clear, this is about the 2008 election: when the female players included Hillary Clinton, Sarah Palin, Michelle Obama, Elizabeth Edwards, Katie Couric, Rachel Maddow, Tina Fey and Amy Poehler. Signed by the author, with an added, "Here's to a brighter future." Fine in a very near fine dust jacket with just a small nick at the crown. [#034659] $125

West Townshend, King Hell Press/Tundra, (1990). Part 1 of of this graphic novel in five parts, issued as Bratpack No. 1. Warmly and humorously inscribed by Veitch to Stanley Wiater, with the added comment added "*Official*: Tundra's First Misprint!" -- although it's not evident what this refers to. Veitch, who started out in underground comix in the early 1970s, was a longtime collaborator with Stephen Bissette and John Totleben on Swamp Thing. Fine in stapled wrappers. [#034610] $125

Arlington Hts, Dark Harvest, 1991. A Publisher's Copy ("PC") of 400 copies signed by the author and by Phil Parks. Fine in a fine dust jacket and slipcase. [#031168] $125

NY, Thomas Y. Crowell, (1978). First thus: a collection of nature poetry first published in 1970 but re-issued here with illustrations by Kazue Mizumura. Inscribed by Zolotow: "For Rebecca/ Lucky wishes/ Charlotte Zolotow." Zolotow, a prolific author of children's books, also holds the distinction of being the person who first recognized the genius of Louise Fitzhugh's Harriet the Spy, while working at Harper & Brothers. Near fine in a very good, lightly foxed dust jacket. [#036496] $125

Undated nineteenth century prints of Indian scenes from the Pacific Northwest, each measuring approx. 6-1/2" x 9" and mounted in 12" x 14" mats. The first is a portrait of a "Mahlemute Man and Woman" in traditional dress standing at a riverside camp, with salmon being dried and smoked in the background. The second depicts a "Beluga Hunter and Dwellings - Lower Kuskokvim, Alaska," with the hunter, dressed for kayaking, and his wife standing at water's edge, ready to launch the kayak. The third depicts two Indian men, a "Thlinkit [sic] and Man From Copper River," showing the different traditional dress of the two, with the Tlingit carrying a rifle and the Copper River man a bow and arrows. An interesting glimpse at an early view of the various native tribes of that region. All three are slightly age-darkened, else fine. [#002192] $115

NY, Holt Rinehart Winston, (1971). The uncorrected proof copy. Signed by the author. Tall, comb-bound galley sheets. Edge-tanned, else fine. [#031230] $115

NY, Knopf, 1998. The uncorrected proof copy of his last book, his second collection of essays. Dubus was best known as a short story writer, and his last collection of stories was a finalist for the National Book Critics Circle Award in 1996. He won the Rea Award for the Short Story in 1991 and a MacArthur Foundation "genius grant" in 1988. He was the father of the acclaimed novelist and memoirist Andre Dubus III. Signed by the author. Fine in wrappers. [#021063] $115

London, Rupert Hart-Davis, 1962. Warmly inscribed by the author to Jean Gilbert in 1967. Dusty top edge; spine roll; near fine in a very good dust jacket splitting at the front flap fold. Laid in is a typed letter signed from Fenn to Gilbert expressing gratitude for a very delightful evening in 1965. Folded in fourths; fine. [#028632] $115

Princeton, Contemporary Poetry Press, (2013). First published in 1980, this is a new edition, with a foreword by Carlos Fuentes. This copy is inscribed by the author to the Chinese poet Bei Dao: "For the great poet Bei Dao -- on a wonderful meeting and in memory of [?], Mahmoud Darwish, Ramallah and freedom and justice." Near fine in a near fine dust jacket. Laid in is a typescript copy of Hamod's poem "Sabra/Shatilla: In Sorrow," which does not appear in the collection. [#032647] $115

NY, McGraw-Hill, (1969). Inscribed by the author: "For ____/ with feelings that cannot speak in ink and cannot help it in tears./ Kenny/ Princeton/ 17 September 1969." A bulky book with a bit of a sag to the text block and vertical creasing to the half-title where the book is inscribed; still near fine in a very good dust jacket with minor edge wear and a bit of dampstaining visible on verso. [#028799] $115

1985. A letter written by Reed in his capacity as a fiction contest judge. Although not stated in the letter, the contest celebrated the 1985 Mark Twain Sesquicentennial and sought a story that captured the spirit of Twain. Reed gives his first, second and third choices, and the points to be assigned each vote, as well as a critique of his first two choices. Signed by Reed. Folded for mailing, else fine. [#029529] $115

[1980]. Dated "Jan 1". One paragraph, agreeing to sign books for the recipient's wife. Written on the verso of the colophon for the limited edition of Problems. Signed in blue, with recipient's address hand-written in pink across the top; the colophon has some math written in pink. Folded in thirds for mailing; else fine. [#013416] $115

Sydney, Cornstalk Publishing, 1927. The first Australian edition of this early book by Woolrich, published the year after his first book. In the 1940s and '50s, Woolrich, writing under his own name and also as William Irish and George Hopley, wrote some of the classic volumes of noir fiction of the era, a large number of which were turned into the movies that defined film noir and gave it its cultural importance and artistic stature. Foxing to pages, as is typical with this edition; minor spotting and fraying to the spine. Very good, lacking dust jacket. [#011666] $115

(Kirskville), Chariton Review Press, (1980). A bilingual edition of poetry, with translations from the German by Barnes. This copy is signed by Barnes. Rubbing and creasing to spine; near fine in wrappers, with publisher's ephemeral order card laid in. [#036424] $100
On Sale: $65

NY, Atheneum, 1989. Young adult climate fiction from the before-times (1989) when it was still at least plausible that the world would end in ice rather than fire. The plot twist here is that a mass migration southward, toward warmth, triggers resentment, rage and terrorism by Mexicans against the migrants from the north. Inscribed by the author. Fine in a fine, price-clipped dust jacket. [#036512] $100

NY, Taplinger, (1982). Inscribed by the author to Robert Stone in 1984. Near fine in a near fine dust jacket with a couple short, closed edge tears. [#033707] $100

London, Secker & Warburg, (1983). The first British edition of the first Booker Prize-winning novel by the South African Nobel Prize-winning author. Tap to spine crown; else fine in a fine dust jacket. [#912381] $100
On Sale: $65

[San Francisco], Apex Novelties, [1968]. Third printing, with a 35 cent price and no printer statement on the rear cover. Near fine. [#036358] $100

Pencil on paper. 6" x 9". No date. [#033950] $100

NY, Murphy & McCarthy, 1894/1895. First or early printing: 1894 copyright date; 1895 on title page. Front hinge cracked; prelims detaching; spine faded; still a good, solid copy. Heavy: domestic shipping only. [#036397] $100

NY, Swords, 1907. The second American edition. Contains "The Economy of Vegetation" and "Loves of the Plants." 1844 gift inscription; owner name; backstrip mostly gone; front board missing entirely. A poor copy, priced accordingly. [#600046] $100

(Hay), Hay Festival Press, 2004. The first separate appearance of this story, with an introduction by De Bernieres for this edition. Number 63 of 100 numbered copies signed by the author. Fine without dust jacket, as issued. [#911483] $100
On Sale: $65