Weekly Sale

(NY), New Rivers Press, 1974. The scarce hardcover issue of his second book, a collection of poetry. The total edition was 600 copies, of which only 200 were issued in cloth; 400 were issued in wrappers. Well-known these days as a writer of fiction and of essays on fiction, Baxter didn't publish his first novel until 1987, seventeen years after his first book (Chameleon) and thirteen years after this title. Inscribed by the author in 1982. Fine in a slightly rubbed, else fine dust jacket. [#911007] $650
$455

(London), Bridgewater Press, (2000). Of a total edition of 138 copies, this is copy VII of 12 Roman-numeraled copies bound in quarter Library Calf, with a signed original drawing by Boyd, tipped in as frontispiece. Signed by the author. Fine. [#914614] $750
$525

Lanham, University Press of America, (1987). A compendium of the characters, concepts, and literary allusions contained in Burroughs' 77 published stories, compiled and inscribed by McWhorter, longtime curator of the Burroughs collection at the University of Louisville Library. Small, faint red spot near spine, else a fine copy, without dust jacket, as issued. Review copy, with publisher's prospectus and errata slip laid in. [#035569] $150
$98

Boston, Houghton Mifflin, 1912. Burroughs provides an 8-page introduction to this collection of "Outdoor Scenes and Thoughts From the Writings of Walt Whitman," as compiled by Waldo R. Browne. Says Burroughs, in part, "As a poet he did not specialize upon flowers or birds or scenery, or any of the mere prettiness of nature, but he thought of wholes, he tried himself by wholes, he emulated the insouciance, the impartiality, the mass movements of the earth." Trace shelf wear; a very near fine copy in a good dust jacket: chipped at both spine ends and rear corners, and fragile at the folds. Uncommon in the original edition; scarce in any jacket. [#035119] $300
$195

London, Belmont Press, 2002. Of a total edition of 226, this is the "standard" issue, one of 100 numbered copies signed by Carey and by the illustrator, Eileen Hogan. Fine, without dust jacket, as issued. [#911433] $450
$293

Houston, Arte Publico Press, 1984. Inscribed by the author in 1986. Fine in wrappers. [#914438] $150
$98

NY, Holt Rinehart Winston, (1971). The uncorrected proof copy. Signed by the author. Tall, comb-bound galley sheets. Edge-tanned, else fine. [#031230] $115
$75

London, Secker & Warburg, (1983). The first British edition of the first Booker Prize-winning novel by the South African Nobel Prize-winning author. Tap to spine crown; else fine in a fine dust jacket. [#912381] $100
$65

NY, Crosby Gaige, 1928. One of 926 copies. Spine broken, as is typical with this book. Bottom half attached; top half laid in. A good copy, without dustwrapper. [#035350] $40
$20

Columbus, Golden Goose Press, 1952. His first book, poetry, written while he was living in Mallorca, Spain, before he attended and taught at Black Mountain College in North Carolina. One of 500 copies. Small owner name on the rear flap; near fine in wrappers. [#034827] $600
$420

NY, Horace Liveright, (1929). The first volume in the Kappa Delta Pi Lecture Series, in which Dewey argues for education to be a disciplined and evolving science. Owner name of Theodore F. Lentz, Jr. on the front flyleaf, and together with Lentz's own book, An Experimental Method for the Discovery and Development of Tests of Character [NY: Columbia University, 1925]. Lentz's book has a date stamp on the rear cover and a few small edge tears; very good in wrappers. Dewey's book has a bookplate (not Lentz's) on the front pastedown and several small, penciled marginal marks; near fine in a very good dust jacket with tiny edge chips and one small, internally tape-mended edge tear. [#034726] $450
$293

(n.p.), McSweeney's, (2000). An ink drawing by Eggers of a malformed human, captioned "Things have changed since then, executed on the previously blank dust jacket of Timothy McSweeney's Issue No. 5. Signed (initialed) by Eggers. With an additional ink drawing by Eggers on the flyleaf, of an amoeba shape, captioned, "At one time they were all like this." Eggers has been selling his captioned paintings and prints of captioned animals to benefit ScholarMatch (which he also founded), an organization that funds college educations. Additionally signed by Ben Greenman. Issue No. 5 was the first hardcover issue of Timothy McSweeney's Quarterly Concern, and it was issued in three variant bindings and four variant dust jackets. This is the Ted Koppel binding with the previously blank white front. Two tiny spots to foredge and small lower board nicks; near fine in a very good, mildly dusty jacket with a couple of closed tears. [#032951] $850
$595

Gorham/Portland, [University of Southern Maine], 1971. Poster advertising two showings of films by Kenneth Anger, Harry Smith, Stan Brakhage, Ed Emshwiller, and "one unannounced film on an American Mythical Event," to be held on two campuses of the University of Southern Maine. Anger's films were his landmark Scorpio Rising and his 1969 Invocation of My Demon Brother, which had a soundtrack by Mick Jagger and won a Film Culture award in 1970 for best experimental film. Brakhage's films included the Dog Star Man sequence and two others from the early 1960s, one of which includes a typo in its title ("Theigh" instead of "Thigh"). 19" x 24". An attractive and compelling design, four color on blue background; near fine. [#033335] $150
$98

(n.p.), (n.p.), 1988. A 120-page screenplay by Ford for a 1991 film adaptation he did from stories in his collection Rock Springs. The film was directed by Michael Fields and starred Dermot Mulroney, Lili Taylor, Sam Shepard and Valerie Perrine. Apparently a later generation photocopy, as the text is less sharp; also the rectos of the pages tend to stick to the versos of the pages preceding. This copy is signed by the author. Near fine, in maroon binder. [#911203] $1,000
$700

Boston, Houghton Mifflin, 1981. His second novel, a hard-boiled thriller involving American expatriates in Mexico. Signed by the author. Partly because of the weak construction at the rear hinge, which tends to crack, this title has become harder to locate, particularly in fine condition, than his first book. This is a fine copy in a fine dust jacket that is folded a bit offcenter such that the spine lettering rounds the front joint. [#912556] $225
$146

(n.p.), Twenty-Third Avenue Books/First Choice Books, 1997. A broadside excerpt from Frazier's novel, produced on the occasion of a reading by the author. Copy "A" of 26 lettered copies. 9-1/2" x 16-1/2". Signed by the author. Fine. [#912583] $500
$325

(London), Faber and Faber, (2004). A limited edition with text by Alex Garland and woodcuts by Nicholas Garland. Of a total edition of 310 copies, this is number 289 of 250 numbered copies (#s 51-300) signed by both Garlands. Folio, 17" x 12"; fine in slipcase. [#914498] $160
$104

Princeton, Contemporary Poetry Press, (2013). First published in 1980, this is a new edition, with a foreword by Carlos Fuentes. This copy is inscribed by the author to the Chinese poet Bei Dao: "For the great poet Bei Dao -- on a wonderful meeting and in memory of [?], Mahmoud Darwish, Ramallah and freedom and justice." Near fine in a near fine dust jacket. Laid in is a typescript copy of Hamod's poem "Sabra/Shatilla: In Sorrow," which does not appear in the collection. [#032647] $115
$75

Boston, New York Graphic Society, (1976). Highwater was one of the controversial figures in the field of Native American literature. He claimed to be of Blackfeet/Cherokee heritage, but critics disputed that and saw it as yet another case of exploitation of Native Americans -- in this case, Native American heritage and ethnicity itself, and the "authenticity" that comes with it -- by self-promoting whites. For nearly 30 years, though, "Highwater" -- his real name was Jackie Marks -- wrote extensively on American Indian culture and was one of the most visible promoters of Native American interests. He won awards for his writing and his other works, including some from Native American organizations and tribes. His ethnicity may have been a sham -- it was -- but for a time he was an important contemporary literary voice dealing with matters of Native American culture and heritage, with a hefty dose of self-promotion folded in. His writing was prolific, and his books -- on Native American painting, dance, and other subjects -- filled voids left by other writers and became landmarks in their fields. This title, Song From the Earth, an introduction to American Indian painting, and The Sweet Grass Lives On, a subsequent volume that introduced 50 contemporary American Indian artists, together helped launch the trend in collecting contemporary Indian art, and reviving memory of such artists as "the Kiowa Five," from the early 20th century, as well as promoting more contemporary artists. Inscribed by the author. Near fine in a near fine, price-clipped dust jacket worn at the corners and spine extremities. [#016662] $60
$30

London, Deutsch, 1968. An advance copy of the British edition of his fourth book, a reflection on the forces that shaped the writers of the Beat Generation. This advance format seems to have been created from a disbound American first edition [NY: Dutton, 1967]; it is stamped "Advance American Copy/ Probable Publication Date June 1968 (entered by hand)/ Approx. Price (not filled in)/ Andre Deutsch/ 105 Great Russell St/ London W.C. I." Beneath the stamp, there are what appear to be initials, and we'd like to say they are those of renowned editor Diana Athill (based on her "D" often being made like a vertical ichthys), but we're uncertain. Holmes's first novel, Go, has been called the seminal novel of the Beat Generation, predating Kerouac's On the Road by five years. Holmes is also credited with inventing the phrase "beat generation." Modest foxing to edges and covers; very good in wrappers. [#035581] $200
$130

Smithtown, Exposition Press, (1983). A vanity press publication by a white writer, written for pre-teens. Despite the title, which seems thematically all-encompassing (albeit gender-specific), each chapter is actually a story about food, and the author includes an introduction for teachers stressing that the coming global food crisis can be averted by emulating some Indian practices. A fine copy in a heavily rubbed, very good dust jacket with tiny corner chips. [#016678] $60
$30

(1980-1981). Three autograph letters signed (two on personal stationery; one written inside a card) to fellow writer Jay Neugeboren, praising his recent story in The Atlantic and his current novel. Kaplan is especially taken with the Jewishness of Neugeboren's work: "I think it's very rare to find such a daring, honest, wonderful story that is a genuinely Jewish story in a national magazine. (First of all, I think very few stories of that description are being written)....you've captured an attitude, a spirit in this story that except for the very early immigrant writers (& some of them were primitive so not "art") that has been either unknown or buried in the mainstream of American Jewish fiction." All items fine. [#012866] $40
$20

NY, Grove Press, (1951). First thus. The Evergreen paperback edition. Signed by the author. Owner name; very good in wrappers. [#035535] $45
$23

San Francisco, Level Press, (c. 1973). A "transmission" by Leary from Folsom Prison, timed with the arrival of the comet Kohoutek. This is a photocopy of nine pages of typewritten text on five stapled pages. The last page reproduces a hand-drawn yin-yang symbol with eight trigrams around it and references one of the hexagrams of the I Ching -- none of which appeared in the published version of this book, which was done by the Level Press and issued as a booklet; this version presumably preceded. According to Leary's bibliographer and the woman who typed Leary's manuscripts for him, including Starseed, this could have been made from Leary's own typescripts (she would have corrected the typos, she said) and issued in small numbers prior to the formal publication. A similar process took place for Neurologic, which was published in late 1973 but had a stapled, prepublication issue done in May of that year that the bibliographer called a "trial issue." Starseed was formally published in September of 1973, and this version -- if what the principals say is correct -- would likely have been done sometime around the time that the Neurologic "trial copy" was done (Neurologic was formally published slightly later in the year than the Level Press Starseed). In any case, an extremely scarce variant of one of Leary's scarcer books, unseen by the bibliographer or by Leary's typist. Near fine. [#030748] $1,500
$1,125

NY, Exposition Press, (1969). A volume of vanity press poetry by Kelly, distinguished by a front cover blurb by Harper Lee, from a period of time when it was not uncommon for vanity publishers to simply warehouse their print runs for a predetermined length of time and then destroy them, with the majority of copies receiving distribution coming out of the author's allotment. For most vanity press works -- regardless of how many were originally printed -- the number of copies that ever made it into the marketplace probably averages in the low dozens. That fact, combined with the fact that Harper Lee published so little other than To Kill a Mockingbird, makes this a rare occurrence in print by the author of one of the best-loved American novels of all time. Kelly was a native of Excel, Alabama, which is less than 10 miles from Lee's hometown of Monroeville, Alabama. Fine in a near fine, price-clipped dust jacket with wear to the spine crown. [#026286] $200
$130

Eugene, Lone Goose, 1997. Copy "A" of 16 participants' copies of this limited edition of an essay from Crossing Open Ground, which was later issued in a trade edition by the University of Georgia Press. Here issued with twenty-three 11-3/4" x 11" woodblock images by Robin Eschner, hinged in a continuous presentation almost 22 feet long, encompassing the text. An elaborate production, involving a number of individuals prominent in the book arts, in addition to Lopez and Eschner: Charles Hobson, the designer, whose work is included in the collections of the Whitney Museum and the National Gallery of Art, among others; Sandy Tilcock, the publisher and boxmaker; Susan Acker, the letterpress printer; Nora Pauwells, the relief edition printer; and John DeMerritt, the binder, who was President of the Hand Bookbinders of California. Of a total edition of 66 copies, this is Copy A of 16 lettered copies signed by Lopez and Eschner and including a unique tire-tread print from Lopez's Toyota 4-Runner, the vehicle used in the journey from Oregon to Indiana that is described in the story. Fine, in a clamshell box. [#035200] $3,500
$2,625

Carbonnek, Privately Printed, 1923. Machen's translation of the 17th century French text Moyen de Parvenir by the poet and polymath Beroalde de Verville. Reprints his 1890 translation, with a new 8-page introduction, this being a limited edition: Copy No. 994 of 1050 numbered copies signed by the author. Machen was a writer of fantastic literature in the late 19th and early 20th century; had a great influence on the dark fantasy and horror published in the pulp magazines of the 1920s such as Weird Tales; and he was admired by such fantasy writers as Clark Ashton Smith, Robert E. Howard, and Frank Belknap Long (as well as by Jorge Luis Borges, who called him a great writer). H. P. Lovecraft, in his essay "Supernatural Horror in Literature," called Machen one of the four "modern masters" of supernatural horror. Machen was also an occultist, and Aleister Crowley admired his writings. A fine copy, quarterbound in vellum, in a very good dustwrapper. A nice copy of this bulky book, usually found quite worn. [#034892] $350
$228

NY, Viking, (1983). Matthiessen's controversial and suppressed book about the confrontation between American Indian activists and the FBI in the early 1970s at Pine Ridge Reservation near Wounded Knee that left two federal agents and one Indian dead, and resulted in AIM activist Leonard Peltier imprisoned for life, convicted of the agents' murder in a case that, as Matthiessen describes it, was rife with government malfeasance. This copy is inscribed by Matthiessen in the year of publication: "For Rahda & Jimmy/ with many thanks and love. Peter. In your beautiful house/ Santa Barbara/ March - 1983." Also signed in full on the front pastedown. Trace edge sunning, still a fine copy in a very good, very spine-faded dust jacket with modest edge wear. [#035589] $250
$163

San Anselmo, Audio Wisdom, 1999. A two-cassette, two-hour audio recording of an evening with Peter Matthiessen. Unmarked, but from the library of Peter Matthiessen. Still shrink-wrapped; fine. [#032065] $40
$20

London, Heath Cranton, (1937). A follow-up to his autobiography, Art, Paint and Vanity. This copy appears to have been gifted by the author to an acquaintance: flyleaf reads "G. [Gertrude] Middleton from Arthur (1937)?" in Middleton's hand. The text bears Middleton's annotations in the text and her own personalized index on the rear endpages, showing that she had some outside knowledge of Mathison's life. A very good copy, lacking the dust jacket. Uncommon. 8 copies in OCLC. [#035931] $75
$38

NY, Pageant Press, (1952). Apparently his first book, on how to make money on horse racing, after a career that started with writing for racing papers and eventually evolved into writing pulp fiction for Ace paperbacks, most with a race track theme. This copy is inscribed by the author: "For ___ ___/ You can always tell a horse player, but you can't tell him much." A very good copy in a fair, edge-chipped dust jacket. [#035815] $75
$38

NY, #Magazine, 1981. Oppenhemier's poetry comprises the entire unnumbered special issue of #Magazine. This copy is inscribed by Oppenheimer to Edward Hoagland: "For Ted/ also progressing/ Joel." A nice association copy: Oppenheminer and Hoagland were friends in the 1960s when they both lived in NY and wrote for The Village Voice, among their other pursuits. Mild edge sunning; else fine in stapled wrappers. [#026364] $80
$40

Prairie City, Decker Press, (1948). An unrecorded variant of this uncommon title. Gray cloth with the same design as that of the apparently first issue yellow cloth, in a blue dust jacket with gold and black lettering, a price of $1 and the words "THE ARCHIVE of Duke University" in place of "Louis Untermeyer" on the dust jacket copy. According to Morgan, Decker printed about 200 copies of this title, about 20 of which were the first issue, although Morgan doesn't account for all known variants. Fine in a mildly sunned, else fine dust jacket. [#001805] $1,250
$938

NY/Chicago, Pitman, (1938). An explication of 350 Russian word roots. Inscribed by the author in 1938, to Mrs. Kathleen Barnes (possibly of the Institute of Pacific Relations). Patrick was, at the time, an Associate Professor of Russian at the University of California, Berkeley; he eventually chaired the Department of Slavic Languages. Spotting to top edge and mild dampstaining to lower board edges; near fine in a very good, somewhat stained and darkened dust jacket. [#035137] $250
$163

NY, Knopf, (1993). The uncorrected proof copy of the first American edition of this dark young adult novel that was later reprinted as The Butterfly Tattoo. Slightly dusty; else fine in wrappers. [#023042] $85
$43

Toronto, Knopf, 2002. The first Canadian edition. Fine in a fine dust jacket. [#035467] $40
$20

(Wheeling), Innovation, (1991-1993). Ten of the twelve issues (#s 1, 2, 3, 4, 5, 6, 7, 9, 10 and 11) of Innovation's graphic serialization of the third book in the Vampire Chronicles. All are fine in stapled wrappers. [#035613] $200
$130

Boston, Little, Brown, 1951. The second printing (July, 1951; same month as the first printing) of Salinger's classic first book, which stands as one of the great fictional accomplishments of 20th century American literature. Small strips of black tape attached to black boards, possibly from a previous jacket protector; still a near fine copy in a very good, supplied, early printing dust jacket with small chips at the corners and spine ends, a small blended stain at the spine base, and a light, illegible pencil note on an upper corner of the rear panel. A very presentable early printing, with a dust jacket from a similar early printing, being the correct height and with the Lotte Jacobi photograph of Salinger on the rear panel of the jacket. [#035617] $1,250
$938

NY, Simon & Schuster, (2016). A compendium of approximately 150 women of the countless who had to bring twice the fight to their game than their male counterparts, as they had to fight for their place on the field or the court or the starting line before their race could even begin. Signed by Schiot. Fine, without dust jacket, as issued. An inspiring book, and a remarkable reference work. Uncommon signed. [#033906] $150
$98

Indianapolis, Bobbs-Merrill, (1968). The galley sheets of this early play by Shepard, his first two-act play. Laid in are the galleys of Elizabeth Hardwick's introduction, dated 1967; Hardwick had reviewed the play for the New York Review of Books. At the time Shepard wrote La Turista, he was a member of the counterculture rock band The Holy Modal Rounders, which had a cameo appearance in the film Easy Rider. Shepard was nominated for an Academy Award for his role as test pilot Chuck Yeager in The Right Stuff; he won a Pulitzer Prize for Drama in 1979 for Buried Child, and he won eleven Obie awards and was nominated for two Tonys, for Buried Child and True West. He received the Gold Medal for Drama from the American Academy of Arts and Letters in 1992. Claspbound, printed on rectos only, front cover tanned and separating; rear cover has date and price and "DUPL NYPL." Front cover has the name of Paul Myers, curator of the Theatre Collection at the New York Public Library. Very good. A fragile and rare early state of this play by one of the most important playwrights of the latter half of the 20th century. The only copy of the proof we have seen. [#027093] $2,500
$1,875

(Melbourne), (UTS Community Law and Legal Research Centre), (2002). A critical reader on surveillance and social control in the post-9/11 age, published in Australia in conjunction with two public events, in Sydney and Melbourne, designed to provoke discussion and debate about the subject. Heavily illustrated, with drawings, photographs (including surveillance photographs), collages, cartoons, and including essays, articles, skits, dialogues and political statements. Oblong wrappers. Rubbed; near fine. [#029179] $60
$30

NY, Donald I. Fine, (1988). Edited and introduced by Robert Polito and Michael McCauley. This copy is inscribed by Polito to the National Book Award-winning poet Ai (Florence Anthony): "For Ai -- doyenne of the dramatic monologue, with admiration & love -- Robert/ St. Patrick's Day/ 1988." Fine in a lightly rubbed, very near fine dust jacket. A nice, albeit unexpected, association. [#035334] $150
$98

1986. A remembrance by Updike of his friend Thompson, read at Thompson's memorial service. Two photocopies, each four pages, folded in thirds, stapled, and stamped with Updike's address. Reproduces a couple holograph corrections and one note of transmittal. One copy is however actually signed by Updike. Near fine, and together with a copy of Bookbuilder, January/February 1987, the newsletter of the Bookbuilders of Boston, where the tribute was printed. [#031526] $550
$385

Cleveland, Bits Press, (1988). A limited edition of six poems, one of which, "Munich," has its first appearance here. One of 120 unnumbered copies signed by the author. Fine in saddle-stitched wrappers. [#030219] $100
$65

(Logan), (Perfection Form Co.), (1979). An educational pamphlet consisting of the title story of Updike's 1962 story collection, with exercises based on the story. DeBellis & Broomfield A75-a2: the cream-colored variant (no priority established between a1 and a2). Uncommon. Fine in stapled wrappers. [#031527] $100
$65

(n.p.), Albondocani, (1974). A card with a poem by Updike, used as a holiday greeting. One of 75 copies of the suppressed first issue, with the front cover drawing printed upside down. Fine in stapled wrappers. Uncommon. [#011637] $100
$65

(Boston), G.K. Hall and Marquis Who's Who, Inc., (1978). A poem by Updike, published as a holiday greeting card. Signed by the author. Fine, with original (unused) mailing envelope. Together with a presumed proof copy, with the copyright notice handwritten (in an unknown hand) rather than printed on the rear cover. Also fine. Both housed together in a G.K. Hall envelope. An ephemeral piece, uncommon signed, and rare in the variant with the handwritten copyright notice. [#031524] $1,250
$938

NY, Knopf, 1959. His third book and first collection of stories. Fine in a near fine, lightly rubbed, price-clipped dust jacket. A very nice copy. [#027123] $225
$146

(Toronto), (Aya Press), (1982). Number 407 of 500 numbered copies signed by Jane Urquhart and by Tony Urquhart, the artist. 18-3/8" x 4-3/4". This is the second issue, in gray cloth. Pages uncut; two very slight corner taps; else fine. [#914603] $150
$98

(n.p.), Apparently Self-Published, (1978). Poetry. Rust to the staples, otherwise near fine in stapled wrappers. Stapled to the front cover is a typed letter signed to Peter Matthiessen. [#032237] $40
$20

[1921]. May 30 [1921]. Written to Herbert Fay, Custodian of Lincoln's Tomb. One 8-1/2" x 11" sheet of white lined paper, written on both sides. This letter refers to White Eagle's being in charge of an exhibit in Chicago for the Custer Battlefield Highway Association and to his efforts to contact an Apache named Dr. Montezuma, who lived in Chicago, in order to provide Fay with a photograph for his collection. From Popular Mechanics, 1921: "White Eagle is a full-blood Indian and a deaf-mute who made a pony ride of over 900 miles over the Custer Battlefield Hiway. After the completion of his long ride, the Custer Battlefield Hiway Association purchased 'Red Bird,' the pony, from its owner and presented it to White Eagle." One 8-1/2" x 11" sheet of white lined paper, written on both sides. Folded in sixths for mailing. Near fine. [#003296] $650
$455

(n.p.), (n.p.), ca. 2009. A spiralbound mock-up of a book of selected poems, with photocopied selections from, apparently, seven of her previous books. Some pages reproduce copyeditor's marks. Such a selection was issued by Wave Books in 2009. Last few pages creased, with a small (coffee?) stain. Otherwise about fine. Unmarked, but from the author's library. Scarce, possibly unique. [#034480] $250
$163