Weekly Sale

1997. Promotional poster for the annual Toronto literary festival, which each year since 1980 brought together the best writers of contemporary world literature. The poster was designed by a leading artist of the day and is one of only a handful of copies signed by all or most of the year's participants. From the collection of the promoter of the festival himself, Greg Gatenby. Designed by Richard Artschwager. Approximately 54 signatures. Signed by: Robert Stone, Barry Lopez, Richard Ford, Michael Ondaatje, Anne Michaels, Colm Toibin, Bharati Mukherjee, Jamaica Kincaid, Guy Vanderhaeghe, Michael Turner, Jane Urquhart, Mavis Gallant, Ann Beattie, Nino Ricci, James Reaney, and others. 17" x 23". [#029753] $1,000
$700

London, Hamish Hamilton, (1991). Fine in a fine dust jacket. [#913532] $100
$65

(NY), Simon & Schuster, (2000). Uncorrected proof, in the form of a 8-1/2" x 11" typeset pages, of the British poet's first novel. Cardstock covers, held with a binder clip. Near fine. [#035443] $40
$20

(n.p.), Severn House, (n.d). Six dust jackets (no books) for Brandner's The Howling; The Howling Three - Echoes; The Boiling Pool; Carrion; The Brain Eaters (each of those published by Severn House); and Rot, which was published by Cemetery Dance. Each jacket is folded at the rear spine fold; else the lot is fine. [#030492] $95
$48

NY, Knopf, 1979. Uncorrected proof copy of his second book, a highly praised collection of stories. Laid in are two pages of publisher's promotional material, with review excerpts from Casey's first novel, including a John Irving blurb. Fine in tall wrappers, with a label pasted over bottom edge of pages. [#005033] $60
$30

NY, Knopf, 1935. First American edition. "March Cost" is the pseudonym of Margaret Mackie Morrison. Owner name both to half title and first blank; fading to boards. A very good copy in a good dust jacket fragile at the folds. [#035446] $35
$18

NY, Dutton, (1923). Crowley's first novel, reportedly based on his own experiences as a drug user. Contemporary owner name and date to front flyleaf. Small spot to spine, light corner tap, and rear hinge starting; still a near fine copy, without dust jacket. [#034868] $850
$595

London, Mandrake Press, [1929]. A collection of three stories, issued in the series "Mandrake Booklets." Owner name, address, and 1930 date on the front flyleaf. Near fine in a very good, spine-darkened dust jacket. Rare: we find only one copy listed in OCLC WorldCat. [#034870] $750
$525

[Seattle], Incunabla, 2007. The lettered limited edition of this poster, a broadside excerpt from Crowley's 1981 novel Little, Big, issued in conjunction with what was to be the 25th anniversary edition of Crowley's World Fantasy Award-winner, which is still a work-in-progress and has yet to be published. A 24" x 37" poster, with art by Peter Milton, whose haunting drawings, etchings, engravings and prints are to grace the new edition. When Little, Big was first published, Ursula Le Guin famously wrote that "all by itself it calls for a redefinition of fantasy"; Thomas Disch called it "the greatest fantasy novel ever." The literary critic Harold Bloom listed three books by John Crowley, including Little, Big, in his book The Western Canon. Bloom is listed as providing an introduction to the anniversary edition of the novel. One can get a sense, from this poster, of the aesthetic of the anniversary volume. One of 26 lettered copies, this being letter "L," signed by John Crowley, artist Peter Milton, editor John Drummond and book designer John D. Berry. Rolled; else fine. A scarce artifact of a prolonged publishing project and labor of love, associated with one of the best-loved and most highly regarded fantasy novels of all time. [#029580] $750
$525

(n.p.), (n.p.), [2001]. The screenplay by Festinger and Field, based on the Dubus story "Killings," and submitted to the Academy for award consideration. Bradbound in cardstock covers; small label removal abrasion to front cover; else fine. [#912464] $100
$65

Gorham/Portland, [University of Southern Maine], 1971. Poster advertising two dates for a showing of a film "featuring a history of experimental cartoon work and animation" by Charley Murphy and Stan Vanderbeek, and "a new film by Kenneth Anger," plus a "surprise film." 14-1/2" x 16". Black on gold; near fine. [#033333] $100
$65

Somerset, Chicken House, (2003). Signed by the author. Fine in a fine dust jacket. [#915006] $175
$114

NY, Hill and Wang, (1972). The uncorrected proof copy of this play by the author of The Connection, who is also known for his association with The Living Theater, an experimental theater group. Notes in text and name of Richard M. Buck on cover. Very good in tall wrappers. Uncommon. [#018598] $50
$25

(n.p.), (n.p.), 2000. An early, tapebound typescript of this novel that was published in July, 2001. No publisher indicated, suggesting this was an early agent's copy, or some other kind of copy prepared prior to the publisher issuing any version of it. Double-spaced, double-sided, 507 pages. "Revised: December 11, 2000" printed on the white front cover/title page. Textual differences exist between this and the published text, beginning with a different table of contents and including changes in the Acknowledgments section of the book. We are aware of another state of this draft that was comb-bound, which was issued by Knopf/Canada. Very near fine. [#030737] $450
$293

1902. September 22 [1902]. Written to Mr. [William V.] Alexander, editor of Ladies Home Journal, who had requested a series of articles from Keller that were later published as The Story of My Life. Keller humbly thanks Alexander for payment for the last article; in part: "I only wish I could have made the story of my life more worthy of the generous praise it has received...It has meant a great deal in my life, and in Miss Sullivan's too -- the thought of the happiness that she says my compliance with your request has brought her is sweeter even than the thought of the kindness shown me in the letters that come constantly from old friends long silent and new friends whose words go to the heart..." Two 5" x 8" pages, typed with blue ribbon and signed "Helen Keller." A very early letter by Keller, preceding her first book, with exceptionally good content. Fine. [#021174] $3,500
$2,625

Eugene, Bend in the River Council, (1974). An ambitious project conceived by Kesey (as Co-Director) and others to form a Council to address the major problems facing Oregon (and by extension, the U.S.) in a manner which would expose the issues to the public at large and allow for public input. This is a press kit cum prospectus for the council, including numerous separate pieces, e.g. a copy of a letter to Kesey from the Governor, lauding the project; a two-page set of proposals for the creation of the council and its structure and agenda; two issues of The Bend in the River Reality, a broadsheet newspaper, to which Ken Kesey and Ken Babbs, among others, contribute to Issue 1, the "Special Armory Issue," and the same contributions appear in Issue Number 2, the "Special Coast Issue"; there are two magazine-format issues of The BITR Papers, with different color covers and variant content, some of which overlaps with other items in the lot. The intent of the project was to create an educated, informed "Enlightened Constituency" that would "influence not only the state's politicians, the populace and the industry, but the future course of her sister states as well, and thus help steer this nation through the uncharted waters before us." While it may not be attributable to this particular effort, Oregon has become something of a bellwether for the rest of the region and for the country as a whole; one way or another, the project has in many ways largely come to fruition. All housed in a Bend in the River Council folder. Edge-sunned and musty; very good. Rare. [#031419] $565
$396

NY, Henry Holt, (1998). Signed by the author. Unmarked, but from the library of Robert Stone. Fine in a fine dust jacket. [#033794] $35
$18

NY, Scientia-Factum, 1968. Kosinski's resume from 1970, the facts of which roughly correspond to to the biographical sketch at the rear of The Art of the Self, with the omission of his 1965 work Notes of the Author. Together with a copy of The Art of Self [NY, Scientia-Factum, 1968], a pamphlet containing short pieces relating to his National Book Award-winning novel Steps. Inscribed by the author. The pamphlet is edge-sunned; near fine in stapled wrappers. The resume is folded in thirds; edge-sunned with a small edge chip; near fine. A unique combination of items pertaining to Kosinski's writing career after the success of The Painted Bird and before the scandals that later plagued him after his celebrity, culminating in his suicide. [#022972] $750
$525

(London), Golden Handshake, (2004). Inscribed by the author to Robert Stone and his wife: "If you don't write to say how swell you think this book is I won't blame you. Just had a visit from Joey Brooks. Spoke of you & the great old days in Gethly." Laid in is an autograph letter signed from Landesman to the Stones, talking about a grandchild, and her eyesight, and the included poem "A Luddite Lament." The letter is near fine; the book is fine in wrappers. [#033799] $85
$43

NY, Vintage Books, (1973). The uncorrected proof copy of this anthology of poetry by Native Americans, including Eskimos, Hawaiians, Chicanos and Puerto Ricans. Edited and introduced by poet Walter Lowenfels, with additional introductions by Simon Ortiz and Gloria Truvido. Other contributors include James Welch, Joseph Bruchac, Gerald Vizenor, Robert J. Conley, Duane Niatum, Gladys Cardiff, and Besmilr Brigham, among many others. Published as a paperback original, even the first edition is uncommon. An early proof in what became the "Native American Renaissance," presenting a multicultural view of American literature. This copy, though unmarked, is from Lowenfels' estate. Minor edge sunning; near fine in wrappers. [#034642] $200
$130

NY, Pantheon, (2004). Markel examines six major epidemics in the U.S. in the 20th century, including tuberculosis, the Bubonic Plague, and AIDS. Inscribed by the author in the year of publication. "with great appreciation." Fine in a fine dust jacket. [#034917] $125
$81

NY, Knopf, 1972. Acclaimed first book by this Pulitzer Prize-winning author. Fine in a very near fine dust jacket with just a faint label removal shadow to the front cover and a touch of dustiness to the rear white panel. [#915381] $175
$114

(n.p.), Little Brown, (n.d.). An advance excerpt of the American edition. Prints only the title story. Signed by the author. Fine in stapled wrappers. [#911761] $100
$65

Boston, Godine, (1979). The uncorrected proof copy of her first book, a collection of stories that won an award from the American Academy and Institute of Arts and Letters. Spine and lower rear panel abraded from label removal; still about near fine in wrappers. Signed by the author. [#006530] $95
$48

1964. May 15, 1964. Hall of Famer Musial ("Stan the Man") played baseball for the St. Louis Cardinals from 1941 to 1963 (minus one year in the Navy); in February, 1964, he began a three-year term as Consultant to the President on Physical Fitness, under President Lyndon Johnson. This (form) letter, written on White House stationery, addressed to the Public Relations Director of the L.A. Dodgers, and signed by Musial as "Stan," asks for help, "since we don't have funds for advertising" in publicizing "two new books -- Vim for girls, Vigor for boys -- which explain how important [exercise] can be to their future." Included here are copies of Vim and Vigor, "A Complete Exercise Plan for Girls/Boys 12 to 18." [Washington, D.C.: President's Council on Physical Fitness, 1964]. Each is 24 pages, leading off with a Presidential Message from Johnson and concluding with a message from President Kennedy "prepared especially for this book in November, 1963." The 50+ year old advice is surprisingly current, and the advice across the two genders is surprisingly balanced. The letter is fine; the booklets are very good (Vim) and near fine (Vigor) in stapled wrappers. An example of the youthful President Kennedy's foresight in his emphasis on physical fitness, and the subsequent President taking up the mantle to continue his effort with the help of one of the athletic superstars of the day. [#032322] $565
$396

NY, Knopf, 1959. "The disarmingly personal story of a woman's adventures in a man's country," this is Parton's account of five years in India, as staff correspondent for the New York Herald Tribune and wife of the Times of London correspondent there. This copy is warmly inscribed by the author. A near fine copy in a good dust jacket, close to separating at the rear flap fold. [#034657] $175
$114

NY, Riverhead Books, 2004. The first American edition. Signed by the author. Light splaying to boards; else fine in a fine dust jacket. [#912692] $125
$81

Miami, Pandenus Press, (1952). One of 225 copies of this attractive oversize volume that collects Spanish translations of five of Pound's poems, including three of the Cantos. This copy is inscribed by one of the translators, Margaret Bates. Covers foxed; near fine in self-wrappers. [#027456] $190
$124

(n.p.), (n.p.), 1961/1962. Mimeographed typescripts of two one-act plays, which were collected in his 1962 volume entitled Children is All. Inscribed by Purdy on the title page of Cracks to the poet Quentin Stevenson "with the sincere admiration of James" and additionally signed, James Purdy. Children is All (1961) runs 41 pages; Cracks (1962) runs 16 pages. Each is near fine; stapled in the upper left corner. Purdy was a controversial author whose works explored, among other things, gay themes at a time when this was taboo; his popularity and critical reception suffered as a result, but many of his more celebrated contemporaries considered him a genius and a great writer, among them being Tennessee Williams (who wrote a blurb for the book publication of Children is All); Edward Albee (who produced Purdy's play Malcolm); and Gore Vidal, who called him "an authentic American genius" and wrote in the New York Times article entitled "James Purdy: The Novelist as Outlaw" that "Some writers do not gain wide acceptance because their work is genuinely disturbing. Purdy is one of them." As best we can determine, OCLC lists only two copies of the former typescript and one of the latter in institutional collections. Another collection lists "photocopies" of these two plays, but these productions predate plain paper photocopying. Scarce works by a writer whom Jonathan Franzen called "one of the most undervalued and underread writers in America." [#031486] $1,500
$1,125

London, Chatto & Windus, (1998). The advance reading copy of the first British edition. Near fine in wrappers. [#035266] $35
$18

Ottawa, Borealis, 1974. Her second book. Fine in wrappers. [#912740] $350
$228

Ottawa, Borealis, 1972. The first book, a collection of poetry, by the Pulitzer Prize-winning author of The Stone Diaries. Inscribed by Shields to the Canadian poet and novelist Rosemary Aubert: "For Rosemary/ with thanks for a delightful evening/ Carol Shields." Spine faded, with a little tear to the spine base; near fine in wrappers. A nice literary association copy of an important first book. [#029530] $750
$525

Stanford, Stanford University Press, 1964. Includes Robert Stone's first book appearance, two excerpts from his first novel, then in progress. Other contributors to this volume include Ed McClanahan, Hugh Nissenson, and Merrill Joan Gerber. Fine in a near fine, price-clipped dust jacket. [#009509] $60
$30

Pittsburg, Kansas State College of Pittsburgh, 1974. A 6-page story for children by Tate in this double-issue of the college literary magazine. Tate, who also gets a full photo on the inside front cover, graduated from KSCP in 1965. Fine in stapled wrappers. From the estate of the author. [#034376] $75
$38

London, Victor Gollancz, (1993). Near fine in a near fine dust jacket. [#035418] $40
$20

NY, Knopf, 1972. Her fourth book, which many consider her scarcest. Signed by the author. Label removal shadow on front board, else very near fine in a very near fine dust jacket with the slightest smudging on the rear panel. [#911151] $1,000
$700

Cambridge, Leavitt & Peirce, 1958. The hardcover issue of this very early appearance in print by Updike [Roberts B2]. Harvard alumni commemorate the 75th anniversary of a tobacco store and gathering place; Updike contributes a poem, "The Old Tobacconist." Two very slight bumps to the boards and a small tear at the front joint; else very near fine, lacking the glassine jacket. [#026900] $285
$185

NY, Knopf, (1965). A book of poems, one for each month. This is the third of Updike's books for children done in the Sixties, this being the library binding in pictorial boards (there was also a trade binding done). Illustrated by Nancy Ekholm Burkert. This is a fine copy in pictorial boards with just a small push near the upper spine. Difficult to find in collectable condition in the library binding. [#030407] SOLD

NY, Knopf, 1968. The first of his novels to be both a critical and a substantial commercial success. A little sunning to the board edge and the spine; very near fine in a fine jacket. [#912073] $175
$114

NY, Bradbury Press, 1985. A collection of more than 100 poems, selected by Paul B. Janeczko, and published in a pocket sized book with glossy flexible pictorial covers. Updike's contribution is "The Grief of Cafeterias" and it contains two typographical errors, which have been corrected in red copyeditor's pencil, in copyeditor's style. Slight foxing to the edges of the text block, else fine. [#030862] $60
$30

(n.p.), Albondocani, (1974). A card with a poem by Updike, used as a holiday greeting. One of 400 (stated) copies, of which this is one of 260 copies for the author's and artist's use, without the publisher's name printed on the page with the greeting. According to the De Bellis and Broomfield bibliography, 20 more copies were printed than stated in the colophon. Fine in stapled wrappers. [#030175] $40
$20

(n.p.), Albondocani, (1974). A card with a poem by Updike, used as a holiday greeting. One of 75 copies of the suppressed first issue, with the front cover drawing printed upside down. Fine in stapled wrappers. Uncommon. [#011637] $150
$98

(n.p.), William B. Ewert, 1999. The first separate appearance of a poem that first appeared in The New Republic. Two issues produced: 65 signed copies printed as broadsides and 130 unsigned copies issued folded, as cards. This is one of the latter but has been inscribed by the author to two, married friends: "___ - An item for your collection./ ___ - whatever happened to our golf foursome?/ Happy Holidays to you both./ John." 8-3/4" x 11-1/2". Folded, by design; fine. [#030264] $190
$124

NY, Knopf, 1963. His second collection of poems. Inscribed by the author. Spotting to top stain; near fine in a very good dust jacket. [#030156] $170
$111

[NY], (Scientific American), (1969). The first separate edition of this physics-themed poem. One of 6200 copies printed as Christmas cards to be issued with W.H. Auden's A New Year Greeting (not present). 24 pages, illustrated. Fine in stapled wrappers. Lacking the cardboard sleeve that combined the two booklets, but in a custom three quarter leather clamshell case from the Praxis Bindery. This copy is inscribed by the author: "For ___/ Merry Christmas 1995/ John Updike [with a drawing of holly leaves and berries]." While the print run of this item was not particularly small, especially when compared with the many limited editions Updike has done, the nature of its distribution -- as a freebie to Scientific American subscribers -- suggests that most copies would have been lost or discarded. [#030850] $2,500
$1,875

NY, Knopf, 1959. His third book and first collection of stories. Fine in a near fine, lightly rubbed, price-clipped dust jacket. A very nice copy, and very scarce thus. [#027123] $450
$293

NY, Norton, (1996). Signed by the author in the year of publication. Fine in a near fine dust jacket with an Autographed Copy sticker on the front panel. [#035278] $40
$20

London, Cape, (1998). The hardcover issue. Signed by the author. Fine in a fine dust jacket. [#915673] $100
$65

Taunton, MA, 1803. The handwritten court documents for a paternity/child support case in Massachusetts in 1803, filed on behalf of a girl who (as best as we can tell) would have been 11 years-old at the time of "begetting," against a man of (we believe) 19. Two pages: the first is the complaint made by Attorney [Nicholas] Tillinghast on behalf of Sally White, in part: "Complains Sally White of Taunton aforesaid Singlewoman that at about the last of May or the first of June in the year of our Lord one thousand eight hundred and two, she was begotten with child by Charles Baylies of Dighton is a County Labourer and the same child has since been born alive and is a Bastard, wherefore she prays This Hon. Court to examine this complaint and to adjudge the said Charles to be the reputed father...." The Court's examination of Sarah White, taken under Oath, follows, recording White's answers to five questions: 1. Are you with Child of a Bastard? Yes. 2. Who is the Father of the Child? Charles Baylies of Dighton. 3. Where did he beget you with child? At my father's house. 4. About what time did he beget you with child? About the last of last May, or some time in the beginning of June. 5. Upon the Oath you are about to take, have you any Doubt about Charles Baylies being the Father of the Child. No. The document is then signed by Sally White. Bastardy Law in Massachusetts at the time was designed only to relieve the State of the burden of the child, rather than as an arm of punishment for acts of fornication (or of rape, although age of consent in Massachusetts at the time was 10 years old). If we are correct about the participants, both Baylies and White would marry others: she would bear seven additional children, and die at the age of 32. Two pages, approximately 6" x 8", previously folded together as a docket and labeled with White's name and complaint on the outside. The attorney's statement is edge-torn at two folds; else both papers are near fine. [#033602] $750
$525

(n.p.), Dreamworks, 2007. The shooting script for the film version of Yates's first novel: the book was published in 1961; the movie was released in 2008. This is a May 3rd shooting script with revisions for May 11 and May 16. "Revised" sticker on front. Pink and blue bradbound pages; near fine. The script was nominated for a BAFTA Award for best adapted screenplay; Haythe's first novel, The Honeymoon, was nominated for the 2004 Booker Prize. [#029373] $375
$244

NY, Macmillan, 1924. First thus, a revised edition. Bookplate front pastedown; a very good copy, lacking the dust jacket. [#035437] $35
$18

NY, Villard, (2002). Inscribed by the author to Robert Stone, in 2006, "All is possible!" Fine in a near fine, mildly spine-faded dust jacket. [#033788] $50
$25