Weekly Sale

(Salt Lake City), (Dream Garden), (1982). The second of the Wilderness calendars, with work by a number of prominent photographers, and text by Edward Abbey, Tom McGuane, Leslie Marmon Silko, Ann Zwinger, Lawrence Clark Powell, Wallace Stegner, Barry Lopez, Frank Waters, William Eastlake, John Nichols, and others. This copy has been signed by Eastlake and Powell, and photographers John Telford, Tom Till, Fred Hirschmann and Chris Wangsgard -- several of the finest and most highly respected photographers of the natural world working today. Fine. [#010416] $95
$48

NY, Ballantine, (1993). The uncorrected proof copy. Peter Carey, Thea Astley, Patrick White, Tim Winton, Christina Stead, etc. Near fine in wrappers and in a proof dust jacket lacking flaps, apparently by design. [#036273] $50
$25

Boston, Houghton Mifflin, (1989). The uncorrected proof copy. Edited and with a 14-page introduction by Atwood; with stories by Larry Brown, Madison Smartt Bell, Robert Boswell, Charles Baxter, Harriet Doerr, Linda Hogan, Mark Richards, Bharati Mukherjee, Alice Munro, Mavis Gallant, and others. Scattered light foxing; near fine in wrappers. [#036161] $45
$23

NY, Avant Garde, 1968. The first five issues (of 14 issues total). Two issues have owner names; some edge tanning to pages; modest cover soiling. A very good set. [#036021] $175
$114

DeKalb, Cedar Creek, 1980. The wrappered edition of the first book, a collection of poems, by this writer of Choctaw-English-Welsh descent. Signed by the author on the title page and additionally inscribed by him in 1999: "For __ ___ - with best wishes, this early, little book -/ Jim B." Fine in wrappers. An uncommon title in any issue, and especially scarce signed. [#036422] $250
$163

(NY), New Rivers Press, 1974. The scarce hardcover issue of his second book, a collection of poetry. The total edition was 600 copies, of which only 200 were issued in cloth; 400 were issued in wrappers. Well-known these days as a writer of fiction and of essays on fiction, Baxter didn't publish his first novel until 1987, seventeen years after his first book (Chameleon) and thirteen years after this title. Inscribed by the author in 1982. Fine in a slightly rubbed, else fine dust jacket. [#911007] $650
$455

Tucson, Firsts, 2005. The full year, 10 issues (no issue published in July or August). Articles on Richard Powers, Nathaniel Hawthorne, Fritz Leiber, Frederik Pohl, a Patrick O'Brian update, etc. Fine. May require added postage. [#036327] $50
$25

(Augsburg), Maro Verlag, (1997). The German language issue of the first separate appearance of a story that first appeared in the Georgia Review in 1979. Illustrated with woodcuts by Sophie Dutertre. Fine in self-wrappers, with a one sheet, four-page author/illustrator biographical supplement laid in, also illustrated by Dutertre. Uncommon. This copy is signed by Boyle. [#911383] $150
$98

South Brunswick/NY, A.S. Barnes, (1969). Kelley, the author of John Burroughs: Naturalist, the director of the John Burroughs Memorial Association, and Burroughs' grand-daughter, here introduces and illustrates a selection of 14 pieces by Burroughs. Also includes an 8-page photo insert. Signed by Elizabeth Burroughs Kelley. Near fine in a very good, rubbed dust jacket, with tears at the spine extremities that have been internally tape-mended. [#036196] $150
$98

Kingston, Kingston Publishers, (1992). The true first (Jamaican) edition of Campbell's autobiography which deals, to a great degree, with the obscenity case brought against him and the Two Live Crew for their lyrics on their album "As Nasty as They Wanna Be." The album was declared obscene and illegal to sell; Campbell and two others were arrested after performing songs from the album at a club in Florida. They were acquitted after Henry Louis Gates, Jr., among others, spoke on behalf of their lyrics. This book was published in Kingston, Jamaica, with a "Parental Advisory" notice on its cover, because it was thought that it might not be publishable by an American publisher. When it was finally published in America, after the trial and appeal had ended, it became a bestseller, but the Jamaican edition, which is the true first, is scarce. OCLC lists only 6 copies of the Kingston edition. Light wear to spine and corners; near fine in wrappers. [#034789] $1,500
$1,125

London, Faber and Faber, (1980). First thus: the first British edition of this collection of stories, some of which appeared in the collection War Crimes, which was not published outside of his native Australia, and the others of which are from his first book, which was published in Australia with this same title in 1974. Signed by the author. Fine in a fine dust jacket. [#911418] $125
$81

San Francisco, Rip Off Press, 1971. First printing, with blue sky on the rear cover (Jay Kennedy's Price Guide). Near fine. [#036388] $85
$43

NY, Macmillan, 1948. Winner of the 1949 John Burroughs Medal. "Bird Experiences in Florida," with text by Helen G. Cruickshank and photographs by the author's husband, Allan D. Cruickshank, who was the official photographer of the National Audubon Society. This copy is signed by both Cruickshanks. Allan has added "Dum Vivimus Vivamus" ("While we live, let us live") below his signature. A fine copy in a very good, unevenly faded, price-clipped dust jacket with moderate edge wear. [#034647] $300
$195

Chicago, Poetry, 1953. Warmly and lengthily inscribed by Dahlberg at his contribution, "Ushant, A Long Lotus Sleep," an excerpt from a work-in-progress. Near fine in wrappers. [#017387] $95
$48

NY, Grove, (2002). The advance reading copy of the second book by the author of the highly praised Lord of the Barnyard, who committed suicide in May, 2005. This copy is signed by Egolf. Fine in wrappers. [#914920] $250
$163

(n.p.), (n.p.), 1988. A 120-page screenplay by Ford for a 1991 film adaptation that he did from stories in his collection Rock Springs. Signed by Ford. An unknown number of copies were produced, but Ford signed seven of them at a reading in 1990. Photo-reproduced sheets on 3-hole paper. In this copy, page 120 was typed on a different typewriter than the first 119 pages. Bound in a flexible blue binder; fine. The film was directed by Michael Fields and starred Dermot Mulroney, Lili Taylor, Sam Shepard and Valerie Perrine. [#911202] $1,000
$700

Boston, Houghton Mifflin, 1999. A Mariner paperback original, with an introduction by Ian Frazier. Blurb by Philip Roth. Mild foxing to end pages and text block. Near fine. [#036074] $45
$23

(NY), (John Love), [ca. 1975]. One of John Love's "Hearsay Broadsheets," this one announcing a poetry reading on Saturday, October 25 at Tin Palace. Poets include: Russell Edson, John Eskow, David Ignatow, Bill Knott, John Love, Thomas Lux, Bart Midwood, James Tate, and Virginia Terres. 19" x 8-1/2", printed in red on cream. Love's stamp appears on the verso. Folded in half, else fine. [#035320] $125
$81

NY, Harper & Row, (1984). The first book in his Ghost Horse cycle, a novel written for young adults and chronicling three generations in the lives of a Northern Plains Indian family in the nineteenth century. Inscribed by the author to Henry Kurth, "in friendship." Fine in a very near fine dust jacket with slight wear at the crown. [#026341] $40
$20

NY, Ballantine/Del Rey, (1978). The hardcover issue. Fine in a fine dust jacket. [#916291] $150
$98

NY, Farrar, Straus and Giroux, (2004). The saga of the "presumed extinct" Ivory-billed Woodpecker, and its emblematic place as a species of the "sixth wave" of extinction, currently underway. A beautifully researched and illustrated history of the forces conspiring against the bird's survival and the efforts made to stave off its demise. Inscribed by the author to a long-time ("ancient") friend. Fine in a fine dust jacket. [#036643] $125
$81

Woodstock, Overlook Press, (2008). Signed by Kelly and inscribed by Jacobs: "Mickey - a brown drama for a warming age. Hope it's instructive." The authors examine decades of fits and starts in clearing the Californian air in this "cautionary tale of environmental crisis." Tanning to page edges, else fine in a fine dust jacket bearing an Independent Publisher Book Awards label. Scarce signed. [#035992] $250
$163

Rochester, George Eastman House, 1956-1960. 29 issues of this "Journal of Photography and Motion Pictures." Unmarked, but from the library of Pauline Kael. The George Eastman House published this journal beginning in 1952. This lot begins with all ten issues from 1956 and includes nine of the ten issues from 1957 (all but No. 55, the December issue); five of the ten issues from 1958 (Nos. 57, 58, 62, 64, 65); three of the four quarterly issues from 1959 (June, September, December) and two of the four issues from 1960 (March, June). These date from the period that Kael managed the Berkeley Cinema-Guild and Studio, an art film house that she ran for about five years before beginning her career as a film reviewer. The lot is musty; the June 1956 issue has lost its staples; otherwise the lot is near fine in stapled wrappers. [#036416] $375
$244

[NJ/NY], [Prentice Hall/Henry Holt], [1973-1989]. Four books by Key, beginning with his revelatory volume Subliminal Seduction [Englewood Cliffs: Prentice Hall, 1973], which managed to convince a wide swath of 1970s America that it was being manipulated by sexual words and imagery deviously distributed, including within the images of ice cubes in magazine liquor advertisements, among many other places. From there, Key published Media Sexploitation [Prentice-Hall, 1976]; The Clam-Plate Orgy [Prentice-Hall, 1980]; and The Age of Manipulation [NY: Henry Holt, 1989], all variations on the theme of how the media consciously manipulate consumers' subconscious thoughts and behaviors. The first volume has an introduction by Marshall McLuhan, a colleague and friend of Key. Key's thesis was proposed as a corrective to the primary emphasis placed on Marketing by 20th century business culture -- that is, on the need to persuade consumers to select a given product out of an array of options. If the details he cited as examples were not always correct, there was no question that the use of marketing techniques had often crossed ethical lines and been exploitative, as it often continues to be. The first two titles are price-clipped; Media Sexploitation is very good in a very good dust jacket; the three other titles are near fine in near fine dust jackets. [#035010] $1,200
$900

London, Bodley Head, (1960). The first British edition of the author's first book, a pseudonymously published nonfiction account of Russia in the postwar years, predating his first novel, The Painted Bird, by five years. Inscribed by the author as "Jerzy Kosinski" for Hugh Moorhead in 1982. Moorhead was a Philosophy professor at Northeastern Illinois University who wrote to 250 authors to ask them what they thought the meaning of life was, and then published their answers in a depressing book that suggested nobody had much of a clue. Stripe at bottom page edges; very good in a very good dust jacket chipped at the upper front spine fold. [#000989] $350
$228

Garden City, Doubleday, 1986. A Double D Western set around the turn of the 20th century, and Lansdale's first book to be published in hardcover. Inscribed by Lansdale to fellow writer Stanley Wiater: "For Stan, Hope you enjoy your ride on [The Magic Wagon]. Thanks for the Fangoria interview. Joe R. Lansdale." Wiater's Gahan Wilson-designed bookplate front flyleaf; small scrape to rear board; foxing to top edge; near fine in a very near fine dust jacket with a few edge nicks. Wiater's interview with Lansdale appeared in a 1990 issue of Fangoria. A nice inscription and association, and one of the author's scarcer titles. [#029676] $400
$260

(NY), (One Story), (2004). His first solo appearance in print, a story that was later included in his collection Sightseeing. Published as Issue 46 of One Story. Lapcharoensap was named as one of Granta's best young American novelists, despite the fact that his one book to that point was a short story collection. Fine in stapled wrappers and signed by the author. [#913211] $125
$81

NY, Viking, (1983). Matthiessen's controversial and suppressed book about the confrontation between American Indian activists and the FBI in the early 1970s at Pine Ridge Reservation near Wounded Knee that left two federal agents and one Indian dead, and resulted in AIM activist Leonard Peltier imprisoned for life, convicted of the agents' murder in a case that, as Matthiessen describes it, was rife with government malfeasance. This copy is inscribed by Matthiessen in the year of publication: "For Rahda & Jimmy/ with many thanks and love. Peter. In your beautiful house/ Santa Barbara/ March - 1983." Also signed in full on the front pastedown. Trace edge sunning, still a fine copy in a very good, very spine-faded dust jacket with modest edge wear. [#035589] $250
$163

NY, Random House, (1997). The second novel in the trilogy that began with Killing Mr. Watson, based on a series of events in Florida at the turn of the last century and using the novel form to explore the settling and development of that frontier, with an awareness of the ecological implications of that development. Inscribed by Matthiessen to Mike [Geary], with "many thanks again for a great day." For reasons unknown to us, not given to Geary; from Matthiessen's own library. Fine in a fine dust jacket. [#032352] $150
$98

Paris, (Durand), (1953). Six illustrations by American surrealist artist Leon Kelly. This is Copy No. 47 of an unspecified limitation by this prolific French writer and translator. A near fine copy in self-wrappers, with a very good glassine dustwrapper. [#035597] $100
$65

(NY), Norton, (2021). Conservation history over the centuries, as seen through the lens of species protection. Inscribed by the author. Small nick to foredge and upper front board; else fine in a fine dust jacket. [#036645] $150
$98

NY/Chicago, Pitman, (1938). An explication of 350 Russian word roots. Inscribed by the author in 1938, to Mrs. Kathleen Barnes (possibly of the Institute of Pacific Relations). Patrick was, at the time, an Associate Professor of Russian at the University of California, Berkeley; he eventually chaired the Department of Slavic Languages. Spotting to top edge and mild dampstaining to lower board edges; near fine in a very good, somewhat stained and darkened dust jacket. [#035137] $250
$163

(NY), (Vehicle), (1978). Her second book, a collection of short prose poems. Of a total edition of 500 copies, this is one of 474 copies in wrappers. Inscribed by the author in 1979. Slight rubbing to the spine folds, else fine; a very nice copy. [#011223] $125
$81

NY, Scribner's, (1992). The uncorrected proof copy of her second book of fiction and first novel. Winner of the PEN/Faulkner Award. Very mild spine-sunning, else fine in wrappers. [#023936] $200
$130

London, Punch/Bradbury Agnew, ca. 1894. Fifteen issues: Nos. 3-5 and 7-18. Original wrappers, not a bound set. Nearly all covers detaching or detached but present (but for the rear cover of No. 11). Some sunning and dampstaining (particulary No. 11); overall the lot is in good condition. [#600031] $50
$25

(n.p.), (n.p.), ca. 1989. A photocopied typescript of an early draft of Pynchon's first novel after Gravity's Rainbow: a span of seventeen years had passed by the time Vineland was finally published. 519 double-spaced pages, with textual variations from the published version. This version of the manuscript reportedly dates from a period about a year before the book was published in February, 1990. It represents a version of the text that is markedly different from that which was published and is an exceptional rarity in that regard. Pynchon reportedly insisted that no proofs or advance reading copies be done of this title, and the only printed pre-publication states that exist are a handful of f&g's (folded and gathered sheets) of the first edition and copies of the published edition that had a promotional sheet inserted. This version of the manuscript, which Pynchon apparently rewrote considerably, was never produced in printed form. From the very first sentence to the very last sentence, there are major, substantive differences between this draft and the text of the published volume. Reportedly, five copies of this draft were photocopied, double-sided, and bound with a cardstock cover; we know of four copies of these loose sheets, printed on rectos only, which presumably would have preceded the double-sided bound copies. This set shows signs of having been read: the top sheet is slightly creased and worn, and the edges of the pages are a bit dust-soiled and slightly rough. Overall, the condition is near fine. We sold this set in 1999 and bought it back this year: no copies have been made of it, by our buyer or ourselves. While only a photocopy, this is doubtless the most textually significant Pynchon item we have ever seen offered on the market, and copies of this draft are likely to be scarcer than any of the proofs of any of Pynchon's other books. Basis for the acclaimed 2025 Paul Thomas Anderson film One Battle After Another, by consensus the most successful film adaptation to date of a Pynchon novel. [#036650] $10,000
$7,500

NY, Norton, (2012). From Quammen's website, ca. 2012: "The next big and murderous human pandemic ... will be caused by a new disease -- new to humans, anyway. The bug that’s responsible will be strange, unfamiliar, but it won’t come from outer space. Odds are that the killer pathogen -- most likely a virus -- will spill over into humans from a nonhuman animal." Signed by the author. Fine in a fine dust jacket. [#034919] $400
$260

London, Chatto & Windus, (1992). The uncorrected proof copy of the first British edition. Near fine in wrappers. [#035261] $40
$20

[NY], [Bantam], [1990]. Point of sale display for this title. (No book included.) Cover art: 14" x 16" at longest point, meant to attach to display rack. Rubbed, mild edge wear; near fine. Suitable for framing if cropped. [#023606] $60
$30

(London), Little Brown, (2004). The advance reading copy of the British edition of this massive novel, which was loosely based on the author's life story, including his escape from an Australian prison and living on the run for a number of years. He wrote the novel while in prison, after being recaptured, and it became a bestseller. Labeled "uncorrected bound proof." Fine in wrappers. Uncommon in an advance issue. [#914678] $200
$130

Garden City, Doubleday Doran, 1936. A novel by the prolific British author of the classic Fu Manchu series of fantasy novels, which were immortalized in a series of films, first in the 1930s and then again in the 1960s. Inscribed by Rohmer, "with love," and signed with his trademark "$ax." Bookplate front pastedown; spine-sunned; handling to boards; very good in a very good, modestly edgeworn dust jacket with a dusty rear panel. Books signed by Rohmer are uncommon these days, especially in collectible condition and in dust jacket. [#021689] $1,250
$938

(Milwaukee), Membrane Press, 1976. Inscribed by Rothenberg to Clayton [Eshleman] and Caryl, "the pleasure of your company." Near fine in wrappers. [#033545] $45
$23

NY, Crown, (2016). The subversion of democracy via gerrymandering, judicial activism, "Citizens United" and the rise of Super PACs, restrictive voting laws passed at the state level, etc., as seen from the politically pivotal year of 2016. Signed by the author. Fine in a fine dust jacket. [#036573] $150
$98

(Washington, D.C.), National Association for Women in Education, (1996). An exploration of gendered experiences in the classroom, from nearly every conceivable angle. This is a follow-up to the 1982 report The Classroom Climate. Co-authored by Sandler, with Lisa A. Silverberg and Roberta M. Hall. This copy is inscribed by Sandler: "To Carol - keep up the good work." Near fine in wrappers. [#034716] $100
$65

NY, Norton, (1989). Inscribed by Sarton to Doris Grumbach in the year of publication: "For Doris/ with love always/ from M." Below this, Sarton has signed her name in full. Grumbach is not specifically named, but the book comes from a collection where similarly inscribed books confirmed the attribution. A wonderful association: in addition to their being friends; both authors explored lesbian themes in their novels before such a thing was fashionable, then ordinary, then cause for rage and banning. Slight lean (as though from gentle reading), else fine in a fine dust jacket. [#036481] $250
$163

Ottawa, Borealis, 1974. Her second book. Fine in wrappers. [#912740] $100
$65

Boston, Houghton Mifflin, 1967. Second printing. From the author's own library and inscribed by Stone: "To Aunt Ruth/ with every best wish/ Bob Stone." Two names written on the rear flyleaf; near fine in a near fine dust jacket. [#033825] $200
$130

Pittsburg, Kansas State College of Pittsburg, 1963, 1965. Two issues of this college literary magazine -- Vol. iii, No. 2 (1963) and Vol. 6, No. 2 (1965) -- each with poetry by Tate (one poem in the first issue; five in the second, one of which won an award). The 1963 issue is item B-1 in the author bibliography published in 1972; the 1965 issue is B-4. From the author's library. Covers rubbed; each is near fine in stapled wrappers. [#034413] $150
$98

London, Elkin Mathews, 1905. Volume 23 in the Vigo Cabinet Series. Inscribed by the author on the front cover, prior to publication. Additional pencil mark to cover; spine and edge-darkened wrappers; a very good copy. [#036005] $250
$163

NY, Knopf, (1965). A book of poems, one for each month. This is the third of Updike's books for children done in the Sixties, this being the trade binding (there was also a library binding done). Illustrated by Nancy Ekholm Burkert. Fine in a near fine, price-clipped dust jacket. [#912070] $100
$65

NY, Knopf, 1959. His third book and first collection of stories. Fine in a near fine, lightly rubbed, price-clipped dust jacket. A very nice copy. [#027123] $225
$146

(n.p.), (n.p.), ca. 2009. A spiralbound mock-up of a book of selected poems, with photocopied selections from, apparently, seven of her previous books. Some pages reproduce copyeditor's marks. Such a selection was issued by Wave Books in 2009. Last few pages creased, with a small (coffee?) stain. Otherwise about fine. Unmarked, but from the author's library. Scarce, possibly unique. [#034480] $250
$163