ca. 1980s. An archive of the 1980s art world, from the files of Art & Antiques magazine, with more than 350 signed pieces of correspondence from approximately 200 names in the fields of art, architecture, academia, literature, dance, photography, music, journalism, fashion, economics, social history, and more. The archive includes letters, notes, cards, invitations; several signed contracts; and approximately 20 typescripts, all from notables such as: Svetlana Alpers, Eve Arnold, John Barth, Daniel Boorstin, Jean-Claude Christo, Craig Claiborne, William Crutchfield, Oscar de Mejo, Carol Diehl, Max Ferguson, Leslie Fieldler, John Kenneth Galbraith, Stella Gibbons, Francoise Gilot, Adam Gopnik, Robert Gottlieb, Francine du Plexis Gray, Tina Howe, Philip Johnson, Wolf Kahn, Allegra Kent, Carlton Lake, Walter Liedtke, John Loengard, George Lois, Edward Lucie-Smith, Sam Messner, P.J. O'Rourke, Jed Perl, Bennard Perlman, Darryl Pinckney, David Plante, Reginald Pollack, Mordecai Richler, Jerome Rothenberg, Peter Schjeldahl, Joan Snyder, Debra Solomon, Holly Solomon, Eve Sonneman, Pat Steir, Faith Stewart-Gordon, Andrew Sullivan, Michael Van Rijn, and Diana Vreeland, among many others. A few of the folders have apparently been carried forward from an earlier time, and pre-date the 1980s (and several may fall into the 90s). Alphabetical file folders, in two bankers boxes. Scattered marginal foxing; near fine.
[#035965]$4,500 $3,375
NY, Knopf, 1983. The first American edition. Warmly inscribed by Richard Adams, author of Watership Down, "To Marilyn with gratitude and all good wishes," and dated December, 1982. Note that the title page of this US edition gives the publication date of 1983, but the copyright page and the dust jacket both bear a 1982 date. Adams and Lockley, in alternating voices throughout the text, tell the story of their 6500 mile journey from Tierra del Fuego, along the coasts and seas of Antarctica, to the southern tip of New Zealand. Heavily illustrated with photographs by Peter Hirst-Smith. Near fine in a very good dust jacket with shallow edge wear. Scarce signed.
[#036189]$300 $195
NY, St. Martin's, (1988). The uncorrected proof copy. Includes Stephen King's "The Night of the Tiger." Also Bloch, Matheson, Aldiss, Beaumont, etc. Faint spottting to spine; near fine in wrappers.
[#036265]$50 $25
Moorhead, Territorial Press, 1976. Second printing. An anthology of contemporary American Tribal poetry -- featuring the writers of the first generation of the Native American "renaissance" -- printed at Moorhead State College in Montana. Edited by James L. White and with early contributions by Leslie Silko, Joy Harjo, Duane Niatum, Gerald Vizenor, Simon Ortiz, Lance Henson, Anna Lee Walters, Carroll Arnett and many others. Uneven sunning; very good in wrappers.
[#036299]$40 $20
Garden City, Doubleday, 1966. Signed by the author. A bit of bubbling to pastedowns; else fine in a near fine, mildly spine-sunned, near fine dust jacket. H18 code on last page of text.
[#911337]$160 $104
NY, Richard W. Baron, (1970). A review copy of Berger's third Reinhart book. Inscribed by Berger to film director Tony Bill "with all the best." Fine in a fine dust jacket with publisher's press release laid in. Also laid in is a print out of John Leonard's review from the New York Times News Service.
[#912267]$150 $98
Tucson, Firsts, 2008. The full year, 10 issues (no issue published in July or August). Articles on Marilynne Robinson, William Styron, Margaret Coel, James Bond, Daniel Woodrell, Gone with the Wind, etc. Fine. May require added postage.
[#036330]$50 $25
(Jamaica), (Jamaica High School), (1928). The final issue of The Oracle that Bowles would appear in, before graduating from Jamaica High School. Contains (from Jeffrey Miller's bibliography) C41-C43: two poems ("Tailpiece" and "Spire Song") and a credit as editor of the Poet's Corner. In addition, there are multiple references to Bowles throughout: lines describing his academic career; a prophecy for his future (he also chaired the prophecy committee, so perhaps wrote his own prophecy); a class chart that claims Bowles is a day dreamer who thinks he is a poet, would like to be a "futuristic artist," is often seen with a dazed expression, and whose hobby is literature. His class photo appears on page 11. There is a page for autographs that has one signature; the innermost pages have separated from the staples and are laid in. Edge-sunning to covers; very good in stapled wrappers.
[#036213]$1,500 $1,125
Verona, (Stamperia Valdonega), 1974. One of 300 copies printed, this copy inscribed by Campbell to Pauline Kael, "in admiration." Edge-sunning to wrappers; near fine.
[#035487]$125 $81
NY, Viking, (1966). The first American edition -- reportedly preceding the Canadian edition -- of the landmark second novel by the Canadian poet-folksinger, one of the key books of the Sixties -- a "visionary counter-culture religious epic" in the words of one critic. In its paperback reprint edition, it was ubiquitous on college campuses and passed hand-to-hand by a generation that was finding itself increasingly alienated from the mainstream, dominant culture. Trace foxing to foredge, still a fine copy in a near fine dust jacket with light wear to the spine ends and a crease to the front flap fold.
[#034866]$450 $293
1993. An apparently unproduced screenplay. Cook self-published Rent a Family as a novel in 2010. Claspbound photocopy in plain covers; near fine.
[#030537]$40 $20
NY, Knopf, (1961). Later, but early, printing of one of Dahl's classics. Bound by Book Press, with a 4-line colophon, this is the issue in light blue boards with a darker quarter spine and an SBN on the rear jacket panel. Distinguished by its condition: light foxing to the top edge; slight mustiness; but a near fine copy in a fine dust jacket.
[#035570]$350 $228
An archive of Demas’ memoir of growing up in Stuyvesant Town, a carefully planned postwar neighborhood in central Manhattan where prospective tenants were closely screened. Many were immigrants or the children of immigrants. Blacks were excluded in the early years. For most, ST represented a step up the social ladder, into the middle class, with higher incomes, better education for the children, less onerous working conditions for the fathers, and mothers who could stay at home as housewives. Eleven Stories High explored the changing roles and expectations of women between Demas’ mother's generation and her own, as well as being a Gentile in a Jewish world; the secret community of Greeks in America; and the contrast between "the country" and the vast sterility of Stuyvesant Town where “an earthworm was an exotic, a butterfly a miracle.” When Eleven Stories High was published, Demas became an inadvertent spokesperson for Stuyvesant Town, and her comments on various ST-related matters – having to do with real estate values in the late 1990s and early 2000s; gentrification; the decline of the middle class, and the contrast with the values instilled by her upbringing in this "accidental utopia," as she called it – appeared in the New York Times as an article, an op-ed piece, and a letter to the editor. The book itself generated several large files of correspondence: included are hundreds of pages of readers sharing their responses to the book and their own recollections of Stuyvesant Town. Demas’ book is a memoir, but her archive is a social history. Little else has been written about ST: Charles Bagli’s 2013 book Other People's Money focused on Stuyvesant Town and Peter Cooper Village as the center of the greatest real estate deal ever made – and then, at the height of the Great Recession, ever to fail, but little has been written about the community itself, which helped give rise to the idea of gated communities around the country; helped to define what it meant to be in the middle class at that time, especially in an urban area; and embodied so many elements of both the positive and negative aspects of "the American Dream." A full inventory is available on request.
[#033849]$9,500 $7,125
NY, [The Democratic Party], 1888. The Democratic Party Platform, as adopted in St. Louis on June 7, 1888. Grover Cleveland was running for re-election, against the Republican Benjamin Harrison: Cleveland won the popular vote, but lost in the Electoral College. (Cleveland would win a rematch, in 1892.) This pamphlet puts forth the ideals of the Democratic Party at the time, including: childhood education; the rights of organized labor; the separation of church and state; the equality of all citizens without regard to race or color; the reform of unjust tax laws that unduly enrich the few; the end of the sale of public lands to benefit corporations rather than settlers; the reigning in of tariffs; the admission of Washington, Montana, Dakota and New Mexico into the Union; and supporting the blessings of self-government and civil and religious liberty for all nations. The platform reaffirms the rights of native and naturalized citizens, but takes a hard line against the importation of "unfit" foreign labor. One sheet, folded to create a 12 page pamphlet, 3 3/8" x 5 3/4". Foxed, and fragile; about very good. Only two copies located in OCLC, at NYPL and Pittsburgh State University.
[#034697]$1,000 $700
London, Unicorn, 1898-1899. Two bound volumes: Vol. One and Vol. Two of the New Series (October to December, 1898 and January to March, 1899). Owner names; bindings worn; contents preserved, but still only good copies.
[#600032]$75 $38
New Haven, Yale University Press, 1961. Dugan's first book, a volume in the Yale Series of Younger Poets, which won both the National Book Award and the Pulitzer Prize. This copy is signed by Dugan on the title page. In addition, although Dugan dedicated all of his books to his wife Judith [Shahn], on this copy Dugan has amended the dedication page to read "[For Judy] and my mother and in memory of my father". As this was not an indication of a future textual change (the second printing continues to say only "For Judy,") it appears this was Dugan's mother's copy and reverted to him, as it was with Dugan's own archive after he died. Fine in a fair dust jacket, which is not only inexpertly taped back together after a full length split at the rear spine fold, but re-taped inside-out such that the author photo and rear jacket flap are now on the verso. A noteworthy copy of a highly praised first book.
[#036445]$450 $293
(Santa Monica), Smart Art Press, (1998). The first appearance in print for the artist who, among his other successes, would become the "house artist" for the first McSweeney's store, in Brooklyn. Near fine in stapled wrappers.
[#032975]$150 $98
NY, Grove, (2002). The advance reading copy of the second book by the author of the highly praised Lord of the Barnyard, who committed suicide in May, 2005. This copy is signed by Egolf. Fine in wrappers.
[#914920]$250 $163
Gorham/Portland, [University of Southern Maine], 1971. Poster advertising two dates for a showing of a film "featuring a history of experimental cartoon work and animation" by Charley Murphy and Stan Vanderbeek, and "a new film by Kenneth Anger," plus a "surprise film." 14-1/2" x 16". Black on gold; near fine.
[#033333]$100 $65
London, Jonathan Cape, 1957. Quarter leather clamshell box, custom made for the first edition of Fleming's spy thriller. Black cloth; black leather spine with raised spine bands, printed in gold with author, title, and "First Edition / 1957." Near fine. Case only, no book.
[#036398]$250 $163
(n.p.), (n.p.), 1988. A 120-page screenplay by Ford for a 1991 film adaptation he did from stories in his collection Rock Springs. The film was directed by Michael Fields and starred Dermot Mulroney, Lili Taylor, Sam Shepard and Valerie Perrine. Apparently a later generation photocopy, as the text is less sharp; also the rectos of the pages tend to stick to the versos of the pages preceding. This copy is signed by the author. Near fine, in maroon binder.
[#911203]$1,000 $700
(Madrid), Editorial Plutarco, 1930. Arabic-Spanish poetry from Andalucia. An early book by the prominent Spanish Arabist critic, poet and translator. A friend of Spanish poet Federico Garcia Lorca, his translations inspired Garcia Lorca's Divan del Tamarit, published posthumously in 1940. Copy No. 976 of an edition of 1000. Owner name on flyleaf; mild edge-chipping; front joint weakening. Very good in wrappers.
[#035641]$125 $81
(London), Faber and Faber, (2004). A limited edition with text by Alex Garland and woodcuts by Nicholas Garland. Of a total edition of 310 copies, this is number 289 of 250 numbered copies (#s 51-300) signed by both Garlands. Folio, 17" x 12"; fine in slipcase.
[#914498]$160 $104
Baltimore, Contemporary Poetry, 1944. A collection of poems, one of 1000 copies. A nice association copy, inscribed by the author to a painter, the wife (for a time) of a poet. A fine copy in a worn dust jacket severed at the spine. A fragile wartime book.
[#016232]$250 $163
London, Jonathan Cape, 2003. A promotional T-shirt with a "Curious?" tagline and a stabbed dog graphic. Blue, V-neck, "one size" (small-ish), 100% cotton; fine. A different design than the "Curious" t-shirts that are sold at the National Theatre Shop in conjunction with the theatrical release of this title.
[#031394]$50 $25
Wesleyan University Press, 1968. Manuscript poem. Publication information (Honig's book Spring Journal, published by Wesleyan University Press) is written across the bottom. Signed by Honig. The word "Spring" is smudged by water; the poem and signature remain near fine.
[#035885]$150 $98
[Berkeley], Ecology Center, ca. 1969. The author of Brave New World takes on the threats posed by rising populations and accompanying preoccupations with politics and power rather than with democracy and ecology (with special reference given in the text to Russia and China). First thus: issued as Ecology Center Reprint 7 (reprinted from Center Magazine). Near fine in stapled wrappers.
[#035313]$75 $38
NY, Partisan Review, 1938-1979. An incomplete run of 60 issues, spanning five decades. From the estate of film critic Pauline Kael. Provenance available, but the direct evidence is that 1) Kael has excised her contribution from the Summer 1963 issue, and the cover says "clipped" in her hand; 2) Kael has written her name on the Summer 1967 issue and added praise inside at the Stephen Spender article; and 3) a postcard to Kael from Jack Hirschman is laid into the Fall 1967 issue. General condition: two issues from the 1930s (Jan and May 1938), good only; eleven issues from the 1940s (Spring 1945, Winter 1946, July/Aug and Sept/Oct 1947, Feb, May, July, Oct 1948, March, July, Dec 1949), all very good but for Sept/Oct 1947 which has heavily ink-stamped covers; 21 issues from the 1950s (July/Aug and Nov/Dec 1950, July/Aug and Sept/Oct 1951, May/June, July/August, Sept/Oct, Nov/Dec 1952, Sept/Oct, Nov/Dec 1954, Spring and Fall 1955, Fall 1956, Winter, Spring and Summer 1957, Spring and Summer 1958, Spring, Summer and Fall 1959), all in very good condition; 20 issues from the 1960s (Spring and Fall 1960, March/April 1961, Winter, Spring and Summer 1962, Spring, Summer and Fall 1963, Spring and Fall 1964, Winter and Summer, 1965, Summer 1966, Winter, Spring, Summer, Fall 1967, Winter and Summer 1968), all about very good but for those excised pages mentioned above; six issues from the 1970s (Winter 1971-72, Winter 1973, 1973 #2, 1974 #2 and #4, 1979 #2), all very good, but for the final three issue, which each bear a series of names on their covers that are partially crossed out. Will ship at cost.
[#036222]$1,500 $1,125
(n.p.), (n.p.), ca. 1961-1963. A portrait of a smiling Kennedy, presumably taken during his years as President. Inscribed by Kennedy: "To Bill/ with very best wishes/ John Kennedy." From the estate of Doris Dana, the partner and translator of Chilean poet Gabriela Mistral, the first Latin American woman to win the Nobel Prize in Literature. We were presented with the possibility that the inscription was to William Carter, Chief of the Hispanic Division of the Library of Congress, but any connection he may have had to Kennedy, decades earlier, is lost to us. 8" x 10". Two pinholes to top margin, marginal tear to top edge; half-inch tear on right side; light creasing and minor edge wear; very good.
[#036417]$3,500 $2,625
(n.p.), Grand Street, (n.d.). Offprint from the literary journal Grand Street, inscribed by the author to Pauline Kael, "with gratitude, respect, admiration, and _____ (fill in the blank)" and dated January, 1991. Klawans was the longtime film reviewer for The Nation, winner of a National Magazine Award for his reviews, and author of Film Follies: Cinema Out of Order and Left in the Dark, a collection of reviews. Slight wear; near fine in stapled wrappers.
[#034560]$50 $25
London, Tiger of the Stripe, (2004). A biography. Inscribed by the subject, Landesman, to Robert Stone and his wife, "fellow conspirators in the game of life." Publicity sheet laid in, also inscribed: "Hi - My last shot - and not a minute too soon." Stone has a blurb on the rear panel and a mention in the book. Fine in a fine dust jacket.
[#033746]$85 $43
(n.p.), (n.p.), ca. 1969. Vintage Peter Max poster, 30" x 21", with the heavens and earth, angels, a rainbow, and an enlightenment vibe. Undated but includes a photo of Earth that was taken by the Apollo 8 crew in December 1968. Previously folded in 8ths, with extremely fragile folds and small tears at several junctions. A very good copy. Will ship flat: domestic shipping only.
[#036242]$300 $195
Washington, DC, U.S. General Accounting Office, 1978. Three reports: "Tribal Participation in the Bureau of Indian Affairs Budget System Should Be Increased," "Bureau of Indian Affairs Not Operating Boarding Schools Efficiently," and "The Indian Self-Determination Act--Many Obstacles Remain." The first two are near fine in stapled wrappers, and addressed to Senator Robert Byrd with respect to his role on the Senate Appropriations Committee; the third has some darkening and staining to the front cover, and is addressed to both houses of Congress; very good in stapled wrappers.
[#035859]$225 $146
(Toronto), Viking Canada, 2006. "Bird Flu, Mad Cow Disease, and Other Biological Plagues of the 21st Century." Inscribed by the author. Thin stain to front board; else fine in a fine dust jacket.
[#034918]$75 $38
NY/Plainfield, Harbinger/Institute for Social Ecology, 1983. The second issue of this journal of social ecology. Includes Paley's story "Lavinia" and Bookchin's "Sociobiology of Social Ecology, Part II." Covers spotted, otherwise near fine in stapled wrappers.
[#036099]$75 $38
NY, Knopf, (1988). The uncorrected proof copy of the first American edition of the second book in his Sally Lockhart trilogy. Light red splashes on lower spine; near fine in wrappers.
[#023040]$250 $163
(Wheeling), Innovation, (1991-1993). Ten of the twelve issues (#s 1, 2, 3, 4, 5, 6, 7, 9, 10 and 11) of Innovation's graphic serialization of the third book in the Vampire Chronicles. All are fine in stapled wrappers.
[#035613]$200 $130
Berkeley, Celestial Arts, (1990). A children's book about a girl in a faraway time raised by a talking cat. Written and illustrated by Robbins, who is best known as a ground-breaking feminist cartoonist. This copy is inscribed by Robbins to fellow cartoonist and science fiction writer Ray Nelson, "with love." Fine in a near fine dust jacket. A nice association.
[#036447]$175 $114
Indianapolis, Bobbs-Merrill, (1968). The galley sheets of this early play by Shepard, his first two-act play. Laid in are the galleys of Elizabeth Hardwick's introduction, dated 1967; Hardwick had reviewed the play for the New York Review of Books. At the time Shepard wrote La Turista, he was a member of the counterculture rock band The Holy Modal Rounders, which had a cameo appearance in the film Easy Rider. Shepard was nominated for an Academy Award for his role as test pilot Chuck Yeager in The Right Stuff; he won a Pulitzer Prize for Drama in 1979 for Buried Child, and he won eleven Obie awards and was nominated for two Tonys, for Buried Child and True West. He received the Gold Medal for Drama from the American Academy of Arts and Letters in 1992. Claspbound, printed on rectos only, front cover tanned and separating; rear cover has date and price and "DUPL NYPL." Front cover has the name of Paul Myers, curator of the Theatre Collection at the New York Public Library. Very good. A fragile and rare early state of this play by one of the most important playwrights of the latter half of the 20th century. The only copy of the proof we have seen.
[#027093]$2,500 $1,875
NY, Dutton, (1987). A review copy of this collection of poetry. Mild age toning to pages, else fine in a fine dust jacket, with review slip, author photo and promotional pages laid in.
[#916868]$100 $65
Boston, Houghton Mifflin, (1974). The uncorrected proof copy of his second novel, winner of the National Book Award and one of the best novels to link the impact of the Vietnam war on American society in the Sixties to the dark side of that era -- the official corruption and the underside of the drug experiences of a generation. This is the second issue proof, in gold-brown wrappers with a publisher's letter to booksellers reproduced on the front cover. Signed by the author. Shallow creases to three corners; near fine in wrappers.
[#912822]$500 $325
NY, Vintage, (1975). Inscribed by the co-editor, Quincy Troupe in the year of publication: "To Burt - In the celebration of life, love and the word that sings its meaning to us; Peace, love, beauty & strength in your lift." Foxing to top edge, covers lightly yapped; very good in wrappers.
[#036182]$50 $25
Cambridge, Leavitt & Peirce, 1958. The hardcover issue of this very early appearance in print by Updike. Harvard alumni commemorate the 75th anniversary of a tobacco store and gathering place; Updike contributes a poem, "The Old Tobacconist." Slight foxing to top edge, else fine in a near fine, orginal glassine dustwrapper.
[#030276]$225 $146
NY, Knopf, (1965). A book of poems, one for each month. This is the third of Updike's books for children done in the Sixties, this being the trade binding (there was also a library binding done). Illustrated by Nancy Ekholm Burkert. Fine in a near fine, price-clipped dust jacket.
[#912070]$100 $65
Newburyport, Wickford Press, 1968. An unsigned limited edition of an essay that first appeared in the New York Times. One of 250 numbered copies. Edge-sunning to covers; coffee splot lower front corner; very good in stapled wrappers. One of Updike's earliest limited editions, done the same year as Bath After Sailing and The Angels. Although the limitation of this title is larger than either of those, we have seen it less often and it appears to be scarcer in the market.
[#026894]$400 $260
(n.p.), (William B. Ewert), (1998). The first separate edition of this poem, issued as a holiday card. Of a total edition of 185 copies, this is one of 130 copies issued unsigned, but this copy has been signed by Updike and dated 1988 and additionally inscribed by Updike in three different colored pens: "Merry Christmas/ a card to warm yourselves by/ Cheers, John." Fine, in hand-addressed envelope, apparently meant to be hand-delivered as Updike has added, "Sorry to miss you - Happy Holidays!/ John."
[#030257]$185 $120
(Toronto), (Aya Press), (1982). Number 407 of 500 numbered copies signed by Jane Urquhart and by Tony Urquhart, the artist. 18-3/8" x 4-3/4". This is the second issue, in gray cloth. Pages uncut; two very slight corner taps; else fine.
[#914603]$150 $98
(n.p.), Dreamworks, 2007. The shooting script for the film version of Yates's first novel: the book was published in 1961; the movie was released in 2008. The script was nominated for a BAFTA Award for best adapted screenplay; Haythe's first novel, The Honeymoon, was nominated for the 2004 Booker Prize. This is a May 3rd shooting script with revisions for May 11 and May 16. "Revised" sticker on front. Pink and blue bradbound pages; near fine.
[#029373]$375 $244
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