Weekly Sale

(Salt Lake City), (Dream Garden), (1982). The second of the Wilderness calendars, with work by a number of prominent photographers, and text by Edward Abbey, Tom McGuane, Leslie Marmon Silko, Ann Zwinger, Lawrence Clark Powell, Wallace Stegner, Barry Lopez, Frank Waters, William Eastlake, John Nichols, and others. This copy has been signed by Eastlake and Powell, and photographers John Telford, Tom Till, Fred Hirschmann and Chris Wangsgard -- several of the finest and most highly respected photographers of the natural world working today. Fine. [#010416] $95
$48

(NY), Tibor de Nagy Editions, 1970. One of 300 copies. This copy is inscribed by Abish in 1982. A bit edge-sunned; near fine in wrappers. [#914700] $285
$185

London, Hogarth Press, 1925. Cracked front joint; moderate staining and handling to boards. A good copy, lacking the dust jacket. [#035505] $65
$33

NY, Harper & Row, (1977). The hardcover issue of this collection of poetry, with an introduction by Ted Hughes. Fine in a near fine dust jacket, with the typically sunned spine. [#035053] $40
$20

1992. A 7-page dot-matrix print-out of a letter by Anderson defending himself against a series of complaints made against him as a faculty member at Boise State University. Together with an unsigned cover letter from 1993 expressing, among other things, a wish he could publish the letter and a tirade against "the new thing, the E-mail," and its allowing people to hide behind a curtain like the Wizard of Oz. Also together with four of Anderson's reviews as a faculty member, three of which have Anderson's holograph annotations (e.g., "don't know how she got this guy in her pocket"). And also together with, and paper-clipped to his faculty reviews, the Pablo Neruda poem "Guilty," on which Anderson has written: "I make my 'Creative Writing' students memorize this for their mid-term." Not signed on the preceding items, but with a 1993 letter of transmittal signed by Anderson, saying, among other things, that he expects he'll be in Boise a few more years "before [they] manage to get rid of me." Rust from paperclips; otherwise all items fine. [#031324] $450
$293

Osnabruck, VC Verlags-Cooperative, 1992. A bilingual (English and German) edition of these poems and stories by Canadian Native authors. Small bump to crown; slight rubbing; near fine in wrappers. [#002116] $55
$28

NY, HRW, Arbor House, HBJ, (1982-1993). The uncorrected proof copies of eight volumes of the Nebula Awards: SFWA's Choices for the Best Science Fiction and Fantasy of the Year. Publisher changed from HRW, to Arbor House, to HBJ. The lot is near fine. [#036129] $200
$130

NY, Arcade, (2005). The advance reading copy of "the book over which Arcade sued the U.S. Government," as the U.S. Office of Foreign Assets Control of the Department of the Treasury stipulated that in order to publish works from "enemy states" publishers needed to apply for a permit or face a possible fine of $1 million and 10 years in prison. Near fine in wrappers. [#036295] $45
$23

NY, Oxford University Press, 1981. The uncorrected proof copy of this anthology of stories selected by V.S. Pritchett. Edge-foxing; near fine in wrappers. [#036249] $40
$20

Boston, Houghton Mifflin, (1989). The uncorrected proof copy. Edited and with a 14-page introduction by Atwood; with stories by Larry Brown, Madison Smartt Bell, Robert Boswell, Charles Baxter, Harriet Doerr, Linda Hogan, Mark Richards, Bharati Mukherjee, Alice Munro, Mavis Gallant, and others. Scattered light foxing; near fine in wrappers. [#036161] $45
$23

(London), Theatre Royal, Haymarket, 1898. Large folio, 11" x 15" with 17 laid in plates: 15 with sketches of the performers/performance by Phil May and two with photographs. One photographic plate is of lead actress Winifred Emery; one is of two actors and the manager and J.M. Barrie. Unknown if all plates present. Some edge-wear and marginal staining to the plates; the green textured portfolio is about very good, lacking the ribbon tie. [#600044] $75
$38

NY, Winter House, 1970. The issue in wrappers of this collection of short pieces and photographs, with illustrations by Mayo Thompson. Gift inscription front free endpaper; mild foredge foxing; one crease and general dustiness to white covers; a very good copy. [#035346] $150
$98

(NY), New Rivers Press, 1974. The scarce hardcover issue of his second book, a collection of poetry. The total edition was 600 copies, of which only 200 were issued in cloth; 400 were issued in wrappers. Well-known these days as a writer of fiction and of essays on fiction, Baxter didn't publish his first novel until 1987, seventeen years after his first book (Chameleon) and thirteen years after this title. Inscribed by the author in 1982. Fine in a slightly rubbed, else fine dust jacket. [#911007] $650
$455

London, Collins, 1968. The uncorrected proof copy of her autobiography. Very good in wrappers [#035702] $45
$23

(London), Bridgewater Press, (2000). Of a total edition of 138 copies, this is copy VII of 12 Roman-numeraled copies bound in quarter Library Calf, with a signed original drawing by Boyd, tipped in as frontispiece. Signed by the author. Fine. [#914614] $750
$525

London, Faber and Faber, (1980). First thus: the first British edition of this collection of stories, some of which appeared in the collection War Crimes, which was not published outside of his native Australia, and the others of which are from his first book, which was published in Australia with this same title in 1974. Signed by the author. Fine in a fine dust jacket. [#911418] $125
$81

Houston, Arte Publico Press, 1984. Inscribed by the author in 1986. Fine in wrappers. [#914438] $150
$98

Milwaukee, Kitchen Sink, 1970. First printing, national edition, without the 8 pages of local ads (as per comixjoint). Vertical crease front cover; otherwise near fine. [#036381] $85
$43

London, Mandrake Press, [1929]. A collection of three stories, issued in the series "Mandrake Booklets." Owner name, address, and 1930 date on the front flyleaf. Near fine in a very good, spine-darkened dust jacket. Rare: we find only one copy listed in OCLC WorldCat. [#034870] $750
$525

(Hay), Hay Festival Press, 2004. The first separate appearance of this story, with an introduction by De Bernieres for this edition. Number 63 of 100 numbered copies signed by the author. Fine without dust jacket, as issued. [#911483] $100
$65

NY, Grove, (2002). The advance reading copy of the second book by the author of the highly praised Lord of the Barnyard, who committed suicide in May, 2005. This copy is signed by Egolf. Fine in wrappers. [#914920] $250
$163

(n.p), (n.p), (n.d.). Farrell's typescript pages (pp. 4, 5, 11) for what appears to be an introduction to a work by or about Dreiser. Reportedly, this was from an introduction to a Collier Books edition of Sister Carrie, but we have been unable to verify that such an edition existed. It is not from the 1975 Sagamore Press edition (which does have a Farrell introduction). Nor, as best as we can tell, is it from Farrell's introduction to The Best Short Stories of Theodore Dreiser, nor the 1955 volume The Stature of Theodore Dreiser, nor the 1962 volume Theodore Dreiser. What it is: three pages of text (two ribbon copy; one carbon copy), with holograph corrections, with an additional two pages (p. 11, p. 12) of notes/inserts, in manuscript. It is verifiable as Farrell's by the fact that in the text he quotes from letters to himself from H.L. Mencken, about Dreiser. The manuscript pages are darkened; page 11 has some offsetting; near fine. Farrell wrote about Sister Carrie repeatedly in his career, including a piece for the New York Times Book Review in 1943. Dreiser's book claimed the #33 spot on the Modern Library's list of Books of the Century, four spots behind Farrell's Lonigan Trilogy. [#012793] $225
$146

(n.p.), (n.p.), 1988. A 120-page screenplay by Ford for a 1991 film adaptation that he did from stories in his collection Rock Springs. Signed by Ford. An unknown number of copies were produced, but Ford signed seven of them at a reading in 1990. Photo-reproduced sheets on 3-hole paper. In this copy, page 120 was typed on a different typewriter than the first 119 pages. Bound in a flexible blue binder; fine. The film was directed by Michael Fields and starred Dermot Mulroney, Lili Taylor, Sam Shepard and Valerie Perrine. [#911202] $1,000
$700

(NY), Harper/Perennial, (1986). Second printing of the Perennial paperback. Inscribed by Fuentes to the poet Ai, "with the pleasure of our meeting" and dated 1988. Very good in wrappers. [#035924] $65
$33

Somerset, Chicken House, (2003). Signed by the author. Fine in a fine dust jacket. [#915006] $150
$98

Baltimore, Contemporary Poetry, 1944. A collection of poems, one of 1000 copies. A nice association copy, inscribed by the author to a painter, the wife (for a time) of a poet. A fine copy in a worn dust jacket severed at the spine. A fragile wartime book. [#016232] $250
$163

Garden City, Doubleday, 1963. Inscribed to his bibliographer, Stuart Wright, on the front endpaper. Very good in a very good dust jacket. [#008878] $80
$40

(Riverside), (National Shooting Sports Foundation), [ca. 1960s]. A youngster's gun craving is "as normal and as healthy as the love of ice cream" and if you would leave your youngster alone in the house for two or three hours, then he or she is ready for his or her first gun. A gender-neutral pro-gun brochure from a half-century ago. Fine in stapled wrappers. [#035007] $100
$65

(n.p.), (n.p.), 2000. An early, tapebound typescript of this novel that was published in July, 2001. No publisher indicated, suggesting this was an early agent's copy, or some other kind of copy prepared prior to the publisher issuing any version of it. Double-spaced, double-sided, 507 pages. "Revised: December 11, 2000" printed on the blue front cover/title page. Textual differences exist between this and the published text, beginning with a different table of contents and including changes in the Acknowledgments section of the book. We are aware of another state of this draft that was comb-bound, which was issued by Knopf/Canada. Fine. [#032787] $375
$244

Garden City, Doubleday, 1986. A Double D Western set around the turn of the 20th century, and Lansdale's first book to be published in hardcover. Inscribed by Lansdale to fellow writer Stanley Wiater: "For Stan, Hope you enjoy your ride on [The Magic Wagon]. Thanks for the Fangoria interview. Joe R. Lansdale." Wiater's Gahan Wilson-designed bookplate front flyleaf; small scrape to rear board; foxing to top edge; near fine in a very near fine dust jacket with a few edge nicks. Wiater's interview with Lansdale appeared in a 1990 issue of Fangoria. A nice inscription and association, and one of the author's scarcer titles. [#029676] $400
$260

NY, Exposition Press, (1969). A volume of vanity press poetry by Kelly, distinguished by a front cover blurb by Harper Lee, from a period of time when it was not uncommon for vanity publishers to simply warehouse their print runs for a predetermined length of time and then destroy them, with the majority of copies receiving distribution coming out of the author's allotment. For most vanity press works -- regardless of how many were originally printed -- the number of copies that ever made it into the marketplace probably averages in the low dozens. That fact, combined with the fact that Harper Lee published so little other than To Kill a Mockingbird, makes this a rare occurrence in print by the author of one of the best-loved American novels of all time. Kelly was a native of Excel, Alabama, which is less than 10 miles from Lee's hometown of Monroeville, Alabama. Fine in a near fine, price-clipped dust jacket with wear to the spine crown. [#026286] $200
$130

(NY), Viking, (1990). Signed by the author. Unmarked, but from the library of Robert Stone. Fine in a fine dust jacket. [#033754] $85
$43

NY, Random House, (1997). The second novel in the trilogy that began with Killing Mr. Watson, based on a series of events in Florida at the turn of the last century and using the novel form to explore the settling and development of that frontier, with an awareness of the ecological implications of that development. Inscribed by Matthiessen to Mike [Geary], with "many thanks again for a great day." For reasons unknown to us, not given to Geary; from Matthiessen's own library. Fine in a fine dust jacket. [#032352] $150
$98

London, David Fickling, 2003. A promotional postcard for Haddon's Whitbread Award winning book, which was released simultaneously in an edition for adults by Jonathan Cape and for children by David Fickling. Fickling issued a set of promotional postcards with Volkswagens of varying colors (of significance to the protagonist): three of the five cards featured author quotes; one had a quote from the publisher; one had a quote from the book. McEwan's card reads: "A superb achievement...a wise and bleakly funny writer with rare gifts of empathy." The other two authors quoted in this set of five are Arthur Golden and Oliver Sacks. In addition to the Whitbread, the book won the Guardian Children's Fiction Prize. Fine. [#029978] $55
$28

Washington, DC, U.S. Government Printing Office, 1974-1984. 17 reports from the 93rd-98th Congresses on matters related to Indian affairs, including self-determination, education, health care, housing, jobs, oil, trust lands and trust fund disbursement. Together with three Congressional Resolutions (on land claims and religious freedom) and one Senate Bill (on the Indian Self-Determination and Education Assistance Act) from the 94th and 95th Congresses. Some edge-foxing to the resolutions; the lot is overall near fine in wrappers. [#035857] $175
$114

NY, Doubleday, (1994). The advance reading copy of his second book, first novel. Winner of the 1993 Pirates Alley William Faulkner Prize for the Novel. Inscribed by the author: "For ___, this cold, cold book. Stay warm!" Fine in wrappers. [#030018] $85
$43

1997. A promotional poster for the annual Toronto literary festival, which each year since 1980 has brought together some of the best writers of contemporary world literature. This is one of only a handful of copies signed by all or most of the year's participants, approximately 54 signatures. Signed by: Robert Stone, Barry Lopez, Richard Ford, Michael Ondaatje, Anne Michaels, Colm Toibin, Bharati Mukherjee, Jamaica Kincaid, Guy Vanderhaeghe, Michael Turner, Jane Urquhart, Mavis Gallant, Ann Beattie, Nino Ricci, James Reaney, and many others. From the collection of the promoter of the festival, Greg Gatenby. Designed by Richard Artschwager. 17" x 23". Rolled, else fine. [#029753] $1,000
$700

[Hadley], [Flying Object], [ca. 2012]. A broadside poem. 13" x 18-1/2". Rolled for shipping; near fine. [#035222] $50
$25

[Hadley], Flying Object, [ca. 2012]. A broadside poem, with an illustration by Rachel Glaser. Approximately 10" x 18". Although issued in an edition of 100, this is apparently a publisher's proof or overrun copy and is unnumbered, and unsigned. Rolled for shipping; near fine. [#035223] $50
$25

(NY), (Vehicle), (1978). Her second book, a collection of short prose poems. Of a total edition of 500 copies, this is one of 474 copies in wrappers. Inscribed by the author in 1979. Slight rubbing to the spine folds, else fine; a very nice copy. [#011223] $125
$81

Los Angeles, Bauer Benedek, (1987). Photocopied screenplay for the spooky thriller directed by John Schlesinger, who also did The Day of the Locust, Marathon Man, The Falcon and the Snowman and others. In an agency binder, with a cover letter from the agency to a novelist laid in. Fine. [#019022] $95
$48

(Various), (Various), 1986-2003. An extensive collection of audio renditions of Rice's long-running Vampire series, with 41 recordings of 13 titles, most of which are Random House audiobooks or Books on Tape, but also including works by Recorded Books and Isis Audio Books. The majority of the recordings are on cassette tape, with a dozen in CD format. 18 of the recordings are unabridged, with at least one unabridged audio of each title present, with the exception of Memnoch the Devil (and The Vampire Chronicles, which is itself an abridgment). The titles (and the number of recordings) are as follows: Interview with the Vampire (4); The Vampire Lestat (4); The Queen of the Damned (2); The Vampire Chronicles (1); The Tale of the Body Thief (3); Memnoch the Devil (1); The Vampire Armand (4); Pandora (3); Vittorio the Vampire (4); Merrick (3); Blood and Gold (3); Blackwood Farm (5); and Blood Canticle (4). The audios are presumed to be in fine condition. Vittorio's CD case has been replaced; otherwise the cases and boxes are fine or near fine, but for an indentation to an Interview cassette box. Will ship at cost. [#035610] $350
$228

(Wheeling), Innovation, (1991-1993). Six of the twelve issues (#s 1, 2, 3, 4, 6 and 11) of Innovation's graphic serialization of the third book in the Vampire Chronicles. All are fine in stapled wrappers. [#035828] $60
$30

London, Cassell & Company, 1894. Reproductions of seven photographs depicting the "seven ages" of life as described in Shakespeare's As You Like It. There were earlier volumes published on this same theme, but this may be the first publication to use photographs (rather than engravings). Disbound, with contemporary gift inscription. A fair copy, with all plates and both covers present; large lower corner chip to the front cover and some marginal insect damage, not affecting the photographs. Five copies found in OCLC. [#035619] $175
$114

NY, Simon & Schuster, (1970). "The amazing story of the fight to unionize the United States Army." First paperback edition. Owner name; near fine. [#035954] $65
$33

(n.p.), Unicorn Press, 1971. An author's copy of this broadside poem issued as Unicorn Broadsheet Series II Number 4. One of 300 copies. Printed in green and black on heavy paper; 12" x 18". Near fine. From the author's estate. [#034374] $75
$38

Boston, William F. Gill, 1875. The first appearance of this Twain story. Welch-Bigelow device on copyright page; decorated brown cloth. Moderate foxing; hinges cracked; 1/2" open tear at spine base. A good copy. Heavy: extra postage may apply. [#035379] $75
$38

NY, Knopf, 1970. A review copy of her third book, a rock and roll novel focused on an alienated teenage girl in an unlikely romantic relationship with a small-time rock singer. A 1999 film adaptation won two film festival prizes and was nominated for the Grand Jury Prize at the Sundance Film Festival. Fine in a near fine dust jacket with trace foxing to verso, with review slip laid in. A very attractive copy of this early Anne Tyler novel. [#030843] SOLD

NY, Knopf, 1972. Her fourth book, which many consider her scarcest. Signed by the author. Label removal shadow on front board, else very near fine in a very near fine dust jacket with the slightest smudging on the rear panel. [#911151] $1,000
$700

Newburyport, Wickford Press, 1968. An unsigned limited edition of an essay that first appeared in the New York Times. One of 250 numbered copies. Edge-sunning to covers; coffee splot lower front corner; very good in stapled wrappers. One of Updike's earliest limited editions, done the same year as Bath After Sailing and The Angels. Although the limitation of this title is larger than either of those, we have seen it less often and it appears to be scarcer in the market. [#026894] $400
$260

NY, Knopf, 1959. His third book and first collection of stories. Fine in a near fine, lightly rubbed, price-clipped dust jacket. A very nice copy. [#027123] $225
$146

1972. Four panoramic panels (constructed from nine individual images) of post-bombing destruction. Only one of the images is labeled, on verso: "Nam Ngan hamlet, Don Soc district, Thanh Hoa province, destroyed by US bombs dropped from B.52's at 2:30 hrs, April 26, 1972." Black and white photographs, mounted on mat board. These were given to members of a U.S. peace contingent visiting Hanoi in late October 1972, just before the Presidential election that year, in hopes that their content would be publicized in the U.S. upon their return. The high-profile entourage of women consisted of Jane Hart, wife of Senator Philip Hart; the poet Denise Levertov; and the novelist Muriel Ruykeyser. They met with the Vietnam Committee for Solidarity with the American People and the Vietnam Women's Union. Richard Nixon, running on a "Peace With Honor" platform, won the election in a landslide over George McGovern, who ran as an explicitly antiwar candidate. The peace delegation had little but symbolic impact: it reiterated, as had been the case for years, that the bulk of the artistic community in the U.S. was soundly antiwar, and it showed -- as had also been the case for some time -- that the antiwar movement now included part of the mainstream of American life, in this case represented by a moderate Senator's wife. Three are 20" x 7"; one is roughly 26" x 6". Near fine. In our experience, unique. [#031535] $1,500
$1,125