Search Results, p. 32

Princeton, Contemporary Poetry Press, (2013). First published in 1980, this is a new edition, with a foreword by Carlos Fuentes. This copy is inscribed by the author to the Chinese poet Bei Dao: "For the great poet Bei Dao -- on a wonderful meeting and in memory of [?], Mahmoud Darwish, Ramallah and freedom and justice." Near fine in a near fine dust jacket. Laid in is a typescript copy of Hamod's poem "Sabra/Shatilla: In Sorrow," which does not appear in the collection. [#032647] $115

1985. A letter written by Reed in his capacity as a fiction contest judge. Although not stated in the letter, the contest celebrated the 1985 Mark Twain Sesquicentennial and sought a story that captured the spirit of Twain. Reed gives his first, second and third choices, and the points to be assigned each vote, as well as a critique of his first two choices. Signed by Reed. Folded for mailing, else fine. [#029529] $115

[1980]. Dated "Jan 1". One paragraph, agreeing to sign books for the recipient's wife. Written on the verso of the colophon for the limited edition of Problems. Signed in blue, with recipient's address hand-written in pink across the top; the colophon has some math written in pink. Folded in thirds for mailing; else fine. [#013416] $115
On Sale: $75

Sydney, Cornstalk Publishing, 1927. The first Australian edition of this early book by Woolrich, published the year after his first book. In the 1940s and '50s, Woolrich, writing under his own name and also as William Irish and George Hopley, wrote some of the classic volumes of noir fiction of the era, a large number of which were turned into the movies that defined film noir and gave it its cultural importance and artistic stature. Foxing to pages, as is typical with this edition; minor spotting and fraying to the spine. Very good, lacking dust jacket. [#011666] $115

(Kirskville), Chariton Review Press, (1980). A bilingual edition of poetry, with translations from the German by Barnes. This copy is signed by Barnes. Rubbing and creasing to spine; near fine in wrappers, with publisher's ephemeral order card laid in. [#036424] $100

NY, Atheneum, 1989. Young adult climate fiction from the before-times (1989) when it was still at least plausible that the world would end in ice rather than fire. The plot twist here is that a mass migration southward, toward warmth, triggers resentment, rage and terrorism by Mexicans against the migrants from the north. Inscribed by the author. Fine in a fine, price-clipped dust jacket. [#036512] $100

NY, Taplinger, (1982). Inscribed by the author to Robert Stone in 1984. Near fine in a near fine dust jacket with a couple short, closed edge tears. [#033707] $100

London, Secker & Warburg, (1983). The first British edition of the first Booker Prize-winning novel by the South African Nobel Prize-winning author. Tap to spine crown; else fine in a fine dust jacket. [#912381] $100
On Sale: $65

[San Francisco], Apex Novelties, [1968]. Third printing, with a 35 cent price and no printer statement on the rear cover. Near fine. [#036358] $100

Pencil on paper. 6" x 9". No date. [#033950] $100

NY, Murphy & McCarthy, 1894/1895. First or early printing: 1894 copyright date; 1895 on title page. Front hinge cracked; prelims detaching; spine faded; still a good, solid copy. Heavy: domestic shipping only. [#036397] $100

NY, Swords, 1907. The second American edition. Contains "The Economy of Vegetation" and "Loves of the Plants." 1844 gift inscription; owner name; backstrip mostly gone; front board missing entirely. A poor copy, priced accordingly. [#600046] $100

Santiago, Nascimento, 1960. An early collection of short stories, the fourth book by this Chilean writer, which was not translated into English or published in the U.S. for 17 years. This book precedes any publication of Donoso's work in the U.S. by five years. Pages browning with age but still near fine in self-wraps. A scarce volume, given the Chilean imprint, the fragile binding and the cheap, acidic paper used in production. [#013579] $100
On Sale: $65

NY/San Francisco, Knopf/McSweeney's, 2014. The uncorrected proof copy of this Eggers novel, built entirely of a conversation between the protagonist and his kidnapped astronaut. Fine in wrappers, with a Knopf Canada label on the rear cover that changes the contact information printed beneath, as well as the publication date and price. [#033164] $100

(n.p.), Privately Printed, 1895. First edition (not stated but with a C. Gerhardt bookseller's catalog page stating as such, back when it was offered for $1). Title is in all capital letters; the "L" and "W" being larger than the others. Red decorations precede each stanza. 4-1/2" x 5-3/4". Tiny notation and red dots on rear cover near spine; stapled spine is fragile. A near fine copy. Included at no charge is an unnumbered copy of Field's An Imitation of Robert Herrick which has tape marks on the inner covers. [#036073] $100

(London), Picador, (1994). The uncorrected proof copy of the uncommon first book by the author of Bridget Jones's Diary. The latter was the British Book of the Year in 1998. This title was not published in the U.S. until 2001. Near fine in wrappers and jacket; uncommon. [#018591] $100

Gorham/Portland, [University of Southern Maine], 1971. Poster advertising two dates for a showing of a film "featuring a history of experimental cartoon work and animation" by Charley Murphy and Stan Vanderbeek, and "a new film by Kenneth Anger," plus a "surprise film." 14-1/2" x 16". Black on gold; near fine. [#033333] $100

(Port Townsend), Graywolf Press, 1976. The poet's second book, this being the issue in wrappers, one of 1350 copies of a total edition of 1500. Inscribed by the author to another poet in 1981, with reference to "our days in Seattle," and signed with "Love." With the recipient's ownership signature. Fine in wrappers. A nice literary association. [#022701] $100
On Sale: $65

(Riverside), (National Shooting Sports Foundation), [ca. 1960s]. A youngster's gun craving is "as normal and as healthy as the love of ice cream" and if you would leave your youngster alone in the house for two or three hours, then he or she is ready for his or her first gun. A gender-neutral pro-gun brochure from a half-century ago. Fine in stapled wrappers. [#035007] $100
On Sale: $65

NY, Macmillan, (1963). A play, with a 58-page autobiographical preface. Inscribed by the author in the year of publication: "For Bill Sloane,/ colleague at Bread Loaf -/ with good wishes." William Sloane was a longtime faculty member at the Bread Loaf writers' conference. After his death, a Bread Loaf Fellowship was instituted in his name. Faint foxing to top edge; else fine in a lightly spine-faded dust jacket with a couple small corner chips; still about near fine. [#016252] $100

NY, Harper & Row, (1981). A discourse on the characteristics and components of an Indian aesthetic and perspective, which attempts to also define the differences between the "Western" world view and that of "primitive" cultures, particularly Native American. A PBS documentary series was launched based on the ideas put forth in this book. Inscribed by the author: "For Hank [i.e., Henry Kurth]/ with much affection & loving friendship/ Jamake." A good association copy albeit, like all of the author’s self-representations as Native American, ethically dubious in retrospect. Recipient's name under front flap. Near fine in a near fine dust jacket. [#026340] $100

Vancouver, Greystone Books, (2009). Second printing, signed by the author. Shallow crease to rear cover; near fine in wrappers. Blurbs by Leonardo DiCaprio, James Hansen, and Bill McKibben, among others. Uncommon signed. [#035639] $100

Richmond, Tiger of the Stripe, 2006. Inscribed by the author to Robert Stone and his wife: "two of the good buddies of all time." Stone gets a mention in the text. Fine in wrappers. [#033744] $100

(Tel Aviv), (Yedioth Ahronoth/Chemed Books), (1999). "The story of the joint research project with the Israel Air Force that led to peaceful coexistence between steel winged birds and their feathered companions in the sky." Inscribed by Leshem to Peter Matthiessen on a card tipped to the front flyleaf, along with Leshem's business card from the Department of Zoology at Tel-Aviv University. Trace foxing; else fine in a near fine dust jacket. [#031982] $100

Lewiston, Edwin Mellen Press, (1990). Volume 8 in the Mellen Poetry Series. Inscribed by Lurie "to a dear lost friend recovered..." Corner crease to rear cover; near fine in oblong wrappers. [#036040] $100

(Ancona/Rome), Institut International J. Maritain, 1978-1990. 24 volumes, totaling 34 issues (including double issues), as follows: Numbers: 10/11, 15, 17, 22/23, 24, 26, 27, 28, 29; and New Series Numbers: 1, 2/3, 4, 5/6, 7, 8, 9/10, 11/12, 13, 15/16, 19/20, 21/22, 23, 26, 27/28. About 1/4 of the covers are dampstained, although the texts are mostly unaffected but for some moderate foxing. The price of the lot has been reduced for condition. Text in French. [#035813] $100

London, Gollancz, (2017). The advance reading copy of McAuley's science fiction novel of a genetically-edited woman hiding out with a hostage in the newly established Antarctic Peninsula, in a world where the climate has changed dramatically faster than the politics of power, ethnicity or gender. Signed by McAuley. Fine in wrappers, with an announcement for the book signing laid in. [#033888] $100

London/NY, Putnam/Dutton, 1959/1961. A review copy of the American edition, consisting of the true first (British) edition, copyedited on the title page and front flap to reflect changes to be made in the American edition, with a pencil note on the front flyleaf about the projected change in size. With review slip laid in. Correspondence about Miller between Lawrence Durrell and Alfred Perles, with interjections by Miller. Miller met both Durrell and Perles in Paris in the Thirties. Dusty top edge; fine in a very near fine dust jacket. Together with a copy of the American edition, as issued. Fine in a fine dust jacket. [#027323] $100

NY, Exposition Press, (1963). A vanity press novel of a half-blood Apache who, after World War II, gets involved in a murder. Subtitled "a novel of Indian lore in the Southwest." Like his main character, the author is half-Apache. Blindstamp and signature of previous owner, near fine in a very good, price-clipped dust jacket with several short, open edge tears. [#035019] $100

Paris, (Durand), (1953). Six illustrations by American surrealist artist Leon Kelly. This is Copy No. 47 of an unspecified limitation by this prolific French writer and translator. A near fine copy in self-wrappers, with a very good glassine dustwrapper. [#035597] $100