Weekly Sale

(n.p.), MCA Universal, (1990). 22" x 34" poster advertising the release of the videocassette of the 1989 movie based on the 1975 book by Ron Kovic. Folds in eighths to a promotional booklet entitled "He Was Strong/ He Was Proud." Slight wrinkle; near fine. [#030867] $60
$30

1996. A promotional poster for the annual Toronto literary festival, which each year since 1980 has brought together some of the best writers of contemporary world literature. This poster is one of only a handful of copies signed by all or most of the year's participants, approximately 70 signatures. Signed by: Nicholas Shakespeare, William Gibson, William Kotzwinkle, Kathy Acker, Sherman Alexie, W.P. Kinsella, Lynne Reid Banks, Louis Begley, Marie-Claire Blais, Isabel Colegate, William Gass, Matt Cohen, Maeve Binchy, Hershel Parker, Mavis Gallant, Janette Turner Hospital, Susan Sontag, Tobias Wolff, D.M. Thomas, Kazuo Ishiguro, Timothy Findley, Lawrence Block, Al Purdy, Paul Quarrington, Ruth Rendell, Joan Mellon, Nicholas Jose, Oksana Zabuzhko, Lorna Crozier, and many others. From the collection of the promoter of the festival, Greg Gatenby. Designed by Arnaldo Pomodoro. 17" x 24". Fine. [#029752] $1,000
$700

NY, Oxford University Press, 1989. The uncorrected proof copy. Edited by William Trevor. Very good in wrappers. [#036269] $45
$23

NY, Oxford University Press, 1981. The uncorrected proof copy of this anthology of stories selected by V.S. Pritchett. Edge-foxing; near fine in wrappers. [#036249] $40
$20

DeKalb, Cedar Creek, 1980. The wrappered edition of the first book, a collection of poems, by this writer of Choctaw-English-Welsh descent. Signed by the author on the title page and additionally inscribed by him in 1999: "For __ ___ - with best wishes, this early, little book -/ Jim B." Fine in wrappers. An uncommon title in any issue, and especially scarce signed. [#036422] $250
$163

Boston/NY, Houghton Mifflin, 1994. Inscribed by the author to Robert Stone and his wife, "with much affection & admiration," in the year of publication. Fine in a very good dust jacket, with some fading to the spine and a small but jagged edge tear on the lower back panel. [#033691] $65
$33

(NY), New Rivers Press, 1974. The scarce hardcover issue of his second book, a collection of poetry. The total edition was 600 copies, of which only 200 were issued in cloth; 400 were issued in wrappers. Well-known these days as a writer of fiction and of essays on fiction, Baxter didn't publish his first novel until 1987, seventeen years after his first book (Chameleon) and thirteen years after this title. Inscribed by the author in 1982. Fine in a slightly rubbed, else fine dust jacket. [#911007] $650
$455

(NY), MR Press, 1962. Poetry with a political edge by this activist poet, written during the volatile era of the Civil Rights Movement and the Vietnam War. Inscribed by Beecher to Will Inman, another poet known for his political and social activism: "For Will Inman/ a poet whose work I like./ John Beecher/ May 22, 1967." Owner name and phone on front flyleaf with inscription on half title; wear to cloth at corners; a near fine copy in a very good dust jacket with a couple small edge chips. A nice literary association copy. [#029630] $80
$40

Manchester, Clarion, 1892. Two issues of the Socialist paper, the "Christmas Number" and the "Summer Number." Bound together (despite being different sizes). The binding is stained and worn and there is foxing to the endpages, but it has done its job protecting the issues, which are near fine. Scarce: one copy of the Summer Number found in OCLC. [#600045] $250
$163

Chicago, University of Chicago Press, (2007). The issue in wrappers. Inscribed by the poet to the writer Robert Stone, on the dedication page, in the year of publication: "with gratitude for your loyal friendship & for your reliably great art -- with great esteem & affection." A nice association copy. Fine. [#028394] $80
$40

[London], Telegraph Sunday Magazine, [1977]. An article by Morton Cohen about the discovery of the galleys for "A Wasp in a Wig," a story deleted from Carroll's Through the Looking Glass, and missing for more than 100 years, until appearing at auction in 1974. This article is the first published appearance of the galleys for a general audience (just ahead of a limited edition issued by The Lewis Carroll Society of America the same month). Reportedly, the episode had been dropped at the request of the illustrator John Tenniel, who thought drawing the character to be "altogether beyond the appliances of art." The task is completed here by Ralph Steadman. Five pages, taken from the Telegraph: Sunday Magazine, September 4, 1977. Folded in fourths; near fine. Laid into a 1966 Nonesuch Press reprint edition of Alice in Wonderland/Through the Looking Glass. [#035099] $200
$130

NY, (Pynson), 1936. New Series, Volume 1, No. 3. A near fine copy in a preserved, if darkened, glassine dustwrapper. [#033617] $75
$38

NY, Murphy & McCarthy, 1894/1895. First or early printing: 1894 copyright date; 1895 on title page. Front hinge cracked; prelims detaching; spine faded; still a good, solid copy. Heavy: domestic shipping only. [#036397] $100
$65

NY, Knopf, (1961). Later, but early, printing of one of Dahl's classics. Bound by Book Press, with a 4-line colophon, this is the issue in light blue boards with a darker quarter spine and an SBN on the rear jacket panel. Distinguished by its condition: light foxing to the top edge; slight mustiness; but a near fine copy in a fine dust jacket. [#035570] $350
$228

NY, Knopf, 1998. The uncorrected proof copy of his last book, his second collection of essays. Dubus was best known as a short story writer, and his last collection of stories was a finalist for the National Book Critics Circle Award in 1996. He won the Rea Award for the Short Story in 1991 and a MacArthur Foundation "genius grant" in 1988. He was the father of the acclaimed novelist and memoirist Andre Dubus III. Signed by the author. Fine in wrappers. [#021063] $115
$75

(n.p.), McSweeney's, (2000). A drawing by Eggers of a broken bird-like creature, executed on the previously blank dust jacket of Timothy McSweeney's Issue No. 5. Signed (initialed) by Eggers. Additionally initialed by Eggers in 2001 and signed by Lydia Davis, Susan Minot, Ben Greenman, Lawrence Weschler, Paul LaFarge, Ann Cummins, and Sarah Vowell. Issue No. 5 was the first hardcover issue of Timothy McSweeney's Quarterly Concern, and it was issued in three variant bindings and four variant dust jackets. This is the Ted Koppel binding with the previously blank white front. Eggers, known for his memoir A Heartbreaking Work of Staggering Genius, his novels and nonfiction works with themes of social justice, his founding of the McSweeney's empire, and his nonprofit work with childhood education, has at various junctures also been a painter, a cartoonist, or an illustrator. He often pairs animals with simple, or Biblical, text: in 2010 he published a collection of these entitled It is Right to Draw Their Fur. One tiny corner tap, else fine in a very near fine dust jacket. [#032950] $1,000
$700

NY/San Francisco, Knopf/McSweeney's, 2014. The uncorrected proof copy of this Eggers novel, built entirely of a conversation between the protagonist and his kidnapped astronaut. Fine in wrappers, with a Knopf Canada label on the rear cover that changes the contact information printed beneath, as well as the publication date and price. [#033164] $100
$65

NY, Grove, (2002). The advance reading copy of the second book by the author of the highly praised Lord of the Barnyard, who committed suicide in May, 2005. This copy is signed by Egolf. Fine in wrappers. [#914920] $250
$163

NY, St. Martin's Press, (2004). The advance reading copy of the tenth Stephanie Plum novel. Fine in wrappers. [#035243] $45
$23

Gorham/Portland, [University of Southern Maine], 1971. Poster advertising two showings of films by Kenneth Anger, Harry Smith, Stan Brakhage, Ed Emshwiller, and "one unannounced film on an American Mythical Event," to be held on two campuses of the University of Southern Maine. Anger's films were his landmark Scorpio Rising and his 1969 Invocation of My Demon Brother, which had a soundtrack by Mick Jagger and won a Film Culture award in 1970 for best experimental film. Brakhage's films included the Dog Star Man sequence and two others from the early 1960s, one of which includes a typo in its title ("Theigh" instead of "Thigh"). 19" x 24". An attractive and compelling design, four color on what we believe to be the more common white background; near fine. [#033336] $125
$81

(n.p.), (n.p.), 1988. A 120-page screenplay by Ford for a 1991 film adaptation that he did from stories in his collection Rock Springs. Signed by Ford. An unknown number of copies were produced, but Ford signed seven of them at a reading in 1990. Photo-reproduced sheets on 3-hole paper. In this copy, page 120 was typed on a different typewriter than the first 119 pages. Bound in a flexible blue binder; fine. The film was directed by Michael Fields and starred Dermot Mulroney, Lili Taylor, Sam Shepard and Valerie Perrine. [#911202] $1,000
$700

1987. July 20, 1987. Ford writes, presumably to a publisher, declining to offer unspecified praise (review or book blurb) for another writer's book, despite having "some genuine admiration for it" and admitting that "he's a nice writer of sentences." At the same time, Ford gets in a pitch for Richard Bausch's book Spirits. Folded for mailing, else fine. [#912557] $150
$98

(n.p.), Twenty-Third Avenue Books/First Choice Books, 1997. A broadside excerpt from Frazier's novel, produced on the occasion of a reading by the author. Copy "A" of 26 lettered copies. 9-1/2" x 16-1/2". Signed by the author. Fine. [#912583] $500
$325

(London), Faber and Faber, (2004). A limited edition with text by Alex Garland and woodcuts by Nicholas Garland. Of a total edition of 310 copies, this is number 289 of 250 numbered copies (#s 51-300) signed by both Garlands. Folio, 17" x 12"; fine in slipcase. [#914498] $160
$104

NY, Alliance Book Corporation, (1941). Presumed first edition. Inscribed by Gessner to Elmer Rice, "with best wishes." In the year of publication, Gessner founded the Motion Picture Department at NYU; Rice (who had won the Pulitzer Prize for Drama in 1929 for Street Scene), was then part of the Playwrights Company, which he had founded with Maxwell Anderson and Robert E. Sherwood, among others. Spine and edge-faded; a very good copy, lacking the dust jacket. A nice association copy. [#035580] $200
$130

Baltimore, Contemporary Poetry, 1944. A collection of poems, one of 1000 copies. A nice association copy, inscribed by the author to a painter, the wife (for a time) of a poet. A fine copy in a worn dust jacket severed at the spine. A fragile wartime book. [#016232] $250
$163

NY, Ballantine/Del Rey, (1978). The hardcover issue. Fine in a fine dust jacket. [#916291] $150
$98

[Berkeley], Ecology Center, ca. 1969. The author of Brave New World takes on the threats posed by rising populations and accompanying preoccupations with politics and power rather than with democracy and ecology (with special reference given in the text to Russia and China). First thus: issued as Ecology Center Reprint 7 (reprinted from Center Magazine). Near fine in stapled wrappers. [#035313] $75
$38

September 14, 1978. To the editors of Farrar, Straus & Giroux: "I'm taking the liberty of submitting to you a ms. of short stories, not mine, that I think is worthy of consideration for publication..." The author on whose behalf Ignatow is writing is unnamed, although he does add that Grace Paley is interested in writing an introduction. One corner staple; editorial "logged in" remarks; folded in thirds; and typed on a machine that made only partial "o's." Near fine. [#013665] $40
$20

NY, Partisan Review, 1938-1979. An incomplete run of 60 issues, spanning five decades. From the estate of film critic Pauline Kael. Provenance available, but the direct evidence is that 1) Kael has excised her contribution from the Summer 1963 issue, and the cover says "clipped" in her hand; 2) Kael has written her name on the Summer 1967 issue and added praise inside at the Stephen Spender article; and 3) a postcard to Kael from Jack Hirschman is laid into the Fall 1967 issue. General condition: two issues from the 1930s (Jan and May 1938), good only; eleven issues from the 1940s (Spring 1945, Winter 1946, July/Aug and Sept/Oct 1947, Feb, May, July, Oct 1948, March, July, Dec 1949), all very good but for Sept/Oct 1947 which has heavily ink-stamped covers; 21 issues from the 1950s (July/Aug and Nov/Dec 1950, July/Aug and Sept/Oct 1951, May/June, July/August, Sept/Oct, Nov/Dec 1952, Sept/Oct, Nov/Dec 1954, Spring and Fall 1955, Fall 1956, Winter, Spring and Summer 1957, Spring and Summer 1958, Spring, Summer and Fall 1959), all in very good condition; 20 issues from the 1960s (Spring and Fall 1960, March/April 1961, Winter, Spring and Summer 1962, Spring, Summer and Fall 1963, Spring and Fall 1964, Winter and Summer, 1965, Summer 1966, Winter, Spring, Summer, Fall 1967, Winter and Summer 1968), all about very good but for those excised pages mentioned above; six issues from the 1970s (Winter 1971-72, Winter 1973, 1973 #2, 1974 #2 and #4, 1979 #2), all very good, but for the final three issue, which each bear a series of names on their covers that are partially crossed out. Will ship at cost. [#036222] $1,500
$1,125

NY, McGraw-Hill, (1979). Pseudonymously published novel, inscribed by one of the co-authors to Pauline Kael: "For Pauline -- You deserve two autographed copies! All my love, (and for Sue, too)/ Howard." Only one copy of the book present, but two copies of the author photo are laid in, showing the Kaminskys and naming them as the authors. Howard Kaminsky was a publisher at Random House; this title was filmed as a made-for-tv movie in 2002. The book is water-damaged: a fair copy in a good dust jacket. [#035496] $40
$20

NY, Exposition Press, (1969). A volume of vanity press poetry by Kelly, distinguished by a front cover blurb by Harper Lee, from a period of time when it was not uncommon for vanity publishers to simply warehouse their print runs for a predetermined length of time and then destroy them, with the majority of copies receiving distribution coming out of the author's allotment. For most vanity press works -- regardless of how many were originally printed -- the number of copies that ever made it into the marketplace probably averages in the low dozens. That fact, combined with the fact that Harper Lee has published so little other than To Kill a Mockingbird, makes this a rare occurrence in print by the author of one of the best-loved American novels of all time. This copy is inscribed by Kelly to Phoebe Lee "with fond best wishes." Kelly was a native of Excel, Alabama, less than 10 miles from Lee's hometown of Monroeville, Alabama. Small spot to front cover; near fine in a mildly rubbed dust jacket with a tear at the upper spine fold. [#027232] $250
$163

Eugene, Lone Goose, 1997. Copy "A" of 16 participants' copies of this limited edition of this essay from Crossing Open Ground, later published in a trade edition by the University of Georgia Press. Here issued with twenty-three 11-3/4" x 11" woodblock images by Robin Eschner, which are hinged in a continuous presentation almost 22 feet long, encompassing the text. An elaborate production, involving a number of individuals prominent in the book arts, in addition to Lopez and Eschner: Charles Hobson, the designer, whose work is included in the collections of the Whitney Museum and the National Gallery of Art, among others; Sandy Tilcock, the publisher and boxmaker; Susan Acker, the letterpress printer; Nora Pauwells, the relief edition printer; and John DeMerritt, the binder, who was President of the Hand Bookbinders of California. The total edition was 66 copies: this is Copy A of 16 lettered copies signed by Lopez and Eschner and including a unique tire-tread print from Lopez's Toyota 4-Runner, the vehicle used in the journey from Oregon to Indiana that is described in the story. Fine, in a clamshell box. [#035200] $3,500
$2,625

NY, Dodge Publishing, 1911. A six-page photographic calendar (for 1912) depicting scenes from Maeterlinck's "The Blue Bird" (with the added attribution "As I saw it played/Louise Hurlbut Mason.") Photographs by Byron. Ribbon-tied; 14" x 11". The calendar is a 4" x 2" inset accessible from all inner pages. Gift inscription on rear cover; moderate foxing; shallow insect damage to lower edge. Very good. [#035620] $75
$38

(n.p.), Sports Illustrated, 1971-1973. Sports Illustrated file copies of five articles by McGuane and two Letters from the Publisher about McGuane that appeared in the magazine. The articles include "Casting on a Sea of Memories," "A Bomb in Sheep's Clothing," "Angling and Some Acts of God," "Hazardous Life in a Meat Bucket," and "Gundog Molly, Folly and Me." These, as well as the two Letters from the Publisher columns, are each stamped "Edit Ref./ [date]/ S.I." The articles are corner-stapled, with one staple failing; near fine. [#035853] $250
$163

NY, Vantage Press, (1995). A vanity press publication of a firsthand account of life at Los Alamos and the Trinity nuclear test. McMillan's husband was a physicist working on the Manhattan Project (Edwin McMillan would win the Nobel Prize in Chemistry for neptunium in 1951). They moved to Los Alamos with their infant daughter in 1943; their first son was born there. This copy is inscribed by McMillan: "To my friend Dr. Alan Ross/ we have had many good talks together/ Elsie Blumer McMillan." Erasure on front free endpaper; lower corners bumped, thus near fine in a near fine, spine-sunned dust jacket. [#036450] $250
$163

[2005]. Three broadsheets showing the development of advertising material for the documentary by Joe Pacheco about One Ring Zero, the "house band" for the McSweeney's Store in Brooklyn and their collaborations with McSweeney's roster of authors. Readings at the store would be accompanied by One Ring Zero; the band solicited lyrics from the authors and created an album of the resulting songs -- "As Smart as We Are"; and Pacheco made a movie about the process, and created the advertising for a benefit screening. Included here: a 13" x 19" color photo by Pacheco of the postal shelving used by the store, with one odd object per cubbyhole; a second 13" x 19" poster replacing some of those objects with authors and the band One Ring Zero; and a third, finished poster, 11" x 17", replacing some of those authors with text advertising the benefit screening (at 826NYC, as the Store had closed by 2005). Fine. [#032962] $375
$244

(NY), Viking, (1995). Inscribed by the author to Robert Stone, "with great admiration," in the month prior to publication. Fine in a fine dust jacket. [#033761] $85
$43

Washington, DC, American Indian Policy Review Commission, 1976. Two reports: "Commission Briefing Paper/American Indian Policy Review Commission," dated November 19-22, 1976; and "Information Bulletin from the American Indian Policy Review Commission/A Joint Congressional Committee/(Public Law 93-580), which is undated. 41 and 26 pages, respectively. Corner stapled; edge-foxed; still about near fine. [#035858] $100
$65

NY, Holt Rinehart Winston, (1981). The third book in his New Mexico trilogy. Signed by the author. Slight edge sunning; near fine in a near fine dust jacket. [#036595] $75
$38

The first Japanese edition. Fine in wrappers, with publisher's wraparound band. Signed by the author. [#019574] $60
$30

(NY), Dutton, (1996). A supernatural crime thriller, his fourth book, and the winner of an American Book Award from the Before Columbus Foundation, which is a multiculturally-focused nonprofit. Other winners have included Tony Morrison, Leslie Marmon Silko, and Joy Harjo. Owens' other novels won a bevy of prizes, including the Roman Noir for The Sharpest Sight, France's equivalent of the Edgar Award. He began his writing career as a Steinbeck scholar. This novel is described as "blending the gut-wrenching realism of Robert Stone with the Native American magical vision of Tony Hillerman." Signed by the author. Fine in a fine dust jacket. Scarce signed: Owens died in 2002 at the age of 54. [#036589] $150
$98

(London), Macdonald, (1989). The uncorrected proof copy of the first British edition of the third book in her Vampire Chronicles. Prelims detached and laid in; some foxing and light staining to covers, with a horizontal spine tear. A good copy in wrappers. Scarce. [#035460] $50
$25

(London), Little Brown, (2004). The advance reading copy of the British edition of this massive novel, which was loosely based on the author's life story, including his escape from an Australian prison and living on the run for a number of years. He wrote the novel while in prison, after being recaptured, and it became a bestseller. Labeled "uncorrected bound proof." Fine in wrappers. Uncommon in an advance issue. [#914678] $200
$130

Chicago, Pascal Covici, 1925. Copy No. 111 of 700 copies. Facsimile signature under frontispiece. Small ink notation rear pastedown; a near fine copy in a near fine dust jacket that was formerly taped to the book, leaving small tape shadows on the endpages and jacket flaps. [#035276] $75
$38

Sevenoaks, (Privately Published), 1967-1968. Sisson writes to Edith Heal, author of William Carlos Williams/I Wanted to Write a Poem: The Autobiography of the Works of a Poet, which was published in the U.K. in 1967. Sisson shares his thoughts on Williams, and on Heal's book, and transmits to her two chapbooks of his own work, which are included here: Roman Poems and The Discarnation. The letter is two pages, with hand corrections, and is signed by Sisson. Folded; near fine. The chapbooks are near fine in stapled wrappers. [#035888] $125
$81

(n.p.), William B. Ewert, 1999. The first separate appearance of a poem that first appeared in The New Republic. Two issues produced: 65 signed copies printed as broadsides and 130 unsigned copies issued folded, as cards. This is one of the latter but has been inscribed by the author to two, married friends: "___ - An item for your collection./ ___ - whatever happened to our golf foursome?/ Happy Holidays to you both./ John." 8-3/4" x 11-1/2". Folded, by design; fine. [#030264] $185
$120

NY, Knopf, 1963. His second collection of poems. Inscribed by the author. Fine in a near fine, spine-sunned dust jacket with creasing to the base of the spine. [#912067] $300
$195

(Toronto), (Aya Press), (1982). Number 407 of 500 numbered copies signed by Jane Urquhart and by Tony Urquhart, the artist. 18-3/8" x 4-3/4". This is the second issue, in gray cloth. Pages uncut; two very slight corner taps; else fine. [#914603] $150
$98

1986-1987. A collection of letters from Waters, mostly to his literary agent, Joan Daves, as well as related ancillary materials showing Waters at work in the after-market for his writing, with opportunities for later editions and film versions. Waters wrote primarily about the American Southwest, in particular the Native American experience. His father was part Cheyenne. The first typed letter signed is from Waters to his agent, Joan Daves, dated August 24, 1986 and concerns Lesley Ann Warren's interest in optioning the film rights to The Woman at Otowi Crossing and the contract for publication of a hardcover, illustrated edition of The Man Who Killed the Deer. It is stapled to a copy of the contract, with numerous marginal corrections and a retained copy of Daves' reply, agreeing with Waters that the intended publisher (Gibbs Smith) had overreached in the contract. An included exchange between Daves and Gibbs Smith posits a simpler agreement, while a retained carbon shows Daves reaching out to Ohio University Press to confirm they had no claim to hardcover rights. The second typed letter signed is from Waters to Keith Sabin, in Daves' absence, and is dated September 29, 1986 and describes the purchasing history of Flight from Fiesta and the current unwelcome "blitz" he, Waters, is undergoing from Ritz Productions regarding theatrical rights. Waters encloses an initialed copy of the letter he wrote to Ritz Productions redirecting their overtures to Daves upon her return from Europe. Both of these letters are stapled together with retained copies of both Sabin's and Daves' replies, as well as a retained copy of an earlier letter from Sabin to Waters saying they had been approached by Ritz and the initial contact letter from Ritz with an unsigned agreement for Right of First Refusal. Also included is a letter from Fiesta publisher Clark Kimball to Daves recommending the production company. The fourth typed letter signed, from Waters to Daves, dated April 29, 1987, again describes the publishing history of Flight from Fiesta and informs Daves that the publisher, Clark Kimball, has been approached by CBS-Columbia regarding film rights, and he includes Kimball's letter. Attached are the retained copies of letters from Daves to both Waters and Kimball, admonishing all that Kimball has no role in film rights for the title, and a later letter from Kimball acquiesces. The fifth typed letter signed, from Waters to Daves (August 3, 1987), delineates an additional inquiry regarding a film option for Flight from Fiesta and several leads on optioning The Woman at Otowi Crossing should Lesley Ann Warren's option expire. Waters takes Daves to task for not responding to offers already presented, for not keeping him informed, and for being about to depart for Europe leaving him without representation: "I don't like to end our agent-client relationship after so many years, but if the overload of work at this crucial time is too much for you, I don't see any alternative." A copy of a letter to Waters at about this point from Alton Walpole shows one of the interested parties facing obstacles bringing Otowi Crossing to the screen. Also, a letter to Daves from The University of Nevada thanks Daves for sending financials on Ohio University Press's Frank Waters: A Retrospective Anthology (included), but bemoans how infrequent the agent's communiques have become. However, the Daves-Waters agent-client relationship was ongoing in October: in the sixth typed letter signed in this archive, Waters informs Daves of yet another inquiry for Flight from Fiesta and asks her advice about payment on an opportunity he has to write the text for a book of photographs to be published by Arizona Highways (likely Eternal Desert, published in 1990). As mentioned, many of the letters are stapled; most are folded for mailing; in some instances they bear the agency's routing marks or highlighting. The lot as a whole is near fine. [#031770] $1,250
$938

(Sausalito), Whole Earth Catalog, 1976-1979. Twelve issues total: Nos. 9-12 and 17-24. Foxing to covers and edges of the text blocks; musty. Very good in wrappers. [#035833] $200
$130

(n.p.), (n.p.), ca. 2009. A spiralbound mock-up of a book of selected poems, with photocopied selections from, apparently, seven of her previous books. Some pages reproduce copyeditor's marks. Such a selection was issued by Wave Books in 2009. Last few pages creased, with a small (coffee?) stain. Otherwise about fine. Unmarked, but from the author's library. Scarce, possibly unique. [#034480] $250
$163