Weekly Sale

Buffalo, Presence Press, 1968. Four short untitled poems, of a sexual nature, by Acker, in the third issue of this "Magazine of the Revolution," edited by Dan Connell. We found several copies of the first issue of the magazine in OCLC, but no copies of this issue. Stained at the spine base; still near fine in stapled wrappers. Precedes Acker's first book by four years. [#035092] $450
$293

NY, Harper & Row, (1977). The hardcover issue of this collection of poetry, with an introduction by Ted Hughes. Fine in a near fine dust jacket, with the typically sunned spine. [#035053] $40
$20

NY, St. Martin's, (1988). The uncorrected proof copy. Includes Stephen King's "The Night of the Tiger." Also Bloch, Matheson, Aldiss, Beaumont, etc. Faint spottting to spine; near fine in wrappers. [#036265] $50
$25

NY, Vintage, (1999). The uncorrected proof copy. Near fine in wrappers. [#036292] $50
$25

(n.p.), Visual Arts Press, (1973). Presumed first printing (no statement). Covers a bit stained; contents nicely preserved. Very good in wrappers. [#036025] $45
$23

(Brussels), (Fondation Europeenne pour la Sculpture), (1997). Bell provides a bilingual (English/French) fable as introduction to the catalog of work by Jean de la Fontaine: in 1997 the Luxembourg artist had installed his "Love of Camping" in a Brussels park. Number 452 of 500 numbered copies. Fine in stapled wrappers. A scarce piece by Bell, attractively illustrated. [#917040] $150
$98

[March 1988]. Berge, a longtime poet and novelist who was associated with the New York poetry avant-garde of the 1960s, introduces herself to the recipient, the editor of Art & Antiques magazine, as both a writer and an antiques dealer. The letter is a sales pitch for a scarab ring in her possession and includes a drawing: "To me, it looks like either a Scarab beetle (stylized in form), or/and some sort of old inkwell with plumes extending from it. That suits the idea that I'm into Scarabs and I'm also a novelist and writer." Signed by the author. Folded in thirds for mailing, with a resume and mailing envelope included. Fine. [#015470] $40
$20

(Jamaica), (Jamaica High School), (1928). The final issue of The Oracle that Bowles would appear in, before graduating from Jamaica High School. Contains (from Jeffrey Miller's bibliography) C41-C43: two poems ("Tailpiece" and "Spire Song") and a credit as editor of the Poet's Corner. In addition, there are multiple references to Bowles throughout: lines describing his academic career; a prophecy for his future (he also chaired the prophecy committee, so perhaps wrote his own prophecy); a class chart that claims Bowles is a day dreamer who thinks he is a poet, would like to be a "futuristic artist," is often seen with a dazed expression, and whose hobby is literature. His class photo appears on page 11. There is a page for autographs that has one signature; the innermost pages have separated from the staples and are laid in. Edge-sunning to covers; very good in stapled wrappers. [#036213] $1,500
$1,125

NY, Penguin, (1977). Near fine in wrappers. [#036027] $75
$38

Boston, Houghton Mifflin, 1912. Burroughs provides an 8-page introduction to this collection of "Outdoor Scenes and Thoughts From the Writings of Walt Whitman," as compiled by Waldo R. Browne. Says Burroughs, in part, "As a poet he did not specialize upon flowers or birds or scenery, or any of the mere prettiness of nature, but he thought of wholes, he tried himself by wholes, he emulated the insouciance, the impartiality, the mass movements of the earth." Trace shelf wear; a very near fine copy in a good dust jacket: chipped at both spine ends and rear corners, and fragile at the folds. Uncommon in the original edition; scarce in any jacket. [#035119] $300
$195

NY, Taplinger, (1982). Inscribed by the author to Robert Stone in 1984. Near fine in a near fine dust jacket with a couple short, closed edge tears. [#033707] $100
$65

London, Secker & Warburg, (1983). The first British edition of the first Booker Prize-winning novel by the South African Nobel Prize-winning author. Tap to spine crown; else fine in a fine dust jacket. [#912381] $100
$65

NY, (Pynson), 1936. New Series, Volume 1, No. 3. A near fine copy in a preserved, if darkened, glassine dustwrapper. [#033617] $75
$38

(Hay), Hay Festival Press, 2004. The first separate appearance of this story, with an introduction by De Bernieres for this edition. Number 63 of 100 numbered copies signed by the author. Fine without dust jacket, as issued. [#911483] $100
$65

London, Unicorn, 1898-1899. Two bound volumes: Vol. One and Vol. Two of the New Series (October to December, 1898 and January to March, 1899). Owner names; bindings worn; contents preserved, but still only good copies. [#600032] $75
$38

NY, Knopf, 1998. The uncorrected proof copy of his last book, his second collection of essays. Dubus was best known as a short story writer, and his last collection of stories was a finalist for the National Book Critics Circle Award in 1996. He won the Rea Award for the Short Story in 1991 and a MacArthur Foundation "genius grant" in 1988. He was the father of the acclaimed novelist and memoirist Andre Dubus III. Signed by the author. Fine in wrappers. [#021063] $115
$75

(n.p), (n.p), (n.d.). Farrell's typescript pages (pp. 4, 5, 11) for what appears to be an introduction to a work by or about Dreiser. Reportedly, this was from an introduction to a Collier Books edition of Sister Carrie, but we have been unable to verify that such an edition existed. It is not from the 1975 Sagamore Press edition (which does have a Farrell introduction). Nor, as best as we can tell, is it from Farrell's introduction to The Best Short Stories of Theodore Dreiser, nor the 1955 volume The Stature of Theodore Dreiser, nor the 1962 volume Theodore Dreiser. What it is: three pages of text (two ribbon copy; one carbon copy), with holograph corrections, with an additional two pages (p. 11, p. 12) of notes/inserts, in manuscript. It is verifiable as Farrell's by the fact that in the text he quotes from letters to himself from H.L. Mencken, about Dreiser. The manuscript pages are darkened; page 11 has some offsetting; near fine. Farrell wrote about Sister Carrie repeatedly in his career, including a piece for the New York Times Book Review in 1943. Dreiser's book claimed the #33 spot on the Modern Library's list of Books of the Century, four spots behind Farrell's Lonigan Trilogy. [#012793] $225
$146

(London), Faber and Faber, (2004). A limited edition with text by Alex Garland and woodcuts by Nicholas Garland. Of a total edition of 310 copies, this is number 289 of 250 numbered copies (#s 51-300) signed by both Garlands. Folio, 17" x 12"; fine in slipcase. [#914498] $160
$104

(n.p.), Self-Published, 1940. A catalog of 1364 books and 1111 piece of music, alphabetically listed. An impressive inventory of the library of the author and music critic. Judging by appearance, a carbon typescript, bound in green boards, and thus probably one of only a couple of copies ever created of this volume. Middleton's owner name. Near fine. [#035977] $250
$163

NY, Harcourt Brace Jovanovich, (1974). His only children's book. Fine in a fine dust jacket. [#912617] $275
$179

Stewartstown, NH, 1862. August 3, 1862. Edith Harriman writes to a friend, "Isabel," about the Civil War, the ensuant draft, and the draft dodgers heading to Canada. Harriman first apologizes to her friend, saying she's written no letters for two years, and that this season especially comes with much work. And then: "Things up here move very similar, as usual except our friends are not at ease about this bloody war. Probably draufing [sic] will have to be resorted to, or at least at first, and then what will be the result we know not, but we must submit to save the country from ruin, and we be reconciled." She then names some of the men not enrolled and some who have gone to Canada. The remainder of the letter speaks of weather and work and health, and she tells Isabel to come home "if it should be sickly in the city." Three pages, written on two sides of one sheet of paper; folded in sixths. Well-preserved; near fine. [#034914] $300
$195

NY, Harper & Row, (1981). A discourse on the characteristics and components of an Indian aesthetic and perspective, which attempts to also define the differences between the "Western" world view and that of "primitive" cultures, particularly Native American. A PBS documentary series was launched based on the ideas put forth in this book. Inscribed by the author: "For Hank [i.e., Henry Kurth]/ with much affection & loving friendship/ Jamake." A good association copy albeit, like all of the author’s self-representations as Native American, ethically dubious in retrospect. Recipient's name under front flap. Near fine in a near fine dust jacket. [#026340] $100
$65

NY, Atlantic Monthly, (2000). A Detective Sergeant Mulheisen mystery, signed by the author, who has also altered the name of the dedicatee, replacing "Henry" with "Leonard." Fine in a very near fine dust jacket with a tiny scratch to the spine. [#035008] $75
$38

NY, Random House, (1978). His second book, featuring Detective Sergeant "Fang" Mulheisen. Inscribed by Jackson to Steve Krauzer: "For my beloved, esteemed and always fascinating pal, Love, Jon." Krauzer is unnamed in the inscription, but the book is from Krauzer's estate. Fine in a fine dust jacket. [#027921] $150
$98

Berkeley, Kept Press, 1976. Poetry chapbook, inscribed by the author to Pauline Kael. Kauffman has also included a photocopy of a letter he received from Jean Rhys, thanking him for his poems. Near fine in stapled wrappers. [#034556] $45
$23

(NY), Free Press, (1999). A book on media literacy, explaining the ways women are targeted as consumers, by one of the creators of the documentary film series Killing Us Softly. Signed by the author and dated prior to publication. Later released with the title Can't Buy My Love. Kilbourne was inducted into the National Women's Hall of Fame in 2015. Near fine in a near fine dust jacket, with a blurb by Maya Angelou. [#034616] $250
$163

Chelsea, Chelsea Green Publishing Company, (1988). Winner of the 1989 John Burroughs Medal. Signed by the author on the title page. As the title suggests, not just a book about birds, but also about how to observe them. With a foreword by the 1971 Burroughs Medal winner, John K. Terres. Light foredge foxing; nonauthorial gift inscription on the front flyleaf. Near fine in a near fine dust jacket. [#036197] $350
$228

Kansas City, Andrews and McMeel, (1995). A presentation copy of the limited revised edition. "PC" on the colophon, which is signed by Beahm and four others: Stephen Spignesi, David Lowell, Michael Collings, and Kenny Ray Linkous. With a typed note from Beahm to recipient laid in. Bookplate of recipient front flyleaf. Fine, without dust jacket, as issued; lacking slipcase. [#030350] $150
$98

Richmond, Tiger of the Stripe, 2006. Inscribed by the author to Robert Stone and his wife: "two of the good buddies of all time." Stone gets a mention in the text. Fine in wrappers. [#033744] $100
$65

NY, American Society of the French Legion of Honor, 1930-1938. The first 32 issues (Vol. 1 #1 through Vol. 8 #4) of this magazine edited by W. Francklin Paris and dedicated to fostering understanding between France and the U.S. Four volumes: half bound in green leather and marbled boards, with marbled endpages. Contents fine, but the leather is rubbed at the joints and ends, thus a very good set. [#600041] $450
$293

San Francisco, North Point, 1990. The uncorrected proof copy of her second book, a novel transformed by the author's best friend dying from AIDS during the writing. North Point dissolved shortly after the book was published, and the title never got the attention it deserved. Significant textual differences exist between this proof and the published version. Very near fine in wrappers. [#035255] $40
$20

Philadelphia, Chamberlain Press, 1954. Matheson's first hardcover publication, a collection of stories with an introduction by Robert Bloch, who later wrote Psycho. About 650 copies of this book had been distributed prior to a flood that destroyed the remaining bound copies, and a fire later destroyed the unbound sheets. Inscribed by Matheson to the horror writer Stanley Wiater, in 1992: "To Stanley -- with many thanks for the excellent interview in Dark Dreamers. Best always, Richard Matheson." Matheson's career began with placing short stories in the pulp magazines, and he later became one of the most important script writers for "The Twilight Zone." Ray Bradbury called him "one of the most important writers of the 20th century," and Stephen King cited him as "the author who most influenced me as a writer." A nice association copy. Wiater's bookplate on front pastedown. Lower boards show some water damage, text block fine, but still only a good copy in a good, damp-stained dust jacket with effects mostly visible on verso and rear panel. [#030756] $450
$293

San Anselmo, Audio Wisdom, 1999. A two-cassette, two-hour audio recording of an evening with Peter Matthiessen. Unmarked, but from the library of Peter Matthiessen. Still shrink-wrapped; fine. [#032065] SOLD

NY, Evans, (1975). Inscribed by the author in 1982. Bookplate of another author on the front flyleaf. Near fine in a near fine, rubbed and price-clipped dust jacket. [#031047] $60
$30

Amenia, NY, 1975. Mumford declines to be a "nominator," on the grounds that he resists doing favors for anyone who might review his work, and suggests in his place Loren Eiseley or Harrison Salisbury. The letter reads as though the recipient was looking for a nomination, not for himself, but for some unnamed third party. The fascinating part is that Mumford begins the letter "I had a smothered fear, dear Van Veen," and closes it by saying "With all good wishes to you -- and Ada!" It is signed "Cordially, Lewis" (and headed with an Amenia NY address, where Mumford lived). "Van Veen" is the name of Vladimir Nabokov's protagonist in his novel Ada. Although we could find no direct connection between Mumford and Nabokov, both won the National Medal for Literature, in 1972 and 1973, respectively, and could have met at the April, 1974 ceremony where Nabokov received his. As for the nomination in question, Mumford, Eiseley, and Harrison all belonged to both the American Academy of Arts and Sciences and the American Philosophical Association. Folded in sixths; light corner creasing; near fine. [#035856] $300
$195

NY, Broadway Books, (1998). The uncorrected proof copy, in white wrappers. Much scarcer than the advance reading copy in pictorial wrappers. Signed by the author in the year of publication. Fine in wrappers. [#911810] SOLD

Los Angeles, 20th Century Fox, 1940. The revised shooting final screenplay, dated December 15, 1939, although with 24 pages of colored inserts dating from January and February, 1940. Machine stamped "copy #1," belonging to the producer Darryl F. Zanuck. This was one of the two screenplays that O'Hara worked on from September to December 1939 and shared screenplay credits for, in this case with Karl Tunberg and Don Ettlinger. The movie was produced by Zanuck, and starred Vera Zorina, Erich von Stroheim and Peter Lorre. Quarto; mimeographed pages with blue revision sheets inserted. Near fine in printed studio wrappers. Rare. [#025153] $2,000
$1,500

NY, D. Appleton, 1925. The Cherokee author's first book and, with D'Arcy McNickle's The Surrounded, one of the two most important debuts of modern Native American writers. This one, however, preceding McNickle's book by over a decade, may rightfully be called the first Native American novel of the modern era. The Encyclopedia of Oklahoma History and Culture says: "...critic Gretchen Ronnow states that [Oskison] 'was one of the first major American Indian writers to grapple with the issues of being a highly educated mixed-blood trying to defend a tribal heritage.'" Owner name front flyleaf; rubbing to the joints and board edges and a vertical crease to the spine. A very good copy, lacking the scarce dust jacket. [#036232] $325
$211

1993. A typed letter signed by Ouellette to a friend and fellow writer, mentioning another screenplay he is working on based on an H.P. Lovecraft story -- which apparently never went into production -- and appending a printout of his four-page short story "The Fourth Witch," which appears to remain unpublished. Edge-creased, folded in thirds for mailing; near fine, with envelope included. [#031476] $175
$114

[Mount Vernon], (Walpole Printing Office), [1941]. Prospectus for the "regular edition" of 295 copies, after a deluxe edition of 50 copies. Three paragraph statement about the book by Patchen; blurb by Henry Miller; and the names of some of the subscribers that made publication possible (Maxwell Perkins, E.E. Cummings, Wallace Stevens, James Laughlin, Louis Untermeyer, William Carlos Williams, Stephen Vincent Benet, etc.) One sheet, folded to make four pages. Slight edge-sunning; near fine. Uncommon ephemeral piece for what is perhaps Patchen's best-known book. [#035684] $100
$65

(n.p.), (n.p.), 1961/1962. Mimeographed typescripts of two one-act plays, which were collected in his 1962 volume entitled Children is All. Inscribed by Purdy on the title page of Cracks to the poet Quentin Stevenson "with the sincere admiration of James" and additionally signed, James Purdy. Purdy was a controversial author whose works explored gay themes at a time when this was taboo; his popularity and critical reception suffered as a result, but many of his more celebrated contemporaries considered him a genius and a great writer, among them being Tennessee Williams (who wrote a blurb for the book publication of Children is All); Edward Albee (who produced Purdy's play Malcolm); and Gore Vidal, who called him "an authentic American genius" and wrote in the New York Times article entitled "James Purdy: The Novelist as Outlaw" that "Some writers do not gain wide acceptance because their work is genuinely disturbing. Purdy is one of them." As best we can determine, OCLC lists only two copies of the former typescript and one of the latter in institutional collections. Another collection lists "photocopies" of these two plays, but these productions predate plain paper photocopying. Children is All (1961) runs 41 pages; Cracks (1962) runs 16 pages. Each is near fine; stapled in the upper left corner. Scarce works by a writer Jonathan Franzen called "one of the most undervalued and underread writers in America." [#031486] $1,500
$1,125

(n.p.), Kyuryudo, 1992. Text in Japanese, but primarily a book of photographs. Inscribed by actor Anthony Quinn to film director Anthony Harvey: "Dear Tony, the man at the bookstore asked me if my friend could speak Japanese. I said you spoke photo language. Here is [sic] some wonderful photos to last you the following wonderful New Year. A. Quinn." A nice Hollywood association: Harvey directed Quinn in the television movie This Can't Be Love, which also starred Katharine Hepburn, who won an Oscar working for Harvey in The Lion in Winter. Tall quarto; spine crease, else fine in wrappers and near fine dust jacket, lacking the wraparound band. [#026868] $350
$228

(Various), (Various), 1986-2003. An extensive collection of audio renditions of Rice's long-running Vampire series, with 41 recordings of 13 titles, most of which are Random House audiobooks or Books on Tape, but also including works by Recorded Books and Isis Audio Books. The majority of the recordings are on cassette tape, with a dozen in CD format. 18 of the recordings are unabridged, with at least one unabridged audio of each title present, with the exception of Memnoch the Devil (and The Vampire Chronicles, which is itself an abridgment). The titles (and the number of recordings) are as follows: Interview with the Vampire (4); The Vampire Lestat (4); The Queen of the Damned (2); The Vampire Chronicles (1); The Tale of the Body Thief (3); Memnoch the Devil (1); The Vampire Armand (4); Pandora (3); Vittorio the Vampire (4); Merrick (3); Blood and Gold (3); Blackwood Farm (5); and Blood Canticle (4). The audios are presumed to be in fine condition. Vittorio's CD case has been replaced; otherwise the cases and boxes are fine or near fine, but for an indentation to an Interview cassette box. Will ship at cost. [#035610] $350
$228

(Lewisburg), Press of Appletree Alley, 1995. A fine press limited edition of a story that first appeared in The Partisan Review in 1986. Copy No. 138 of 195 numbered copies, signed by the author. An uncommon edition: although the stated limitation was 195, the press was selling unbound copies a couple of years after the initial publication date, suggesting that not all of the sets of sheets were bound. Fine in quarter leather, burgundy cloth boards, in a fine slipcase. The nicest edition done of one of Roth's works. [#911247] $850
$595

London, Cassell & Company, 1894. Reproductions of seven photographs depicting the "seven ages" of life as described in Shakespeare's As You Like It. There were earlier volumes published on this same theme, but this may be the first publication to use photographs (rather than engravings). Disbound, with contemporary gift inscription. A fair copy, with all plates and both covers present; large lower corner chip to the front cover and some marginal insect damage, not affecting the photographs. Five copies found in OCLC. [#035619] $175
$114

Ottawa, Borealis, 1974. Her second book. Fine in wrappers. [#912740] $100
$65

Boston/NY, Houghton Mifflin, 1997. His first collection of stories, spanning the years 1969 to 1997. Bound galley sheets; 8-1/2" x 11"; tapebound in cardstock covers. Presumably produced for in-house use only; we've never seen any indication of these having been distributed outside the publishing house. Fine. [#008297] $125
$81

Dickinson, Dickinson State College, 1974. Tate served as poetry editor for this annual publication, and here contributes an insightful and amusing three-page introduction. The collection includes, among other things, Stratis Haviaras's first poems in English. Spine-sunned, near fine in wrappers, with the stamp of a previous owner inside the front cover. [#030830] $40
$20

NY, Knopf, (1965). A book of poems, one for each month. This is the third of Updike's books for children done in the Sixties, this being the trade binding (there was also a library binding done). Illustrated by Nancy Ekholm Burkert. Fine in a near fine, price-clipped dust jacket. [#912070] $100
$65

Newburyport, Wickford Press, 1968. A limited edition of a humorous essay on encounters with (other) famous authors, which first appeared in the New York Times. Number 56 of 250 numbered copies. Issued unsigned, this copy is inscribed by the author in 1997: For ___ ___ and her fabulous collection/ Cheers, John Updike." One of Updike's earliest limited editions, done the same year as Bath After Sailing and The Angels. Although the limitation of this title is larger than either of those, we have encountered it just as infrequently. Faint sunning at the edge of the spine, else fine. [#030849] $1,000
$700

NY, Knopf, 1963. His second collection of poems. Inscribed by the author. Fine in a near fine, spine-sunned dust jacket with creasing to the base of the spine. [#912067] $300
$195

Boston, Houghton Mifflin, 1994. The advance reading copy of the anthology edited by Tobias Wolff, with stories by Sherman Alexie, Robert Olen Butler, Thom Jones, Stuart Dybek, Tony Earley, Chris Offut, Barry Hannah, Christopher Tilghman, and others. Fine in wrappers. [#008030] $45
$23