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All books are first printings of first editions or first American editions unless otherwise noted.

NY, Farrar Straus Giroux, (1975). A scathing essay, which skewered the self-referential world of modern art. Inscribed by Wolfe, "to Nick," (author Nicholas Delbanco) in Ann Arbor in 1981. Bookplate removal front pastedown; edge-sunning to boards; near fine in a very near fine dust jacket. [#029205] $250
NY, Farrar, Straus & Giroux, (1981). The uncorrected proof copy of this critique of modern architecture, in the same vein as the author's assault on Modern Art in The Painted Word. Publicity information stapled inside the front cover; else fine in wrappers. [#013887] $70
NY, Farrar, Straus & Giroux, (1981). The uncorrected proof copy of this critique of modern architecture, in the same vein as the author's assault on Modern Art in The Painted Word. Tiny horizontal crease to spine; else fine in wrappers. [#014956] $70
(n.p.), (Farrar Straus Giroux), (1973). The printer's sample pages. One sheet, folded in half, printing three pages of text, numbered pp. 3, 56-57, but with contiguous text; the fourth page lists type and setup specifications. Fine. Unusual publisher's ephemera of a sort that seldom reaches the market. [#013464] $70
NY, Farrar Straus Giroux, (1976). Very Good in Very Good DJ. [#711136] $20
NY, Farrar Straus Giroux, (1982). Advance Uncorrected Proof. Very Good in wrappers. [#711139] $20
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