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All books are first printings of first editions or first American editions unless otherwise noted.

(n.p.), (n.d.), (1983). A samizdat edition of his controversial and suppressed book about the confrontation between American Indian activists and the FBI in the early Seventies at Pine Ridge Reservation near Wounded Knee that left two federal agents and one Indian dead, and resulted in AIM activist Leonard Peltier being imprisoned for life, convicted of the agents' murder in a case that Matthiessen describes as rife with government malfeasance. Matthiessen, his publisher, and even some bookstores who had stocked the book were the targets of lawsuits brought by two government officials who claimed they were slandered by the hard-hitting book, which made no bones about its advocacy of the Indians' case. Until a landmark Supreme Court decision upholding Matthiessen's (and Viking's) First Amendment rights, the book was shelved with remaining copies of it being pulped; paperback publication, as well as foreign publication, were blocked for nearly a decade. A significant volume, both for the incendiary nature of its content, as well as the First Amendment battle surrounding its publication and suppression. Pirated during the nine years that the book was unavailable through normal channels. Plain white printed wrappers, with just the title and author indicated; comb-bound in an acetate cover. This copy is from the library of Peter Matthiessen. A significant edition of an important book in the history of First Amendment cases. Fine. [#031783] $1,000

Research material from the library of Peter Matthiessen. Matthiessen's connection to Florida as a writer goes back well before the Mr. Watson trilogy that he began writing in the 1980s. In 1970 the Sierra Club published a photography book on the Everglades using text from Matthiessen's earlier books. At that time he also began a project based on Seminole history and legends. Later, the Watson trilogy and eventually Shadow Country took up a large portion of nearly two decades. Roughly 20 titles. Many of these book are research materials for the Watson books; others are more general history or natural history. All books are first printings unless otherwise stated:
  • BRIGGS, Betty Savidge. Cracker in the Glades. A Portrait of Robert Storter, Fisherman, and His Family. Apparently privately-published, 1980. Three copies: One copy with a small notation in family tree. The second copy is signed by Robert Storter. Heavily marked in pen, pencil and highlighter, with stars and question marks in margins. The third copy is also signed by Storter and includes a two-page autograph letter signed by Briggs to Matthiessen, recounting Matthiessen's interaction with the book's subject (apparently Briggs' grandfather). Also laid in is a Tampa Bay Life article by Briggs entitled "The Migrant Stream."
  • CAULFIELD, Patricia and MATTHIESSEN, Peter. Everglades. NY: Sierra Club/Ballantine (1971). Photographs by Caulfield accompany selections from published and unpublished work by Matthiessen. Edited by Paul Brooks. With a non-authorial gift inscription (publisher?) to Matthiessen. Pages paperclipped and passages marked (some with stars or question marks) in highlighter and pen. List of page numbers on rear blank. Softcover.
  • COUNCIL, Clyde C. Suwannee Country. Sarasota: J&G Printing, 1976. A canoeing, boating and recreational guide. Passages marked in pen. Top-bound; softcover.
  • CUSHING, Frank Hamilton. Exploration of Ancient Key Dwellers' Remains on the Gulf Coast of Florida, a volume in the Antiquities of the New World series. NY: AMS Press, 1973. Many passages marked in pen, with a handful of annotations. Hardcover, no dust jacket.
  • DOUGLAS, Marjorie Stoneman. The Everglades. River of Grass. Miami: Banyan Books (1978). Reprint edition. Passages marked (some with stars or question marks) in highlighter and pen. Hardcover, lacking dust jacket.
  • DRAGO, Harry Sinclair. Outlaws on Horseback. NY: Dodd, Mead (1964). Photocopied excerpt only, Chapter 16, "Beyond Reasonable Doubt," with mention of Edward J. Watson. Passages marked in pen and pencil, with question marks in the margins.
  • FOSTER, Stephen. Immortal Melodies. CBS Robbins Catalog, 1967. Reissue. First song is Florida's state song, "Old Folks at Home." Stapled wrappers.
  • GRISMER, Karl H. The Story of Fort Myers. Fort Myers Beach: Island Press, 1982. A facsimile reproduction of the 1949 edition. Heavily marked in highlighter and pencil. A few notations inside the rear cover. Softcover.
  • LAMME, Vernon. Florida Lore Not Found in History Books! Boynton Beach: Star Publishing, 1973. Softcover.
  • LANGLEY, Joan and Wright. Old Key West in 3-D. (Key West): (Langley Press)(1986). A comb-bound booklet reproducing stereographs from the turn of the last century. Plastic viewers included.
  • McIVER, Stuart. True Tales of the Everglades. Miami: Florida Flair Books (1994). Later printing. Heavily marked in two pens, with a handful of annotations. Stapled wrappers.
  • McIVER, Stuart B. Death in the Everglades. Gainesville: University Press of Florida (2003). Passages marked (some starred) with pen. Hardcover with dust jacket.
  • SCHELL, Rolfe. 1000 Years on Mound Key. Fort Myers Beach: Island Press (1968). Revised edition. One pencilled marginal note. Stapled wrappers.
  • TEBEAU, Charlton W. Man in the Everglades. Coral Gables: University of Miami Press (1976). Later printing of the revised edition. Heavily marked in pen, pencil and highlighter, with stars and question marks in margins. Softcover.
  • TEBEAU, Charlton W. The Story of the Chokoloskee Bay Country. Miami: Banyan (1977). Second printing. Passages marked in pen and pencil; numerous marginal notes. Softcover.
  • WARNKE, James R. Ghost Towns of Florida. Boynton Beach: Star Publishing (1971). Third printing. Multiple instances of underlining in pencil and colored pencil. A list of numbers on rear cover. Softcover.
  • WASHINGTON, Ray. Cracker Florida. Miami: Banyan (1983). Softcover.
  • WILLIAMS, Joy. The Florida Keys. NY: Random House (1988). Revised edition. Softcover.
  • West of Key West. (Mechanicsburg): Stackpole (1996). Anthology. Hardcover with dust jacket.
Most show evidence of being read and handled; most exhibit foxing in keeping with being housed on Long Island. [#032452] $1,000

NY, Random House, (1997). The second novel in the trilogy that began with Killing Mr. Watson, based on a series of events in Florida at the turn of the last century and using the novel form to explore the settling and development of that frontier, with an awareness of the ecological implications of that development. Inscribed by Matthiessen to author and Florida marine biologist Randy Wayne White, a longtime friend, addressed as "Cap'n Randy," adding "Abrazos!" For reasons unknown to us, not given to White; from Matthiessen's own library. Fine in a fine dust jacket. [#032351] $750

NY, Random House, (1989). The uncorrected proof copy. Published in 1989, and with, on the last blank, Matthiessen's notes on the subject of the fatwa against Salman Rushdie, beginning with, "Like the Ayatollah, I would like to make a very few brief [illegible] and ill-conceived remarks about a book I have just read - The Satanic Verses." The notes seem to suggest that his remarks are not to be concerned with Rushdie's "guilt," but that rather, like Leonard Peltier, "whether innocent or not, he was framed." Roughly 75 words, written on the blank facing the rear cover: the rear cover is beginning to detach; both covers are coffee-stained; a good copy in wrappers of the second issue proof, with the story "Horse Latitudes" in place of "A Replacement." Together with Matthiessen's copy of the first American edition of The Satanic Verses, unmarked but with a paragraph about Rushdie taped to the rear pastedown, with "Hitchens" written in the margin. The proof copy has a number of annotations and markings in Matthiessen's hand in the story "Lumumba Lives," but these changes were not incorporated into the published book. [#032360] $750

NY, Viking, 1955. A novel of partisan politics in Paris in the early 1950s and loosely based on Matthiessen's own brief experience with the CIA, in which he was asked to keep tabs on a young French communist leader during the period when Matthiessen was living in Paris and co-founded the Paris Review. Inscribed by the author to his parents: "For Mom & Dad. With much love. Pete." Two passages marked in the text, with page numbers written on the front pastedown: one of the passages begins, "Nevertheless, he respected his father -- " Heavy foxing to endpages; staining to boards; insect damage to cloth, which is splitting at the rear joint. A fair copy only, lacking the dust jacket, but an excellent family association copy. [#032362] $750

London, Heinemann, (1962). The uncorrected proof copy of the first British edition of his third novel. Signed by the author. Matthiessen was one of the very few authors who has won the National Book Award for both fiction and nonfiction. His novel after this one, At Play in the Fields of the Lord, a National Book Award nominee, represented a significant jump from this book in terms of literary accomplishment. The book prior to this, Wildlife in America, started him on the path toward becoming one of our most highly regarded writers of natural history. This short novel, a tale of the sea that is reminiscent of Conrad, dates from an early period in Matthiessen's career and is uncommon even in the U.S. trade edition. This is the only copy of the British proof we have handled. Spine-sunned, else fine in wrappers. [#015912] $750

NY, Viking, 1961. His fourth book, third novel, a tale of an outcast seaman on a World War II troop ship. Inscribed by Matthiessen to his brother-in-law, Kennett Love. Love's ownership signature on front flyleaf and a couple pencilled notes, apparently in his hand, on the rear pastedown. A near fine copy in a very good, spine-sunned dust jacket with a couple closed tears at mid-spine. A nice association copy. [#016306] $750

NY, Viking, 1961. A chronicle of a trip through the Amazon wilderness, Matthiessen's second book of nonfiction and the first of his numerous personal accounts of travel and exploration, with which he carved out a unique position in American literature. Inscribed by the author to his parents: "For Mom & Dad/ with much love & many thanks/ Pete." Minor handling evident to boards, faint spine-sunning; a very good copy, lacking the dust jacket. [#032344] $750

NY, Viking, (1978). A second printing of his National Book Award winner. From Matthiessen's own library and with more than a dozen passages marked in pen by Matthiessen, all having to do with the porter and camp assistant Tuktken. There are a couple of other passages marked in pencil, with page notations in the prelims. Rear flyleaf excised, else a very good copy, lacking the dust jacket. [#032371] $750

London, Heinemann, (1952). Peter Matthiessen's copy, in which he has re-drafted his included story, "The Centrepiece." Roughly two dozen changes, in the space of ten pages, including a change in the ending. Matthiessen has written, on the flyleaf, "PM story edited in this volume." These changes were incorporated when the story was republished in the collection On the River Styx in 1989. Front hinge cracked, loss of color to spine extremities; a good copy, lacking the dust jacket, but for the front flap, which is laid in. [#032392] $650

Stamford, Virginia Jevne, 1960. Bound mimeograph of Ward's memoir of Bladensfield, a famed Virginia plantation, edited by Peter Matthiessen, himself one of the "children of Bladensfield": Ward was his great-great-aunt. This copy is from the library of Peter Matthiessen and has "Edited by Peter Matthiessen" handwritten on the title page; the editing of Ward's memoir is normally unattributed. A very good copy in wrappers. Together with the 1978 Viking edition, published with Matthiessen's essay "Homegoing." Foxed; near fine in a very good dust jacket. The mimeograph is an unusual edition we have not seen before, and this copy contains previously unknown bibliographic information, presumably. [#032395] $650
On Sale: $455

NY, Random House, (1965). Matthiessen's own copy of the advance reading copy of his fourth novel, marked by Matthiessen, apparently for a reading. A portion of an index card has page numbers written in Matthiessen's hand, identifying five sections that are marked off, by Matthiessen, spanning the entire text: the opening paragraphs; three middle sections; and the final pages. Otherwise unmarked, but from Matthiessen's library. Foxing to endpages and page edges; spine creased; very good in wrappers. [#032341] $500

London, John Murray, 1956. Matthiessen's own copy, in which he has edited his story contribution. Covers darkened and creased, with small stains; a good copy in wrappers. As far as we can tell, this story was never reprinted so this author's copy is the only one to show these edits. [#032394] $500

NY, Harper & Brothers, (1954). The author's first novel, published just after he returned from Paris, where he helped found the Paris Review. This is the issue in blue cloth and black boards; the priority has not been determined so far. Signed by the author. The front flyleaf bears a small ink price and a penciled editorial comment: "A book by Mary Wheelwright's brother - Not too good, but light and interesting if you know him!" A touch of fading to the cloth at the crown; else fine in a very good, spine-tanned dust jacket with light chipping to the extremities and corners and rubbing at the folds. [#014544] $500

NY/London, Harper/Secker & Warburg, 1954. Matthiessen's own copies of both the first edition and the first British edition of his first book, a novel, written while he was living in Paris, where he helped found the Paris Review. Unmarked, but both copies are from the library of the author. The American edition is mottled and foxed; a good copy only, in a fair dust jacket with several small chips and split unevenly at the front flap and the spine. The British edition is foxed and musty, a good copy, with portions of the dust jacket (front cover, front flap) laid in. [#032363] $500

Stamford, Virginia Jevne, 1960. Bound mimeograph of Ward's memoir of Bladensfield; although unattributed, edited by Peter Matthiessen, himself one of the "children of Bladensfield," for whom Ward wrote this memoir, which focuses on her youth at the plantation during the Civil War years. This copy is from Matthiessen's library; some insect damage; good in wrappers. Together with the 1978 Viking edition, published with Matthiessen's essay "Homegoing." Near fine, lacking the dust jacket. Laid in is a letter to Matthiessen from David Winfred Gaddy, the co-author of a book on the Confederate Secret Service, which made mention of a James Carey, a Confederate spy who visited Bladensfield and is mentioned in Ward's memoir. Also laid in is a parchment reproduction of Lee's Farewell Address coupled with his letter to Jefferson Davis. [#032396] $500

(Houston), Inprint/Fiocat, (2005). A limited edition excerpt from Matthiessen's 1972 book, issued as a gift for patrons of Inprint's Poets and Writers Ball 2005. Copy #29 of 300 numbered copies (there were an additional 60 proofs). Signed by Matthiessen. From the author's own library. Fine in intricately designed string-tied wrappers. Very uncommon: we had never seen another one prior to encountering this. Presumably, as an ephemeral gift that never entered the book trade, copies were limited to the attendees at the ball, and it's likely that many did not retain them after the event. [#032378] $475

Bristol, Ampersand, (1984). One of Matthiessen's own copies of his first book of short fiction, a collection of stories that date from the Fifties and early Sixties. This is a hardcover copy: printed by a small press at a college in Rhode Island and issued to the trade only in wrappers, a few special copies were bound in hard covers for people involved with the project. Minor spotting to pages and covers; very good, without dust jacket, as issued. [#032356] $450

NY, Viking, (1981). Matthiessen's own copy of this recounting of a safari into the Selous Game Reserve in southern Tanzania, with a portrait of the land and the people who have shaped it. With photographs by Hugo van Lawick. Signed in full by Matthiessen and additionally inscribed by him with a 1981 Christmas greeting and a "Come see us!," but apparently never given away, as this copy is also marked by Matthiessen in the first 24 pages, as though mapped out for a reading; but also marked on page 130 with the question, "Insert Stuff Here?" Cocked, lower edges dampstained, a good copy in a good, edgeworn dust jacket. Winner of the John Burroughs Medal. [#032367] $450

NY, Vintage Books, (2000). Matthiessen's own copy of this trade paperback original collecting more than thirty years of his nonfiction. Nearly two dozen pages marked by Matthiessen, with brackets, arrows, or hatch lines, in six different chapters of the book, including a number of passages marked for deletion, although the context of such revision is unclear. A very good copy in wrappers. [#032385] $450

London, John Murray, 1952. Matthiessen's fourth published story, published in this U.K. literary journal while he was living in France and, as best we can tell, never reprinted. This is Matthiessen's own copy, in which he has edited his story contribution, although ultimately these revisions appear nowhere else other than in this copy. The biographical information lists him as working on his first novel at the time of publication. Covers darkened with small stains; very good in wrappers. [#032391] $450

NY, North Point, (2000). Inscribed by the author to his father (plus one). Fine in a fine, price-clipped dust jacket. Introduction and photographs by Maurice Hornocker. [#032376] $450

Santa Fe, Clear Light, (1992). The limited edition of this collection of pieces on Indian tribes and the history of their relationships with the United States government. Contributors include such notable Native American writers as Vine Deloria, Jr., John Mohawk, Oren Lyons, and others. From the library of Peter Matthiessen, who provides the foreword. Copy 18 of 300 numbered copies. Signed by eight contributors, including Vine Deloria, Jr. Matthiessen is not included in the signers. Leatherbound, fine but for the contributor's page adhering to the rear cover, a production flaw. In a fine slipcase. A contributor's copy of a very uncommon edition. [#032419] $400

NY, North Point, (2000). Two copies from Matthiessen's own library, each lightly marked by Matthiessen, one perhaps for a reading, the other perhaps for revision. One copy is stained, lacking the dust jacket, with a 2009 article about the Amur (Siberian) tiger laid in; the other copy is near fine in a near fine dust jacket. Introduction and photographs by Maurice Hornocker. [#032375] $400

San Francisco, Sierra Club Books, (1982). Inscribed by the author to Peter [Matthiessen], "In the spirit of the search. With gratitude for your work and for your presence on our Baikal journey." With Matthiessen's markings in the preface and introduction. Remainder mark; near fine in a very good dust jacket. Together with the first printing of the 1998 University of Georgia Press edition, again with Matthiessen's markings in the same introduction (as well as the foreword and preface to this edition). Fine in wrappers. Lastly, together with the University of Georgia Press's edition of Shepard's Thinking Animals, for which Matthiessen provides a cover blurb. Near fine in wrappers. [#032409] $375

NY, Random House, (1965). Matthiessen's own copies of the first three printings of his fourth novel. Three copies: the first, second, and third printings, each unmarked but from Matthiessen's library. The books show some minor Long Island foxing and are about near fine; the jackets (which are interchangeable) are in only good condition, being highly prized by insects, particularly their spines. [#032340] $350

NY, Random House, (1975). An unusual novel, almost an extended prose poem, that is, in part, an elegy to the turtle fishermen of the Grand Cayman islands, written in their dialect. Unmarked, but from the library of Peter Matthiessen. Near fine in a near fine dust jacket. A nice copy of a book that is often found in poor condition: an NYU course in book design cited this title as one that, because the text block is too heavy for the binding, is a classic example of poor book design. On the other hand, between the dialect and the unusual page layout, with the text typeset like poetry and large amounts of white space on the pages, it is the favorite book among many of the author's admirers. [#032347] $350

Paris, Pierre Tisne, 1947. An overview of the Impressionist era, its painters and paintings, written by the head conservator of paintings at the Louvre, and heavily illustrated with black-and-white reproductions and a number of tipped-in color plates. Matthiessen's copy, with his signature, dated in Paris at Christmas, 1948, and with his markings, and a few notes, in the (French) text. Matthiessen was an undergraduate college student at Yale, spending his junior year abroad at the Sorbonne in 1948. Whether he studied this for a course or read it for his own edification is unknown. Heavily sunned, hinges cracked; a good copy, lacking the dust jacket. [#032389] $350

London, Collins Harvill: Shambala, 1986. Matthiessen's own copy of the first British edition of these Zen journals spanning the years 1969-1982. One passage marked by Matthiessen. Near fine in a near fine dust jacket with one edge tear and a crease to the rear flap. [#032358] $350

(London), Panther, (1964). Two copies of the first printing of the Panther paperback edition of Matthiessen's fourth book, third novel. Each copy has pages marked by Matthiessen -- one copy with two pages and the other with three -- indicating word changes or changes to sentence order. The Panther edition precedes the American Bantam paperback by a year (but the Bantam edition does not reflect these changes). Spine creased on both copies, one heavily; the other has a small upper corner chip. Each is about very good in wrappers. [#032364] $350

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