Weekly Sale

NY, Scribner's, [1981]. The uncorrected proof copy. Lower half of title page missing; otherwise near fine in wrappers. [#036248] $40
$20

Garden City, Doubleday, 1966. Signed by the author. A bit of bubbling to pastedowns; else fine in a near fine, mildly spine-sunned, near fine dust jacket. H18 code on last page of text. [#911337] $160
$104

(NY), New Rivers Press, 1974. The scarce hardcover issue of his second book, a collection of poetry. The total edition was 600 copies, of which only 200 were issued in cloth; 400 were issued in wrappers. Well-known these days as a writer of fiction and of essays on fiction, Baxter didn't publish his first novel until 1987, seventeen years after his first book (Chameleon) and thirteen years after this title. Inscribed by the author in 1982. Fine in a slightly rubbed, else fine dust jacket. [#911007] $650
$455

(West Germany), World Uranium Hearing, 1992. Program for the World Uranium Hearing, founded by Biegert, and held in Salzburg in 1992, timed with the quincentennial of Columbus' landing in America. Bilingual program, English and Russian. With an autograph letter signed laid in from Biegert to Matthiessen, reminding him that he is looking for "world renowned authors from all continents who will be the reporters at the World Uranium Hearing." Also laid in is a folded 11-3/4" x 19-1/2" poster publicizing the event, with the heading, "The Death That Creeps From the Earth." The program is near fine in stapled wrappers, with Biegert's address written on the front in Matthiessen's hand, along with "Contact: K. Vonn/ John I./ Robt Hughes/ W. Merwin" -- presumably referring to Kurt Vonnegut, John Irving, Robert Hughes, and W.S. Merwin, all of them good friends of Matthiessen as well as "world renowned authors" who might be enlisted to support this event. [#032457] $175
$114

Tucson, Firsts, 2008. The full year, 10 issues (no issue published in July or August). Articles on Marilynne Robinson, William Styron, Margaret Coel, James Bond, Daniel Woodrell, Gone with the Wind, etc. Fine. May require added postage. [#036330] $50
$25

Tucson, Firsts, 1997. The full year, 11 issues (#7/8 is one issue). Articles on Hemingway, Fitzgerald, Dickens, Richard Ford, Ayn Rand, the Booker Prize, etc. Fine. May require added postage. [#036319] $50
$25

Tucson, Firsts, 1998. 10 issues (#7/8 is one issue; #9 is missing). Cover articles include Kurt Vonnegut, Mark Twain, Ian Fleming, movie source books, etc. Fine. May require added postage. [#036320] $45
$23

Santa Rosa, Black Sparrow, 2001. Two comb-bound advance copies: one shot from typescript and printed on rectos only, 298 pp.; the second copy is typeset and printed on both sides of the page, 355 pp. Laid into the first copy is an earlier version of one included poem: "oh to be young in 1942!," here titled just "oh, to be young!" The poem is two pages, the first being ribbon copy. Photocopied emendations to the table of contents in the first copy, removing the titles of poems not included; penciled notes to the table of contents in the second copy. The first one has the date "2/3" and the publisher's initials, "JM," on the cover; the second one is also initialed and is dated "4/11." Each is fine with an acetate cover. From the collection of John Martin, publisher of Black Sparrow Press, which printed most of Bukowski's work for the last nearly 30 years of his life, and which was in turn supported by the success Bukowski had with his poetry and his fiction, which rewrote the boundaries of what was acceptable as art. [#033372] $1,250
$938

(Shelburne), Battered Silicon Dispatch Book, 1999. Inscribed by the author in 2000: "How nice to have the Goose Club here." One slight lower corner tap; else fine in a fine dust jacket. [#029350] $60
$30

London, Belmont Press, 2002. Of a total edition of 226, this is the "standard" issue, one of 100 numbered copies signed by Carey and by the illustrator, Eileen Hogan. Fine, without dust jacket, as issued. [#911433] $450
$293

NY, Harper & Brothers, 1935. Winner of the 1936 Pulitzer Prize, after winning the Harper Prize for best first novel, as judged by Sinclair Lewis, Dorothy Canfield, and Louis Bromfield. Foxing to the boards and edges of the text block; a very good copy in a good dust jacket, chipped along the upper edge and spine crown and splitting at the folds. One of the more uncommon Pulitzer Prize novels, with a fragile dust jacket. [#035973] $350
$228

NY, [The Democratic Party], 1888. The Democratic Party Platform, as adopted in St. Louis on June 7, 1888. Grover Cleveland was running for re-election, against the Republican Benjamin Harrison: Cleveland won the popular vote, but lost in the Electoral College. (Cleveland would win a rematch, in 1892.) This pamphlet puts forth the ideals of the Democratic Party at the time, including: childhood education; the rights of organized labor; the separation of church and state; the equality of all citizens without regard to race or color; the reform of unjust tax laws that unduly enrich the few; the end of the sale of public lands to benefit corporations rather than settlers; the reigning in of tariffs; the admission of Washington, Montana, Dakota and New Mexico into the Union; and supporting the blessings of self-government and civil and religious liberty for all nations. The platform reaffirms the rights of native and naturalized citizens, but takes a hard line against the importation of "unfit" foreign labor. One sheet, folded to create a 12 page pamphlet, 3 3/8" x 5 3/4". Foxed, and fragile; about very good. Only two copies located in OCLC, at NYPL and Pittsburgh State University. [#034697] $1,000
$700

NY, Grove, (2002). The advance reading copy of the second book by the author of the highly praised Lord of the Barnyard, who committed suicide in May, 2005. This copy is signed by Egolf. Fine in wrappers. [#914920] $250
$163

(NY), Aperture, (1979). A volume in Aperture's History of Photography series. This copy is inscribed by the screenwriter Lloyd Fonvielle, who provides the introduction, to film critic Pauline Kael, in 1981. The introduction comprises the entire text of the volume, other than the appendices; the rest of the book reproduces Evans's photographs, without caption. Light foxing to prelims; near fine in boards, without dust jacket, as issued. [#035974] $350
$228

(n.p), (n.p), (n.d.). Farrell's typescript pages (pp. 4, 5, 11) for what appears to be an introduction to a work by or about Dreiser. Reportedly, this was from an introduction to a Collier Books edition of Sister Carrie, but we have been unable to verify that such an edition existed. It is not from the 1975 Sagamore Press edition (which does have a Farrell introduction). Nor, as best as we can tell, is it from Farrell's introduction to The Best Short Stories of Theodore Dreiser, nor the 1955 volume The Stature of Theodore Dreiser, nor the 1962 volume Theodore Dreiser. What it is: three pages of text (two ribbon copy; one carbon copy), with holograph corrections, with an additional two pages (p. 11, p. 12) of notes/inserts, in manuscript. It is verifiable as Farrell's by the fact that in the text he quotes from letters to himself from H.L. Mencken, about Dreiser. The manuscript pages are darkened; page 11 has some offsetting; near fine. Farrell wrote about Sister Carrie repeatedly in his career, including a piece for the New York Times Book Review in 1943. Dreiser's book claimed the #33 spot on the Modern Library's list of Books of the Century, four spots behind Farrell's Lonigan Trilogy. [#012793] $225
$146

(n.p.), (n.p.), 1988. A 120-page screenplay by Ford for a 1991 film adaptation that he did from stories in his collection Rock Springs. Signed by Ford. An unknown number of copies were produced, but Ford signed seven of them at a reading in 1990. Photo-reproduced sheets on 3-hole paper. In this copy, page 120 was typed on a different typewriter than the first 119 pages. Bound in a flexible blue binder; fine. The film was directed by Michael Fields and starred Dermot Mulroney, Lili Taylor, Sam Shepard and Valerie Perrine. [#911202] $1,000
$700

(n.p.), Twenty-Third Avenue Books/First Choice Books, 1997. A broadside excerpt from Frazier's novel, produced on the occasion of a reading by the author. Copy "A" of 26 lettered copies. 9-1/2" x 16-1/2". Signed by the author. Fine. [#912583] $500
$325

Baltimore, Contemporary Poetry, 1944. A collection of poems, one of 1000 copies. A nice association copy, inscribed by the author to a painter, the wife (for a time) of a poet. A fine copy in a worn dust jacket severed at the spine. A fragile wartime book. [#016232] $250
$163

(Cambridge), Cambridge University Press, (1996). The first of three volumes, this one covering Discovery to Modernism. Fine in a fine dust jacket. [#035244] $50
$25

Princeton, Contemporary Poetry Press, (2013). First published in 1980, this is a new edition, with a foreword by Carlos Fuentes. This copy is inscribed by the author to the Chinese poet Bei Dao: "For the great poet Bei Dao -- on a wonderful meeting and in memory of [?], Mahmoud Darwish, Ramallah and freedom and justice." Near fine in a near fine dust jacket. Laid in is a typescript copy of Hamod's poem "Sabra/Shatilla: In Sorrow," which does not appear in the collection. [#032647] $115
$75

[Berkeley], Ecology Center, ca. 1969. The author of Brave New World takes on the threats posed by rising populations and accompanying preoccupations with politics and power rather than with democracy and ecology (with special reference given in the text to Russia and China). First thus: issued as Ecology Center Reprint 7 (reprinted from Center Magazine). Near fine in stapled wrappers. [#035313] $75
$38

NY, Random House, (1978). His second book, featuring Detective Sergeant "Fang" Mulheisen. Inscribed by Jackson to Steve Krauzer: "For my beloved, esteemed and always fascinating pal, Love, Jon." Krauzer is unnamed in the inscription, but the book is from Krauzer's estate. Fine in a fine dust jacket. [#027921] $150
$98

London, Arrowsmith, (1924). First thus: a reissue of the Keartons' 1902 edition of "the most widely known book on the joys of outdoor life in the English language," according to Richard Kearton's two-page introduction to this volume, which talks of changes in Selborne, and the influx of American visitors. Still including his introduction to the 1902 edition, and with a different selection of 85 photographs by the brothers, Richard and Cherry Kearton, from the 123 that appeared in the earlier edition. Inscribed by Richard Kearton in the year of publication to his "old friend, Leonard P. Moore, Esq." Offsetting to inscription page; heavy foxing to page edges and prelims; a bit of sunning to cloth; and a short tear at the rear upper joint. A good copy. Laid in is a flyer for a 1993 exhibition marking the bicentenary of the death of Gilbert White. [#033522] $350
$228

(Oslo), Oversettelse av Olav Angell, (1983). A Norwegian edition. Fine in a near fine dust jacket. [#023512] $40
$20

(NY), Free Press, (1999). A book on media literacy, explaining the ways women are targeted as consumers, by one of the creators of the documentary film series Killing Us Softly. Signed by the author and dated prior to publication. Later released with the title Can't Buy My Love. Kilbourne was inducted into the National Women's Hall of Fame in 2015. Near fine in a near fine dust jacket, with a blurb by Maya Angelou. [#034616] $250
$163

(London), Sun Tavern Fields, (1992). Inscribed by the author to Robert Stone and his wife, with "much love." Fine in wrappers. [#033797] $50
$25

(n.p.), (n.p.), [1979]. The Prologue, Introduction, and Chapter One of his unpublished novel about an Indian warrior/Vietnam veteran fighting against a "syndicate of smuggling, drugs, and white slavery to avenge a beautiful pagan girl he once loved," here submitted as a movie script treatment, with a typed letter signed and 4-pages of back story for the "Indian Hawk." Set in Vietnam, Singapore and Hong Kong. Approximately 60 pages, all photocopy (but for the signature). The book chapters are velobound; the letter and protagonist profile are stapled to the front cover. Edge-creasing to the letter, else fine. [#034907] $200
$130

London, Heath Cranton, (1937). A follow-up to his autobiography, Art, Paint and Vanity. This copy appears to have been gifted by the author to an acquaintance: flyleaf reads "G. [Gertrude] Middleton from Arthur (1937)?" in Middleton's hand. The text bears Middleton's annotations in the text and her own personalized index on the rear endpages, showing that she had some outside knowledge of Mathison's life. A very good copy, lacking the dust jacket. Uncommon. 8 copies in OCLC. [#035931] $75
$38

Barcelona, Jose Janes, 1950. The first volume of the 3-volume set of the first Spanish language edition of Maugham's complete works. This copy is inscribed by Maugham to Hamlet Vittino : "To my distinguished friend/ H Vittino - Rio de Janeiro - Nov. 1950/ W. Somerset Maugham." Vittino was an Argentine friend of Maugham's. With Vittino's ownership stamps; page edges foxed; crown wear to the soft boards; very good. [#036418] $450
$293

(Thomaston), (Northwoods), (1984). Inscribed by the author to Peter [Matthiessen] in 1994: "Here's why I gave up on poems and cast my lot with fiction." Fine in wrappers. [#032102] $40
$20

NY, Farrar Straus, (1986). The third of McPhee's geology books, later incorporated into the Pulitzer Prize-winning compendium of his geological writings, Annals of the Former World. This copy is inscribed by McPhee to Joe McCrindle, founder of the Transatlantic Review, who published McPhee's "The Fair of San Gennaro" in 1961, four years before his first book publication, which may explain the geological inscription: "For Joe McCrindle/ a friend since the middle Miocene/ best always/ John McPhee." Slight foxing to the top edge, else fine in a fine dust jacket with just a hint of spine fading. A nice association. [#036492] $450
$293

Paris, Olympia Press, 1958. Second printing of this novel first published in 1956. This book was a reworking of two stories Miller originally wrote on commission in 1940 for a collector of pornography (who reportedly found them "too poetic"). Illustrated with numerous photographs by Brassai. Softcover: fine in a very good dust jacket with moderate rubbing to the spine. [#034845] $300
$195

Paris, (Durand), (1953). Six illustrations by American surrealist artist Leon Kelly. This is Copy No. 47 of an unspecified limitation by this prolific French writer and translator. A near fine copy in self-wrappers, with a very good glassine dustwrapper. [#035597] $100
$65

NY, Macmillan, 1971. Long galley sheets for this autobiographical novel by the exiled South African writer. It follows his book Down Second Avenue and recounts his exile in Nigeria and Kenya, prior to his move to the U.S. This title was banned in South Africa. 100 long galley sheets (approximately 24" x 8"); folded in half. Tears to the cover sheet, else near fine. A very scarce prepublication format: probably no more than a half dozen copies of these galleys were created. [#035668] $125
$81

Los Angeles, 20th Century Fox, 1940. The revised shooting final screenplay, dated December 15, 1939, although with 24 pages of colored inserts dating from January and February, 1940. Machine stamped "copy #1," belonging to the producer Darryl F. Zanuck. This was one of the two screenplays that O'Hara worked on from September to December 1939 and shared screenplay credits for, in this case with Karl Tunberg and Don Ettlinger. The movie was produced by Zanuck, and starred Vera Zorina, Erich von Stroheim and Peter Lorre. Quarto; mimeographed pages with blue revision sheets inserted. Near fine in printed studio wrappers. Rare. [#025153] $2,000
$1,500

NY, #Magazine, 1981. Oppenhemier's poetry comprises the entire unnumbered special issue of #Magazine. This copy is inscribed by Oppenheimer to Edward Hoagland: "For Ted/ also progressing/ Joel." A nice association copy: Oppenheminer and Hoagland were friends in the 1960s when they both lived in NY and wrote for The Village Voice, among their other pursuits. Mild edge sunning; else fine in stapled wrappers. [#026364] $80
$40

[Hadley], [Flying Object], [ca. 2012]. A broadside poem. 13" x 18-1/2". Rolled for shipping; near fine. [#035222] $50
$25

(n.p.), Kyuryudo, 1992. Text in Japanese, but primarily a book of photographs. Inscribed by actor Anthony Quinn to film director Anthony Harvey: "Dear Tony, the man at the bookstore asked me if my friend could speak Japanese. I said you spoke photo language. Here is [sic] some wonderful photos to last you the following wonderful New Year. A. Quinn." A nice Hollywood association: Harvey directed Quinn in the television movie This Can't Be Love, which also starred Katharine Hepburn, who won an Oscar working for Harvey in The Lion in Winter. Tall quarto; spine crease, else fine in wrappers and near fine dust jacket, lacking the wraparound band. [#026868] $350
$228

NY, MCD/Farrar Straus Giroux, (2019). Rich's searing recounting of the 1980s -- the decade when we almost stopped climate change, and how it all derailed. Expanded here from a 2018 article in The New York Times Magazine. Signed by the author. Some toning to page edges and a bit of fading to the boards; near fine in a fine dust jacket. Uncommon signed. [#036408] $275
$179

Boston, Houghton Mifflin, (1974). The uncorrected proof copy of his second novel, winner of the National Book Award and one of the best novels to link the impact of the Vietnam war on American society in the Sixties to the dark side of that era -- the official corruption and the underside of the drug experiences of a generation. This is the second issue proof, in gold-brown wrappers with a publisher's letter to booksellers reproduced on the front cover. Signed by the author. Shallow creases to three corners; near fine in wrappers. [#912822] $500
$325

Stanford, Stanford University Press, 1964. Includes Robert Stone's first book appearance, two excerpts from his first novel, then in progress. Other contributors to this volume include Ed McClanahan, Hugh Nissenson, and Merrill Joan Gerber. Edited by Wallace Stegner. Fine in a near fine, price-clipped dust jacket. [#009509] $50
$25

Hadley, Numinous Press, 1992. A first bibliography of Robert Stone, describing in detail the American and British editions of his "A" items up through Outerbridge Reach, along with an extensive listing of his appearances in others' books, in periodicals, in translation, etc. Illustrated with photographs, and including a critical introduction, as well as a previously unpublished piece by Robert Stone: the transcript of an impromptu talk that Stone gave at the Library of Congress for the tenth anniversary of the PEN Faulkner Award in 1989, about his exposure at a young age to the effects of writing, experienced upon reading Coleridge's The Rime of the Ancient Mariner. Stone, who won the National Book Award for his novel Dog Soldiers, was widely considered one of the most important American novelists to emerge from the era of the Vietnam war and the Sixties counterculture, and the short list of his published novels does not give an accurate indication of his pervasive influence on contemporary American literature. By tracing the secondary appearances (the bibliography includes over 240 entries), one begins to appreciate the scope of his writing and the points at which his voice was one of those that defined our current situation and gave us the terms with which to understand it. The limited edition. One of 150 numbered copies, signed by Robert Stone. With a marbled paper dust jacket created expressly for this edition by Light of Day Bindery in Northampton, MA, and printed letterpress by Wild Carrot Press. Can be signed by Ken Lopez, if desired. [#010984] $95
$48

Woodstock, Overlook Press, (1975). The first U.S. edition of this satire set within a termite colony, by a Polish writer. Originally published in English in 1953. Fine in a fine dust jacket with just the slightest hint of fading to the yellow spine. [#035752] $75
$38

Boston, Houghton Mifflin, 1951. Their second collaboration, inscribed by Thoby-Marcelin to Barbara Howes in 1971. Howes/Smith bookplate front pastedown, causing offsetting to flyleaf at inscription. Introduction by Edmund Wilson, with Howes' pencilled markings in the text of the introduction; spine cloth faded; very good in a very good, price-clipped dust jacket with several small edge chips. Uncommon, especially signed. [#018567] $250
$163

(London), Bloomsbury, (1998). The advance reading copy of the British paperback edition (one year after the American and British hardcovers). Fine in wrappers. Uncommon advance copy. [#032911] $150
$98

1979, 1980. Four letters from Thomson, widely considered one of the most important and influential American composers and music critics of the 20th century. Written to John Crelan, founder and director of the cultural organization Arts and Society. The first informs Crelan that he has set to music for solo voice work by the poets Gertrude Stein, Marianne Moore, Max Jacob, and Georges Hugnet, and that he also has three full length operas (two featuring work by Stein and one featuring work by Jack Larson), and further that he finds Crelan's suggestion of a concert in Boston involving his work "most agreeable." The second letter confirms the date and venue and inquires about payment if there is to be a radio or television broadcast. The third and fourth continue to speak of the types of travel arrangements that were necessary in the era when one might need to send a postcard to a hotel should the timing of an appointment change. All letters fine, with mailing envelopes included. [#032679] $300
$195

(Northampton), Tundra, 1991. A book of sketches by Totleben, one of the key artists associated with Swamp Thing and the horror anthology Taboo. Published as Number Two in the Tundra Sketchbook Series, the press that was an offshoot of the Teenage Mutant Ninja Turtle phenomenon. Fine in wrappers. [#034609] $75
$38

Cambridge, Leavitt & Peirce, 1958. The hardcover issue of this very early appearance in print by Updike. Harvard alumni commemorate the 75th anniversary of a tobacco store and gathering place; Updike contributes a poem, "The Old Tobacconist." Slight foxing to top edge, else fine in a near fine, orginal glassine dustwrapper. [#030276] $225
$146

NY, Knopf, (1965). A book of poems, one for each month. This is the third of Updike's books for children done in the Sixties, this being the trade binding (there was also a library binding done). Illustrated by Nancy Ekholm Burkert. Fine in a near fine, price-clipped dust jacket. [#912070] $100
$65

(n.p.), Albondocani, (1974). A card with a poem by Updike, used as a holiday greeting. One of 400 copies, of which this is one of 160 copies for the publisher's use, with the publisher's name printed on the page with the greeting. Fine in stapled wrappers. [#030176] $95
$48

(Toronto), (Aya Press), (1982). Number 407 of 500 numbered copies signed by Jane Urquhart and by Tony Urquhart, the artist. 18-3/8" x 4-3/4". This is the second issue, in gray cloth. Pages uncut; two very slight corner taps; else fine. [#914603] $150
$98

London, Cape, (1996). The lettered limited edition. Three novellas -- "tales of chemical romance." One of 15 lettered copies signed by the author and produced for private distribution. Consists of the first wrappered edition and colophon quarterbound in black leather and pink boards, with marbled endpages. Although the colophon states there were 15 lettered copies, this is letter "T." Fine. [#912162] $375
$244