Weekly Sale

(Salt Lake City), (Dream Garden), (1982). The second of the Wilderness calendars, with work by a number of prominent photographers, and text by Edward Abbey, Tom McGuane, Leslie Marmon Silko, Ann Zwinger, Lawrence Clark Powell, Wallace Stegner, Barry Lopez, Frank Waters, William Eastlake, John Nichols, and others. This copy has been signed by Eastlake and Powell, and photographers John Telford, Tom Till, Fred Hirschmann and Chris Wangsgard -- several of the finest and most highly respected photographers of the natural world working today. Fine. [#010416] $95
$48

Buffalo, Presence Press, 1968. Four short untitled poems, of a sexual nature, by Acker, in the third issue of this "Magazine of the Revolution," edited by Dan Connell. We found several copies of the first issue of the magazine in OCLC, but no copies of this issue. Stained at the spine base; still near fine in stapled wrappers. Precedes Acker's first book by four years. [#035092] $450
$293

London, Hogarth Press, 1925. Cracked front joint; moderate staining and handling to boards. A good copy, lacking the dust jacket. [#035505] $65
$33

NY, Oxford University Press, 1989. The uncorrected proof copy. Edited by William Trevor. Very good in wrappers. [#036269] $45
$23

Garden City, Doubleday, 1966. Signed by the author. A bit of bubbling to pastedowns; else fine in a near fine, mildly spine-sunned, near fine dust jacket. H18 code on last page of text. [#911337] $160
$104

Worcester, Metacom Press, 1981. The hardcover issue. The first separate appearance of this short story, which first appeared in Antaeus. Of a total edition of 276 copies, this is one of 26 lettered copies, signed by the author. Fine in a fine dust jacket. [#911362] $250
$163

(Brussels), (Fondation Europeenne pour la Sculpture), (1997). Bell provides a bilingual (English/French) fable as introduction to the catalog of work by Jean de la Fontaine: in 1997 the Luxembourg artist had installed his "Love of Camping" in a Brussels park. Number 452 of 500 numbered copies. Fine in stapled wrappers. A scarce piece by Bell, attractively illustrated. [#917040] $150
$98

(London), Bridgewater Press, (2000). Of a total edition of 138 copies, this is copy VII of 12 Roman-numeraled copies bound in quarter Library Calf, with a signed original drawing by Boyd, tipped in as frontispiece. Signed by the author. Fine. [#914614] $750
$525

Chicago, University of Chicago Press, (2007). The issue in wrappers. Inscribed by the poet to the writer Robert Stone, on the dedication page, in the year of publication: "with gratitude for your loyal friendship & for your reliably great art -- with great esteem & affection." A nice association copy. Fine. [#028394] $80
$40

(NY), Bernard Geis, (1962). "The Unmarried Woman's Guide to Men, Careers, the Apartment, Diet, Fashion, Money and Men." (Yes, "Men" twice.) Advice from the long-time editor-in-chief of Cosmopolitan (1965-1997), published three years after she became a married woman, at age 37. The book became a bestseller and the basis for a 1964 film with a screenplay by Joseph Heller. It dared to separate sex from marriage and (two years after FDA approval of the pill) from motherhood, while still remaining enthralled by subservience to male desire. This copy is inscribed by Brown: "For Wayne Thomas/ I can't think of anyone I'd rather be taken off the air with! Thank you for such a happy interview/ Love/ Helen Brown." Thomas was the off-camera announcer for the Hollywood edition of The Million Dollar Movie on KHJ TV; decades prior, Brown's first job was answering fan mail for the radio station KHJ. A fine copy in a very good, lightly rubbed dust jacket with modest edge wear. The epitome of second wave feminism. Uncommon in the first printing, let alone signed and with a good association. [#035339] $750
$525

NY, Ballantine, (1998). Biography of the hip hop artist, known as Puff Daddy and various other monikers over the years, one of the first generation of rappers who became a worldwide celebrity immediately upon the release of his first album, then cementing his fame as a producer in addition to being a performer. Illustrated with a number of color photographs. Published as a mass market paperback, with no hardcover edition and presumably targeted at the youth market: few copies have been preserved over the years, and libraries tend to not take mass market paperbacks as seriously as trade hardcover editions, so it is not as well represented in OCLC as its subject might seem to warrant. One deep crease to the spine; near fine in wrappers. [#036219] $250
$163

London, Faber and Faber, (1980). First thus: the first British edition of this collection of stories, some of which appeared in the collection War Crimes, which was not published outside of his native Australia, and the others of which are from his first book, which was published in Australia with this same title in 1974. Signed by the author. Fine in a fine dust jacket. [#911418] $125
$81

Berkeley, Print Mint, 1970. First printing, with the 50 cent price. Edge wear to upper outer front corner; near fine. [#036372] $50
$25

London, Godine, (1990). The uncorrected proof copy of the first British edition, and the first proof to contain the full complement of all 23 stories: the U.S. proof was intended to be issued with only ten of the stories; was mistakenly issued with the "left out" 13; and then re-issued with the intended 10. Signed by Dubus. Foxing near the spine; near fine in wrappers. [#033260] $250
$163

NY, Theodore Foster/William Lewer, 1837. February, July, and October issues. The July issue is lacking its covers. Moderate foxing; some staining to covers; good copies overall. [#600029] $75
$38

NY, Harper & Row, (1972). The first American edition of this novel by the noted director of King Rat, The L-Shaped Room, The Raging Moon and others. Warmly inscribed to film critic Pauline Kael: "'Spare my face, aim at my heart'/ with admiration for the fact/ that you always care -- / and/ With kindest regards/ from/ Bryan Forbes," and dated in 1974. Kael, with her studied disdain for the "auteur theory" of film -- which argues in part that any film by a great filmmaker must be viewed in light of that greatness, and forgiven its defects -- was fiercely independent in her reviewing, often praising one of a director's films to the sky while panning another brutally. Many of her correspondents in the film world, like Forbes, recognized and respected that in her writings, even when she had savaged one or more of their films. Forbes inscription here is typical of the kind of response Kael elicited from many filmmakers -- respect, and even admiration, for her integrity. Kael's 1974 book, Deeper Into the Movies, was the first book on film to win the National Book Award. Foredge foxed; near fine in a near fine dust jacket. [#022697] SOLD

1987. July 20, 1987. Ford writes, presumably to a publisher, declining to offer unspecified praise (review or book blurb) for another writer's book, despite having "some genuine admiration for it" and admitting that "he's a nice writer of sentences." At the same time, Ford gets in a pitch for Richard Bausch's book Spirits. Folded for mailing, else fine. [#912557] $150
$98

Somerset, Chicken House, (2003). Signed by the author. Fine in a fine dust jacket. [#915006] $150
$98

NY, Dial Press, 1976. The uncorrected proof copy of the autobiography of the author best known for his baseball novels, including Bang the Drum Slowly, which was filmed for television starring Paul Newman, Albert Salmi and George Peppard, and later as a movie starring Michael Moriarty and Robert De Niro. A fragile, padbound proof. Creasing and stain to upper corner and foredge; a very good copy. Uncommon. [#035978] $200
$130

NY, St. Martin's, (1988). A review copy of his highly acclaimed third novel, the first to feature Hannibal Lecter as the central character. Basis for the Jonathan Demme film with Anthony Hopkins and Jodie Foster, winner of five Academy Awards and one of the American Film Institute's top 100 Films of the Century. Mild foredge foxing, else fine in a fine dust jacket, with the bookplate of another horror writer on the front flyleaf and with 3 pages of promotional material laid in. [#036414] $250
$163

Sylva, New Native Press, 1985. A broadside poem, printed in an edition of 100 copies. Approximately 9" x 17", now matted to 13-1/2" x 21-1/2". Fine. 3 copies in OCLC. [#035453] $75
$38

NY, Folkways Records, (1978). A long-playing record. Highwater reads from Anpao. Fine in a near fine sleeve, with a "Newbery Honors Book" sticker on the front panel. [#025538] $40
$20

NY, Ballantine/Del Rey, (1978). The hardcover issue. Fine in a fine dust jacket. [#916291] $150
$98

London, Oxford University Press, 1936. The third book in her trilogy. Pencil owner name on flyleaf; very good in a very good, price-clipped dust jacket. [#036035] $45
$23

Middleton, Wesleyan University Press, (1980). The author's first book, poetry in the Wesleyan series, this being the hardcover issue. Warmly inscribed by the author to his then-wife, the poet Ai (although the address used is "darling"). Fine in a very good dust jacket. [#012867] $60
$30

(NY), Free Press, (1999). A book on media literacy, explaining the ways women are targeted as consumers, by one of the creators of the documentary film series Killing Us Softly. Signed by the author and dated prior to publication. Later released with the title Can't Buy My Love. Kilbourne was inducted into the National Women's Hall of Fame in 2015. Near fine in a near fine dust jacket, with a blurb by Maya Angelou. [#034616] $250
$163

Port Townsend, Copper Canyon, 1984. The uncommon uncorrected proof copy of these "poems for women." Stapled sheets with a black tape spine. A low-tech production, suggesting very few were done. Kizer won the Pulitzer Prize the following year, for her collection Yin. Fine, with publisher's promotional sheet laid in. [#014851] $95
$48

Brooklyn, Mainmonides, 1971. An early report on experiments in telepathy conducted in 1971, as "suggested by Jerry Garcia," in which randomly selected images were beamed to subjects miles away, from the audiences at six Grateful Dead concerts. Co-author Stanley Krippner was one of the leading researchers into dream telepathy and telepathy ("remote viewing") in general. He and Montague Ullman, along with Alan Vaughn, published Dream Telepathy: Experiments in Nocturnal ESP in 1973. He received the American Psychological Association [APA] Award for Distinguished Lifetime Contributions to Humanistic Psychology in 2013. A variant version of this report is transcribed on Krippner's website, where he writes "The results of this study were published in a medical journal in 1973." This report is dated 1971, the year the experiments were conducted; and it appears to be the earliest formal presentation of information about this study, its circumstances, and its results. 18 pages, photocopy, with one staple, near fine. [#036218] $750
$525

Garden City, Doubleday, 1986. A Double D Western set around the turn of the 20th century, and Lansdale's first book to be published in hardcover. Inscribed by Lansdale to fellow writer Stanley Wiater: "For Stan, Hope you enjoy your ride on [The Magic Wagon]. Thanks for the Fangoria interview. Joe R. Lansdale." Wiater's Gahan Wilson-designed bookplate front flyleaf; small scrape to rear board; foxing to top edge; near fine in a very near fine dust jacket with a few edge nicks. Wiater's interview with Lansdale appeared in a 1990 issue of Fangoria. A nice inscription and association, and one of the author's scarcer titles. [#029676] $400
$260

Eugene, Lone Goose, 1997. Copy "A" of 16 participants' copies of this limited edition of this essay from Crossing Open Ground, later published in a trade edition by the University of Georgia Press. Here issued with twenty-three 11-3/4" x 11" woodblock images by Robin Eschner, which are hinged in a continuous presentation almost 22 feet long, encompassing the text. An elaborate production, involving a number of individuals prominent in the book arts, in addition to Lopez and Eschner: Charles Hobson, the designer, whose work is included in the collections of the Whitney Museum and the National Gallery of Art, among others; Sandy Tilcock, the publisher and boxmaker; Susan Acker, the letterpress printer; Nora Pauwells, the relief edition printer; and John DeMerritt, the binder, who was President of the Hand Bookbinders of California. The total edition was 66 copies: this is Copy A of 16 lettered copies signed by Lopez and Eschner and including a unique tire-tread print from Lopez's Toyota 4-Runner, the vehicle used in the journey from Oregon to Indiana that is described in the story. Fine, in a clamshell box. [#035200] $3,500
$2,625

NY, Crown, (1977). A pseudonymously published autobiography of a former nun who transitioned from female to male in his 30s. Lower corners bumped; near fine in a very good dust jacket with several small edge chips. Offered here together with the second printing (also Crown, 1977), which is modestly foxed, else near fine in a near fine dust jacket, which adds jacket blurbs not present on the first printing; the first Canadian paperback edition (NAL/Signet, 1979, printed from U.S. sheets), which has an owner name and is very good in spine-creased wrappers, with a cover photo of "Mario" (real name: Angelo Tornabene) that does not appear in the earlier editions; and the first French edition (Trevise, 1981), which is dampstained, a good copy at best, but with two additional "after" photos not in previous editions. Essentially, the complete publication history of a landmark LGBTQ title: male-to-female transitions are, at this point, not exceptionally scarce, but female-to-male transitions still have little documentation. Quite uncommon: no copies for sale in the U.S. or U.K. at the time of this writing, in any edition. [#035104] $2,750
$2,063

NY, Knopf, 2009. Inscribed by the author: "To Indra and TV -- my Five finger friends who defy the laws of aging. Running is magic." (FiveFinger is a minimalist shoe made by Vibram.) Born to Run was an unlikely bestseller exploring the running traditions and prowess of the Tarahumara of Mexico, written by an advocate, virtually a guru, of ultramarathoning. Fine in a fine dust jacket. Uncommon signed. [#035983] $250
$163

NY, Knopf, 1975. Inscribed by the author in 1977 to another poet, "who has befriended Hazard and his grateful friend the author." Recipient's handmade bookplate front flyleaf; a near fine copy, with the main dust jacket sections clipped and attached to the boards. A nice literary association copy. [#023011] $40
$20

(Toronto), McClelland & Stewart, (1996). An advance copy, in the form of comb-bound galleys, typeset but reproducing several holograph corrections. Her third book, first novel, which was first published in Canada, and only in wrappers. Winner of the Orange Prize for Fiction, the Guardian Prize for Fiction, the Books in Canada First Novel Award and the Trillium Prize. Signed by the author. 9" x 11". Fine. [#915362] $650
$455

NY, Macmillan, 1949. A massive anthology, introduced by James Michener, and featuring Herman Melville, Mark Twain, Henry Adams, Jack London, Robert Louis Stevenson, Katherine Mansfield, Joseph Conrad, Somerset Maugham, Rupert Brooke, etc. Edited by Stroven and Day. Owner name front flyleaf; small separation at lower front hinge; offsetting to endpages. Still about a near fine copy in a dust jacket that presents as very good, in part owing to having been internally, unprofessionally tape-strengthened along all edges and folds. Michener had won the Pulitzer Prize the year before this publication for his first book, Tales of the South Pacific. [#036211] $350
$228

NY, Evans, (1975). Inscribed by the author in 1982. Bookplate of another author on the front flyleaf. Near fine in a near fine, rubbed and price-clipped dust jacket. [#031047] $60
$30

NY, Macmillan, 1971. Long galley sheets for this autobiographical novel by the exiled South African writer. It follows his book Down Second Avenue and recounts his exile in Nigeria and Kenya, prior to his move to the U.S. This title was banned in South Africa. 100 long galley sheets (approximately 24" x 8"); folded in half. Tears to the cover sheet, else near fine. A very scarce prepublication format: probably no more than a half dozen copies of these galleys were created. [#035668] $125
$81

Washington, D.C., Island Press, [1996]. A broadside promoting the authors' book The Forgotten Pollinators, an attempt to remind people that plants (and food) depend on threatened mammals, birds, butterflies and bees as pollinators. Signed by both Nabhan and Buchmann. 8-1/2" x 16-1/2". Rolled, else fine. [#033884] $85
$43

New Rochelle, Elizabeth Press, (1972). The softcover issue of this poetry collection. Corner crease to the rear flap; still fine in self-wrappers. [#035406] $45
$23

(Sydney), Picador, (2003). Signed by the author. Slight bump to crown; else fine in self-wrappers. [#912691] $100
$65

NY, Grove Press, (1955). Poetry, issued in a lettered edition of 26 copies and a numbered edition of 250 copies: this is a presentation copy (designated as "s.c. 3 for Nancy"), signed by the author and, as with the lettered issue, with an original drawing by Irene Rice Pereira, the author's wife, signed by the artist as frontispiece. It can be assumed that the presentation copies ("s.c" -- "special copy"?) were even more limited than the lettered copies, as is almost always the case in the issuance of limited editions such as this. A fine copy in a professionally restored dust jacket. Laid in is an autograph holiday card addressed to Nancy and her partner and signed by Reavey for himself and Irene, with an image by Pereira from the collection of the Whitney Museum. A significant volume, with an original work of art by a distinguished American abstract artist: Pereira's work is in the permanent collections of the National Gallery of Art, the National Museum of American Art, and the National Museum of Women in the Arts, among many others. [#014615] $1,250
$938

New Haven, Yale University Press, (2000). A review copy of this collection of Rogoff's theater criticism. With press release and New York Times review laid in. Together with an autograph card signed to film critic Pauline Kael, soliciting comments. One page corner turned, else fine in wrappers. [#023062] $45
$23

1979, 1986. Two typed letters signed from Stone, the first from Honolulu, the second from Providence, RI. The first grants permission for the recipient to use his name and discusses his time in Hawaii and his delay in responding ["I've been under the weight of burdens real and imaginary here that have played hell with my time."]. The second apparently accompanied a recommendation for the recipient ["If you think of anything they might want beyond this, I think you might add whatever you feel is necessary and sign my name."]. The recipient was a writer who studied with Stone in the Seventies and later became a friend. Both letters are folded for mailing; else fine, with envelopes. Also included is an autograph letter signed by Stone's wife, Janice in which she offers the recipient use of their summer home in the off-season. [#026626] $275
$179

NY, Scribner, (2006). In the spirit of Edwin Way Teale's North with the Spring (Florida to New Hampshire, 1951), Stutz takes a (very indirect) 3-month journey chasing spring from Louisiana to Alaska, 55 years later. Inscribed by the author: "To Lee & Ellen/ Enjoy this journey and all of your own, Best/ Bruce/ 7/27/07." Fine in a fine dust jacket. [#036204] $225
$146

London, Elkin Mathews, 1905. Volume 23 in the Vigo Cabinet Series. Inscribed by the author on the front cover, prior to publication. Additional pencil mark to cover; spine and edge-darkened wrappers; a very good copy. [#036005] $250
$163

(n.p.), (William B. Ewert), (1998). The first separate edition of this poem, issued as a holiday card. Of a total edition of 185 copies, this is one of 130 copies issued unsigned, but this copy has been signed by Updike and dated 1988 and additionally inscribed by Updike in three different colored pens: "Merry Christmas/ a card to warm yourselves by/ Cheers, John." Fine, in hand-addressed envelope, apparently meant to be hand-delivered as Updike has added, "Sorry to miss you - Happy Holidays!/ John." [#030257] $185
$120

1986-1987. A collection of letters from Waters, mostly to his literary agent, Joan Daves, as well as related ancillary materials showing Waters at work in the after-market for his writing, with opportunities for later editions and film versions. Waters wrote primarily about the American Southwest, in particular the Native American experience. His father was part Cheyenne. The first typed letter signed is from Waters to his agent, Joan Daves, dated August 24, 1986 and concerns Lesley Ann Warren's interest in optioning the film rights to The Woman at Otowi Crossing and the contract for publication of a hardcover, illustrated edition of The Man Who Killed the Deer. It is stapled to a copy of the contract, with numerous marginal corrections and a retained copy of Daves' reply, agreeing with Waters that the intended publisher (Gibbs Smith) had overreached in the contract. An included exchange between Daves and Gibbs Smith posits a simpler agreement, while a retained carbon shows Daves reaching out to Ohio University Press to confirm they had no claim to hardcover rights. The second typed letter signed is from Waters to Keith Sabin, in Daves' absence, and is dated September 29, 1986 and describes the purchasing history of Flight from Fiesta and the current unwelcome "blitz" he, Waters, is undergoing from Ritz Productions regarding theatrical rights. Waters encloses an initialed copy of the letter he wrote to Ritz Productions redirecting their overtures to Daves upon her return from Europe. Both of these letters are stapled together with retained copies of both Sabin's and Daves' replies, as well as a retained copy of an earlier letter from Sabin to Waters saying they had been approached by Ritz and the initial contact letter from Ritz with an unsigned agreement for Right of First Refusal. Also included is a letter from Fiesta publisher Clark Kimball to Daves recommending the production company. The fourth typed letter signed, from Waters to Daves, dated April 29, 1987, again describes the publishing history of Flight from Fiesta and informs Daves that the publisher, Clark Kimball, has been approached by CBS-Columbia regarding film rights, and he includes Kimball's letter. Attached are the retained copies of letters from Daves to both Waters and Kimball, admonishing all that Kimball has no role in film rights for the title, and a later letter from Kimball acquiesces. The fifth typed letter signed, from Waters to Daves (August 3, 1987), delineates an additional inquiry regarding a film option for Flight from Fiesta and several leads on optioning The Woman at Otowi Crossing should Lesley Ann Warren's option expire. Waters takes Daves to task for not responding to offers already presented, for not keeping him informed, and for being about to depart for Europe leaving him without representation: "I don't like to end our agent-client relationship after so many years, but if the overload of work at this crucial time is too much for you, I don't see any alternative." A copy of a letter to Waters at about this point from Alton Walpole shows one of the interested parties facing obstacles bringing Otowi Crossing to the screen. Also, a letter to Daves from The University of Nevada thanks Daves for sending financials on Ohio University Press's Frank Waters: A Retrospective Anthology (included), but bemoans how infrequent the agent's communiques have become. However, the Daves-Waters agent-client relationship was ongoing in October: in the sixth typed letter signed in this archive, Waters informs Daves of yet another inquiry for Flight from Fiesta and asks her advice about payment on an opportunity he has to write the text for a book of photographs to be published by Arizona Highways (likely Eternal Desert, published in 1990). As mentioned, many of the letters are stapled; most are folded for mailing; in some instances they bear the agency's routing marks or highlighting. The lot as a whole is near fine. [#031770] $1,250
$938

London, Thames and Hudson, (1958). The first British edition. Watts explores Man's alienation from nature and its parallel in sexual anxiety with women, positing that approaching sexuality and the sexual act as sacred provides an avenue for spiritually reintegrating with the natural world and our own nature. Foxing to endpages and page edges; very good in a very good, sunned and foxed dust jacket with modest edge wear. [#036487] $250
$163

NY, Random House, (2018). The advance reading copy of her bestselling memoir of her journey from her isolated survivalist upbringing in Idaho to Harvard and Cambridge. Fine in wrappers. Uncommon in an advance issue. [#034759] SOLD

[1921]. May 30 [1921]. Written to Herbert Fay, Custodian of Lincoln's Tomb. One 8-1/2" x 11" sheet of white lined paper, written on both sides. This letter refers to White Eagle's being in charge of an exhibit in Chicago for the Custer Battlefield Highway Association and to his efforts to contact an Apache named Dr. Montezuma, who lived in Chicago, in order to provide Fay with a photograph for his collection. From Popular Mechanics, 1921: "White Eagle is a full-blood Indian and a deaf-mute who made a pony ride of over 900 miles over the Custer Battlefield Hiway. After the completion of his long ride, the Custer Battlefield Hiway Association purchased 'Red Bird,' the pony, from its owner and presented it to White Eagle." One 8-1/2" x 11" sheet of white lined paper, written on both sides. Folded in sixths for mailing. Near fine. [#003296] $650
$455

NY, Tor/Doherty, (1989). Signed by the author. Bookplate of another author on the front flyleaf, and a "Compliments of the Author" card laid in. Foxing to top edge of text block; very near fine in a very near fine dust jacket. [#031169] $95
$48

NY, Dutton, 1941. The memoir of Dr. Withington, who graduated from Elizabeth Blackwell's Women's Medical College of the New York Infirmary in 1887; opened a medical and surgical practice in Massachusetts; served as a Red Cross physician in France during WWI; and eventually became a rural doctor in the mountains of Kentucky. This copy is inscribed by Withington. Foxing to the pages edges and endpages; a near fine copy, lacking the dust jacket. [#036015] $500
$325