Weekly Sale

ca. 1980s. An archive of the 1980s art world, from the files of Art & Antiques magazine, with more than 350 signed pieces of correspondence from approximately 200 names in the fields of art, architecture, academia, literature, dance, photography, music, journalism, fashion, economics, social history, and more. The archive includes letters, notes, cards, invitations; several signed contracts; and approximately 20 typescripts, all from notables such as: Svetlana Alpers, Eve Arnold, John Barth, Daniel Boorstin, Jean-Claude Christo, Craig Claiborne, William Crutchfield, Oscar de Mejo, Carol Diehl, Max Ferguson, Leslie Fieldler, John Kenneth Galbraith, Francoise Gilot, Adam Gopnik, Robert Gottlieb, Francine du Plexis Gray, Tina Howe, Philip Johnson, Wolf Kahn, Allegra Kent, Carlton Lake, Walter Liedtke, John Loengard, George Lois, Edward Lucie-Smith, Sam Messner, P.J. O'Rourke, Jed Perl, Bennard Perlman, Darryl Pinckney, David Plante, Reginald Pollack, Mordecai Richler, Jerome Rothenberg, Peter Schjeldahl, Joan Snyder, Debra Solomon, Holly Solomon, Eve Sonneman, Pat Steir, Faith Stewart-Gordon, Andrew Sullivan, Michael Van Rijn, and Diana Vreeland, among many others. A few of the folders have apparently been carried forward from an earlier time, and pre-date the 1980s (and several may fall into the 90s). Alphabetical file folders, in two bankers boxes. Scattered marginal foxing; near fine. [#035965] $4,500
$3,375

Boston, Christopher Publishing House, (1949). An early warning from 75 years ago on the "mental bondage" and physical toll (including cancer) of tobacco addiction. One page corner turned (at the start of the chapter "How Can I Stop Smoking?"). Evidence, if such were needed, that information about the harmful effects of smoking was available long before the tobacco companies acknowledged it. Fine in a near fine, edge-sunned dust jacket with a closed tear mid spine. 7 copies in OCLC. [#036210] $300
$195

NY, Harper & Row, (1977). The hardcover issue of this collection of poetry, with an introduction by Ted Hughes. Fine in a near fine dust jacket, with the typically sunned spine. [#035053] $40
$20

Boston, Houghton Mifflin, 1982. The uncorrected proof copy. Introduced and co-edited by Isaac Asimov. More than three dozen authors represented. Near fine in wrappers. [#036250] $45
$23

NY, Winter House, 1970. The issue in wrappers of this collection of short pieces and photographs, with illustrations by Mayo Thompson. Gift inscription front free endpaper; mild foredge foxing; one crease and general dustiness to white covers; a very good copy. [#035346] $150
$98

(NY), New Rivers Press, 1974. The scarce hardcover issue of his second book, a collection of poetry. The total edition was 600 copies, of which only 200 were issued in cloth; 400 were issued in wrappers. Well-known these days as a writer of fiction and of essays on fiction, Baxter didn't publish his first novel until 1987, seventeen years after his first book (Chameleon) and thirteen years after this title. Inscribed by the author in 1982. Fine in a slightly rubbed, else fine dust jacket. [#911007] $650
$455

(London), Bridgewater Press, (2000). Of a total edition of 138 copies, this is copy VII of 12 Roman-numeraled copies bound in quarter Library Calf, with a signed original drawing by Boyd, tipped in as frontispiece. Signed by the author. Fine. [#914614] $750
$525

1988. An original Burroughs painting, which became part of the Seven Deadly Sins exhibition at The Writer's Place, Kansas City, Missouri, in 1993. Acrylic and spray paint on poster board: a gold triangle and heart spray-painted against a background acrylic image of black, blue and gray. Signed by Burroughs. 20" x 32". Mounted and framed to 24" x 36". Fine. Burroughs, whose Naked Lunch, Soft Machine, and numerous other works helped define the Beat generation and redefine the psychedelic novel, also worked in the visual media from the early 1950s on, experimenting first with collages and later with what he called "nagual art" -- art infected by chance, which had the possibility of giving the viewer access to what Burroughs called a "port of entry," an access to a different universe or a different way of seeing our own. In writing, Burroughs adopted the "cut-up" technique, with Brion Gysin, to achieve similar ends: a final product that was, in part, a product of chance or, at the very least, forces beyond the artist's direct control and manipulation. [#024825] $7,500
$5,625

NY, Atheneum, 1977. Uncorrected proof copy of his highly praised first book, which was called by The New York Times Book Review "the best novel of the year." Casey's third book, Spartina, won the National Book Award. Erasure abrasion on front cover, and a small surface gouge on (blank) rear panel; otherwise fine. An auspicious debut. [#006300] $60
$30

Houston, Arte Publico Press, 1984. Inscribed by the author in 1986. Fine in wrappers. [#914438] $150
$98

London/NY, Jonathan Cape/Summit, 1977/1978. A hardcover advance proof copy of the American edition of Chatwin's first book, created from a first British edition, with the addition of a U.S. proof dust jacket, featuring quotes from British publications (including Paul Theroux, writing for the London Times). The British trade edition has had its free endpages excised and pasted over the pictorial pastedowns; and the photographs that graced the text of the British edition have also been excised, in keeping with the appearance of the American edition. This copy was obviously sent out and used for review: reviewer's marks and comments in text, and the blank jacket flaps have been filled with the reviewer's notes. The book, apart from the intended excisions and notes, is fine; the proof jacket (again, apart from the reviewer notes), is spine and edge-sunned, with the title and author handwritten on the spine, largely faded; overall near fine. An uncommon issue, presumably done prior to the issuance of an American proof copy and different from the U.K. first edition in ways that parallel the eventual U.S. edition (and U.S. proof). [#031672] $750
$525

London, Whitechapel Art Gallery, 1974. Catalog of an exhibition in the Ideas Gallery of Whitechapel of poems by this avant garde writer, known as a practitioner of concrete and sound poetry, and in most of the poems in this exhibition as a collaborator with visual artists. Signed by the poet. Chopin also founded the literary journal Cinquiame Saison, which morphed into the journal OU in 1964, and published a record of sound poetry with each issue. Six pages; fine. [#035638] $250
$163

London, Secker & Warburg, (1983). The first British edition of the first Booker Prize-winning novel by the South African Nobel Prize-winning author. Tap to spine crown; else fine in a fine dust jacket. [#912381] $100
$65

San Francisco, Rip Off Press, 1970. First printing, as determined by the word "decadence" partially missing page 17; and with a couple pages (26-27) having mis-aligned art, with panels printed too close to the edge. Near fine. [#036377] $75
$38

NY, Grove, (2002). The advance reading copy of the second book by the author of the highly praised Lord of the Barnyard, who committed suicide in May, 2005. This copy is signed by Egolf. Fine in wrappers. [#914920] $250
$163

NY, St. Martin's Press, (2004). The advance reading copy of the tenth Stephanie Plum novel. Fine in wrappers. [#035243] $45
$23

1987. July 20, 1987. Ford writes, presumably to a publisher, declining to offer unspecified praise (review or book blurb) for another writer's book, despite having "some genuine admiration for it" and admitting that "he's a nice writer of sentences." At the same time, Ford gets in a pitch for Richard Bausch's book Spirits. Folded for mailing, else fine. [#912557] $150
$98

(Madrid), Editorial Plutarco, 1930. Arabic-Spanish poetry from Andalucia. An early book by the prominent Spanish Arabist critic, poet and translator. A friend of Spanish poet Federico Garcia Lorca, his translations inspired Garcia Lorca's Divan del Tamarit, published posthumously in 1940. Copy No. 976 of an edition of 1000. Owner name on flyleaf; mild edge-chipping; front joint weakening. Very good in wrappers. [#035641] $125
$81

NY, W.W. Norton, [1940]. The first edition of this collection of poems originally written when Garcia Lorca lived in New York and attended Columbia University, in 1929-1930, but not published until after he had died and the Spanish Civil War had ended. Spanish text, and English translation by Rolfe Humphries. A very near fine copy in a very good dust jacket with chips at the spine extremities and flap folds and a tear at the lower front panel. [#035643] $1,500
$1,125

NY, Ballantine/Del Rey, (1978). The hardcover issue. Fine in a fine dust jacket. [#916291] $150
$98

Vancouver, Greystone Books, (2009). Second printing, signed by the author. Shallow crease to rear cover; near fine in wrappers. Blurbs by Leonardo DiCaprio, James Hansen, and Bill McKibben, among others. Uncommon signed. [#035639] $100
$65

Zurich, Rascher & Cie., 1919. The first German edition of Joyce's play Exiles and the first of his works to be published in translation in any language. One of 600 copies printed: Joyce was living in Zurich at the time and he paid for the publication of this book out of his own pocket. This copy is inscribed by the author: "To J.R. [sic] Watson, Jun / with grateful regards / James Joyce / 8. ix. 1919." J.S. Watson, Jr. was at the time the co-owner of the modernist literary journal The Dial, which he bought from Martyn Johnson with his friend and fellow Harvard graduate, Scofield Thayer. Watson became president of the magazine and Thayer became its editor. The "grateful regards" refers to a gift of $300 that Watson had sent Joyce earlier in the year at the urging of Thayer, who had himself sent Joyce $700. These sums bailed Joyce out of dire financial straits, allowed him to settle a court case against him, and helped him support the theater group that he had associated with in Zurich, the English Players. In 1920 The Dial published a piece by Joyce, and in 1921 Thayer was one of his most ardent and influential supporters in the censorship case in New York against Ulysses and its publication in the Little Review. A notable association copy of Joyce's first translation. Slocum & Cahoon D44. Pages browned and acidified, and covers strengthened at all the edges and spine with tape, with a hole cut in the spine for the title to show through. The first blank, on which the inscription appears, is also strengthened at the edges with tape. Fragile, and a candidate for de-acidification, but a significant association copy from a critical point in Joyce's life and career. [#029930] $10,000
$7,500

Port Townsend, Copper Canyon, 1984. The uncommon uncorrected proof copy of these "poems for women." Stapled sheets with a black tape spine. A low-tech production, suggesting very few were done. Kizer won the Pulitzer Prize the following year, for her collection Yin. Fine, with publisher's promotional sheet laid in. [#014851] $95
$48

London, Bodley Head, (1960). The first British edition of the author's first book, a pseudonymously published nonfiction account of Russia in the postwar years, predating his first novel, The Painted Bird, by five years. Inscribed by the author as "Jerzy Kosinski" for Hugh Moorhead in 1982. Moorhead was a Philosophy professor at Northeastern Illinois University who wrote to 250 authors to ask them what they thought the meaning of life was, and then published their answers in a depressing book that suggested nobody had much of a clue. Stripe at bottom page edges; very good in a very good dust jacket chipped at the upper front spine fold. [#000989] $350
$228

London, Tiger of the Stripe, (2004). A biography. Inscribed by the subject, Landesman, to Robert Stone and his wife, "fellow conspirators in the game of life." Publicity sheet laid in, also inscribed: "Hi - My last shot - and not a minute too soon." Stone has a blurb on the rear panel and a mention in the book. Fine in a fine dust jacket. [#033746] $85
$43

(NY), (One Story), (2004). His first solo appearance in print, a story that was later included in his collection Sightseeing. Published as Issue 46 of One Story. Lapcharoensap was named as one of Granta's best young American novelists, despite the fact that his one book to that point was a short story collection. Fine in stapled wrappers and signed by the author. [#913211] $125
$81

NY, St. Martin's, (1997). Inscribed by the author to Robert Stone and his wife, in the year of publication, "dear friends that I miss seeing." Fine in a fine dust jacket. [#033751] $75
$38

NY, Galleon Press, 1935. Aldous Huxley, Erskine Caldwell, Lynd Ward engraving. Tanned cover and pages; cover foredge chipped; about very good. [#036087] $45
$23

Sulphur, Abbott, 1908 [1909]. A collection of tales that appears to be an autobiographical novel written by a Chickasaw woman, but is, according to Marable and Boylan's A Handbook of Oklahoma Writers [Norman: University of Oklahoma Press, 1939], authored by the publisher, Aaron Abbott. Title page states 1908; printed letters on verso dated 1909. Chipping to spine ends; creasing to rear cover; a very good copy in the darker tan covers. [#036331] $250
$163

(n.p.), (n.p.), [1979]. The Prologue, Introduction, and Chapter One of his unpublished novel about an Indian warrior/Vietnam veteran fighting against a "syndicate of smuggling, drugs, and white slavery to avenge a beautiful pagan girl he once loved," here submitted as a movie script treatment, with a typed letter signed and 4-pages of back story for the "Indian Hawk." Set in Vietnam, Singapore and Hong Kong. Approximately 60 pages, all photocopy (but for the signature). The book chapters are velobound; the letter and protagonist profile are stapled to the front cover. Edge-creasing to the letter, else fine. [#034907] $200
$130

(Toronto), McClelland & Stewart, (1996). An advance copy, in the form of comb-bound galleys, typeset but reproducing several holograph corrections. Her third book, first novel, which was first published in Canada, and only in wrappers. Winner of the Orange Prize for Fiction, the Guardian Prize for Fiction, the Books in Canada First Novel Award and the Trillium Prize. Signed by the author. 9" x 11". Fine. [#915362] $650
$455

NY, Grove Press, (2001). The author's second collection of poems. Warmly inscribed by the author to writer Charles Newman ("her favorite dinner date") in the year of publication. Fine in wrappers. [#019701] $40
$20

NY, Holt Rinehart Winston, (1981). The third book in his New Mexico trilogy. Signed by the author. Slight edge sunning; near fine in a near fine dust jacket. [#036595] $75
$38

(NY), (Ballantine Books), (1969). First Ballantine edition, after the Jomeri edition of 1968. Inscribed by the author to Pauline Kaeil, "with appreciation." Near fine in wrappers. [#035498] $50
$25

[Hadley], Flying Object, [ca. 2012]. A broadside poem, with an illustration by Rachel Glaser. Approximately 10" x 18". Although issued in an edition of 100, this is apparently a publisher's proof or overrun copy and is unnumbered, and unsigned. Rolled for shipping; near fine. [#035223] $50
$25

(NY), (Billboard Books), (2004). The advance reading copy of this memoir by the lead singer of Goldie and the Gingerbreads, the first all-female band signed to a major label (Atlantic) and who opened for the Rolling Stones, the Kinks, and the Yardbirds, among others. Ravan also fronted Ten Wheel Drive, an early psychedelic jazz fusion band, and was the first female producer hired by a major record label. She was often compared to Janis Joplin, and was the prototype female rock star, predating Chrissie Hynde, Joan Jett, Blondie, and Courtney Love. Inscribed by Ravan: "Dear Lee -- what would I do without you? Genya Ravan." Fine in wrappers. Uncommon in an advance issue, and especially scarce signed. [#035901] $250
$163

NY, Grove Press, (1955). Poetry, issued in a lettered edition of 26 copies and a numbered edition of 250 copies: this is a presentation copy (designated as "s.c. 3 for Nancy"), signed by the author and, as with the lettered issue, with an original drawing by Irene Rice Pereira, the author's wife, signed by the artist as frontispiece. It can be assumed that the presentation copies ("s.c" -- "special copy"?) were even more limited than the lettered copies, as is almost always the case in the issuance of limited editions such as this. A fine copy in a professionally restored dust jacket. Laid in is an autograph holiday card addressed to Nancy and her partner and signed by Reavey for himself and Irene, with an image by Pereira from the collection of the Whitney Museum. A significant volume, with an original work of art by a distinguished American abstract artist: Pereira's work is in the permanent collections of the National Gallery of Art, the National Museum of American Art, and the National Museum of Women in the Arts, among many others. [#014615] $1,250
$938

NY, MCD/Farrar Straus Giroux, (2019). Rich's searing recounting of the 1980s -- the decade when we almost stopped climate change, and how it all derailed. Expanded here from a 2018 article in The New York Times Magazine. Signed by the author. Some toning to page edges and a bit of fading to the boards; near fine in a fine dust jacket. Uncommon signed. [#036408] $275
$179

(various places), (various publishers), (1977-2000). Six magazines with pieces by and about Robbins. Two articles and four interviews, as follows: an interview in Rolling Stone, November 1977; a brief essay on living in La Conner, WA in Pacific Northwest, April 1986; an interview in Interview, November 1993; an interview in Seattle Weekly, April, 1994; a cover article on living in the Northwest in Seattle Times, August, 1994, (plus a newspaper ad for the same) and, lastly, an interview in High Times, June 2000. All issues are near fine or better, and span his career from the year after Even Cowgirls Get the Blues to Fierce Invalids from Hot Climates. [#023608] $40
$20

Berkeley, Last Gasp, 1970. The first issue (blue and purple background on cover) of the first comic produced entirely by women: Trina Robbins, Barbara "Willy" Mendes, "Hurricane" Nancy Kalish, Carole Kalish, Lisa Lyons, Meredith Kurtzman, and Michele Brand. This comic was a spin off from the first feminist newspaper, also called It Ain't Me Babe, which was started by Berkeley Women's Liberation earlier in 1970. After the comic had gone through several printings, Last Gasp began publishing Wimmen's Comix, which ran for 20 years. Some toning to the pages; a bit of rubbing to the front cover; near fine. [#036446] $350
$228

(n.p.), Livingston Press at the University of West Alabama, (2004). Inscribed by the author to Robert Stone: "You have given me great enjoyment over the years." Near fine in wrappers. [#033774] $40
$20

NY, Norton, (1989). Inscribed by Sarton to Doris Grumbach in the year of publication: "For Doris/ with love always/ from M." Below this, Sarton has signed her name in full. Grumbach is not specifically named, but the book comes from a collection where similarly inscribed books confirmed the attribution. A wonderful association: in addition to their being friends; both authors explored lesbian themes in their novels before such a thing was fashionable, then ordinary, then cause for rage and banning. Slight lean (as though from gentle reading), else fine in a fine dust jacket. [#036481] $250
$163

Ottawa, Borealis, 1974. Her second book. Fine in wrappers. [#912740] $100
$65

NY, Modern Library, (1931). First Modern Library edition. Green balloon cloth. Penciled owner name on flyleaf and penciled notes rear endpages, as well as several instance of underlining. Fading to the spine ends; a very good copy in a good edge-chipped dust jacket, with a 2" chip to the lower spine. [#035957] $100
$65

Dickinson, Dickinson State College, 1974. Tate served as poetry editor for this annual publication, and here contributes an insightful and amusing three-page introduction. The collection includes, among other things, Stratis Haviaras's first poems in English. Spine-sunned, near fine in wrappers, with the stamp of a previous owner inside the front cover. [#030830] $40
$20

(n.p.), (Touchwood), (2013). Square octavo. Photography and text focusing on 11 gardeners and their gardens in the Pacific Northwest. Inscribed by the authors, Terry and Bates, to Peter and Maria [Matthiessen]. Additionally inscribed to the Matthiessens by the Batemans, who are the subjects of one of the book's chapters and longtime friends of the Matthiessens. Birgit's photographs illustrated one of Peter's books, and Bateman's paintings appeared in others. Also laid in is a photo from the Bateman Centre Gift Shop, showing a shelf displaying Matthiessen's books for sale. Fine in self-wrappers. A nice double association. [#032533] $450
$293

NY, Knopf, 1965. His first collection of nonfiction, short pieces from The New Yorker and a number of other publications, collected the year after Updike won the National Book Award and was elected to the National Institute of Arts and Letters. Inscribed by the author: "For ___ ___/ Best wishes to a former Beverlyite/ John Updike." Foxing to foredge and cloth, thus very good in a very good dust jacket, which is also foxed, predominantly on verso. Most of the signed copies of this title that show up have been signed on a tipped-in leaf. Inscribed copies are uncommon. [#030159] $175
$114

Newburyport, Wickford Press, 1968. A limited edition of a humorous essay on encounters with (other) famous authors, which first appeared in the New York Times. Number 56 of 250 numbered copies. Issued unsigned, this copy is inscribed by the author in 1997: For ___ ___ and her fabulous collection/ Cheers, John Updike." One of Updike's earliest limited editions, done the same year as Bath After Sailing and The Angels. Although the limitation of this title is larger than either of those, we have encountered it just as infrequently. Faint sunning at the edge of the spine, else fine. [#030849] $1,000
$700

(n.p.), William B. Ewert, 1999. The first separate appearance of a poem that first appeared in The New Republic. Two issues produced: 65 signed copies printed as broadsides and 130 unsigned copies issued folded, as cards. This is one of the latter but has been inscribed by the author to two, married friends: "___ - An item for your collection./ ___ - whatever happened to our golf foursome?/ Happy Holidays to you both./ John." 8-3/4" x 11-1/2". Folded, by design; fine. [#030264] $185
$120

(Belmont), American Opinion, ca. 1967.. Six Vietnam pamphlets published by American Opinion and issued together in mailing envelope (included) as The Vietnam Packet. Missing: the book Background to Betrayal; also there is only one copy of the petition rather than the 6 noted on the envelope. Three of the six pamphlets are authored by Robert Welch, of the John Birch Society. Minor foxing; about near fine in stapled wrappers. [#036017] $60
$30

NY, World, (1971). The first book by this author of Blackfoot-Gros Ventre heritage, who was one of the most important and accomplished Native American writers of the post-1968 generation. Welch was a respected poet and an award-winning novelist, and wrote, with great power and sensitivity, fiction focused on both contemporary Indian life (e.g., Winter in the Blood) and historical material (the award-winning Fools Crow). Riding the Earthboy 40, a collection of poems, was never properly distributed as the publisher folded at the time of publication. It was re-published five years later in a revised and expanded form by Harper & Row. This is the first edition. Inscribed by the author to poets Sandra McPherson and Henry Carlile "with best wishes and hopes for another fishing trip soon. Love, Jim." Carlile's ownership signature and stamp; a fine copy in a very near fine dust jacket with slight wear at the spine extremities. A nice association copy. [#025809] $250
$163

NY, Harper & Row, (1982). Zwinger, winner of the John Burroughs Medal, and Teale, winner of the Pulitzer Prize, collaborated on this book about the two rivers that join to form the Concord River, beloved by Thoreau. This copy is signed by Zwinger. A landmark collaboration by two of the most respected naturalists writing at the time. Zwinger, whose writings had generally been about the West, was president of the Thoreau Society at the time this book was published. Foredge foxing and shallow loss of color to boards; a very good copy in a very good dust jacket with wear at the crown and a small sticker removal abrasion on the front panel. [#036489] $300
$195