Weekly Sale

(Washington, D.C.), Survival International U.S.A., (1981-1982). Volume 1, No. 1 and Volume 2, Nos. 2, 3/4. Four issues (one double issue, so 3 items). One issue folded for mailing; two issues sunned; near fine. [#018432] $40
$20

Worcester, Metacom Press, 1981. The hardcover issue. The first separate appearance of this short story, which first appeared in Antaeus. Of a total edition of 276 copies, this is one of 26 lettered copies, signed by the author. Fine in a fine dust jacket. [#911362] $250
$163

NY, Richard W. Baron, (1970). A review copy of Berger's third Reinhart book. Inscribed by Berger to film director Tony Bill "with all the best." Fine in a fine dust jacket with publisher's press release laid in. Also laid in is a print out of John Leonard's review from the New York Times News Service. [#912267] $150
$98

Santa Rosa, Black Sparrow, 2001. Two comb-bound advance copies: one shot from typescript and printed on rectos only, 298 pp.; the second copy is typeset and printed on both sides of the page, 355 pp. Laid into the first copy is an earlier version of one included poem: "oh to be young in 1942!," here titled just "oh, to be young!" The poem is two pages, the first being ribbon copy. Photocopied emendations to the table of contents in the first copy, removing the titles of poems not included; penciled notes to the table of contents in the second copy. The first one has the date "2/3" and the publisher's initials, "JM," on the cover; the second one is also initialed and is dated "4/11." Each is fine with an acetate cover. From the collection of John Martin, publisher of Black Sparrow Press, which printed most of Bukowski's work for the last nearly 30 years of his life, and which was in turn supported by the success Bukowski had with his poetry and his fiction, which rewrote the boundaries of what was acceptable as art. [#033372] $1,250
$938

London, Faber and Faber, (1980). First thus: the first British edition of this collection of stories, some of which appeared in the collection War Crimes, which was not published outside of his native Australia, and the others of which are from his first book, which was published in Australia with this same title in 1974. Signed by the author. Fine in a fine dust jacket. [#911418] $125
$81

Porthenys, [Self-Published?], 1988. Copy #58 of 100. Inscribed by the author to Peter Matthiessen and with a typed letter signed laid in: "I found this one copy of this tiny book, and I thought to send it to you the night before our departure for the old world (well it's all old and new isn't it?). I hear that you had a similar experience to what these little poems speak out from..." Chaskey continues in the letter with more personal news. More than 100 words. Poet-farmer Chaskey was the longtime head of Quail Hill Farm in Amagansett, New York, in eastern Long Island, and is considered "the spiritual father of the community farming movement." His first full-length book, the influential This Common Ground, was published in 2005; this chapbook precedes that book by nearly two decades. Near fine in self-wrappers. [#032274] $150
$98

[San Francisco], Apex Novelties, [1968]. Third printing, with a 35 cent price and no printer statement on the rear cover. Lower staple missing; very good. [#036360] $50
$25

Elmwood, Raven Editions, 1987. The first separate edition of this story by Dubus, expanded from its magazine publication back to its original length. An attractive limited edition, designed and printed by Carol Blinn of Warwick Press. Copy No. 34 of 60 numbered copies, of a total edition of 70 copies signed by the author. Unmarked, but from the library of Robert Stone. Fine, without dust jacket, as issued. [#033672] $450
$293

(Colorado Springs), (Dentan-Berkeland), (1967. The first edition (Dentan-Berkeland publisher), inscribed by the author in 1969. Note: with the dust jacket of the later edition (Johnson Publishing) and with a Johnson Publishing promotional flyer laid in: possibly a hybrid used as an advance copy. Also laid in is a signed photographic postcard. A historical novel written by a Native American writer, prior to the so-called Native American renaissance which began with N. Scott Momaday's House Made of Dawn in 1968, and took root through the 1970s and into the 1980s. It has been argued that prior to Momaday's book, there were only nine novels written by Native authors, this being one of them. Fine in a near fine, spine-faded dust jacket. [#036585] SOLD

[c. 1990]. Two typescript drafts of Edgerton's fourth novel. One draft is warmly inscribed by Edgerton to Dudley Jahnke "with greatest appreciation for your help in the book business -- and music business -- and all else" and dated "28 March 90." Killer Diller deals with a struggling musician who forms the Killer Diller Blues Band, thus the reference to Jahnke's help with the "music business." Comb-bound in cardstock covers and titled in Edgerton's hand. This draft reproduces a number of the author's changes, which are especially heavy at the beginning of the book. A note in Edgerton's hand on the first page states that "The copy gets cleaner in a few pages." Near fine. The other draft, approximately 250 loose photocopied sheets from a dot matrix printer original, reproduces heavy editing by "SR," with SR's title page. This draft differs substantially from the bound draft, and the opening of the book [at least] is entirely different. Fine. Together with an envelope, hand-addressed by Edgerton to Dudley Jahnke, the recipient of both drafts. The novel, in a form that varies from both drafts above, was published by Algonquin Books in 1991. It was the basis for a limited release film in 2004 which won an award at the Heartland Film Festival. Edgerton, in addition to being a Guggenheim Fellow, has won the North Carolina Award for Literature. An interesting look at a work-in-progress by an important North Carolina author. [#027598] $1,750
$1,313

(NY), Aperture, (1979). A volume in Aperture's History of Photography series. This copy is inscribed by the screenwriter Lloyd Fonvielle, who provides the introduction, to film critic Pauline Kael, in 1981. The introduction comprises the entire text of the volume, other than the appendices; the rest of the book reproduces Evans's photographs, without caption. Light foxing to prelims; near fine in boards, without dust jacket, as issued. [#035974] $350
$228

Undated. An anatomical sketch by Feitelson, working on a male form, with a rocking chair on the verso. 4-1/2" x 8". Unsigned, but accompanied by a signed copy of the magazine Minotaure from 1933. The sketch shows some light green watercolor on the page and is near fine; the magazine has endured some unsuccessful attempts at reinforcing with a tape binding; the covers are detached. The signature, "Property of Lorser Feitelson," appears on the upper edge of the front cover. Feitelson was one of the founders of what came to be called the Los Angeles School of painting, a post-surrealist style that developed into what became the "Hard Edge" style of abstraction. This drawing exhibits a classical approach to draftsmanship. The issue of Minotaure is number 3-4, and features writing by Andre Breton, Tristan Tzara, and others; photographs by Man Ray and Brassai, among others; and artwork by Picasso, Matisse, Miro and Dali, among others. A glimpse of the artist's work, and a well-used example of a key surrealist publication, that provides some context for the artwork. [#032871] $1,500
$1,125

[Boston], [Houghton Mifflin], [1997]. An advance copy, in the form of bound photocopied typescript (one story is typeset) of her first book, a collection of stories. 8-1/2" x 11". Tapebound; foxing and dustiness to covers. Near fine. [#035451] $45
$23

Gorham/Portland, [University of Southern Maine], 1971. Poster advertising two showings of films by Kenneth Anger, Harry Smith, Stan Brakhage, Ed Emshwiller, and "one unannounced film on an American Mythical Event," to be held on two campuses of the University of Southern Maine. Anger's films were his landmark Scorpio Rising and his 1969 Invocation of My Demon Brother, which had a soundtrack by Mick Jagger and won a Film Culture award in 1970 for best experimental film. Brakhage's films included the Dog Star Man sequence and two others from the early 1960s, one of which includes a typo in its title ("Theigh" instead of "Thigh"). 19" x 24". An attractive and compelling design, four color on green background; near fine. [#033334] $150
$98

1987. July 20, 1987. Ford writes, presumably to a publisher, declining to offer unspecified praise (review or book blurb) for another writer's book, despite having "some genuine admiration for it" and admitting that "he's a nice writer of sentences." At the same time, Ford gets in a pitch for Richard Bausch's book Spirits. Folded for mailing, else fine. [#912557] $150
$98

Somerset, Chicken House, (2003). Signed by the author. Fine in a fine dust jacket. [#915006] $150
$98

Garden City, Doubleday, 1963. Inscribed to his bibliographer, Stuart Wright, on the front endpaper. Very good in a very good dust jacket. [#008878] $80
$40

Paris, Vuibert at Nony, (1909). The first edition (1909) of this 500+ page illustrated tome by the French naval officer who developed the Natural Method of training that led to the development of the parcours du combatant (military obstacle course). Both the method and the courses fueled the compulsions of a Vietnamese-French orphan turned Paris fire fighter named Raymond Belle, whose legendary physical prowess inspired his son, David Belle, to turn the methods of "parcours" into the practice of parkour. Now, more than a century after Hebert's insistence that fully functional training involve walking, running, jumping, climbing, lifting, throwing, swimming, balance, and techniques for defense and rescue, the fitness world has complied with Crossfit, Tough Mudder, Spartan Races, Hyrox, etc. As best as we can tell, this was Hebert's first book, and it was followed by a series of volumes on the Natural Method. Here presented in original wrappers, foxed at the edges, pages uncut, and for all practical purposes already separated at the spine into five signatures. [#033038] $750
$525

NY, Thomas Y. Crowell, (1960). A specially-bound author's copy of Hoagland's second book, a novel. Three quarter leather, raised bands, gilt stamped, marbled endpapers. Probably a unique copy made for Hoagland by the publisher, or one of a couple of copies created by the publisher for the author and publisher -- a somewhat widespread tradition in American publishing in that era. Front cover fully detached, and in need of repair to be functional; leather somewhat mottled. A 1964 newspaper clipping about the 31-year-old Hoagland receiving two literary grants is laid in. From the author's library. [#033460] $450
$293

NY, Ballantine/Del Rey, (1978). The hardcover issue. Fine in a fine dust jacket. [#916291] $150
$98

Woodstock, Overlook Press, (2008). Signed by Kelly and inscribed by Jacobs: "Mickey - a brown drama for a warming age. Hope it's instructive." The authors examine decades of fits and starts in clearing the Californian air in this "cautionary tale of environmental crisis." Tanning to page edges, else fine in a fine dust jacket bearing an Independent Publisher Book Awards label. Scarce signed. [#035992] $250
$163

Rochester, George Eastman House, 1956-1960. 29 issues of this "Journal of Photography and Motion Pictures." Unmarked, but from the library of Pauline Kael. The George Eastman House published this journal beginning in 1952. This lot begins with all ten issues from 1956 and includes nine of the ten issues from 1957 (all but No. 55, the December issue); five of the ten issues from 1958 (Nos. 57, 58, 62, 64, 65); three of the four quarterly issues from 1959 (June, September, December) and two of the four issues from 1960 (March, June). These date from the period that Kael managed the Berkeley Cinema-Guild and Studio, an art film house that she ran for about five years before beginning her career as a film reviewer. The lot is musty; the June 1956 issue has lost its staples; otherwise the lot is near fine in stapled wrappers. [#036416] $375
$244

London, Jonathan Cape, (1978). Inscribed by the author to Robert Stone and his wife, "who (or whom) I love." A hint of cover creasing; near fine in wrappers. [#033801] $60
$30

(NY), (One Story), (2004). His first solo appearance in print, a story that was later included in his collection Sightseeing. Published as Issue 46 of One Story. Lapcharoensap was named as one of Granta's best young American novelists, despite the fact that his one book to that point was a short story collection. Fine in stapled wrappers and signed by the author. [#913211] $125
$81

London, Oxford University Press, 1963. Signed by both editors. Musty; near fine in a near fine, price-clipped dust jacket. [#035943] $50
$25

San Francisco, Journeys Into Language, 1987. An advance copy in the form of loose, photocopied typeset sheets. Signed by the author in 1987, with the added notation "6/6," presumably indicating this as one of only 6 such copies. Fine. [#036038] $65
$33

West Hartford, Electron Press, 1999. The uncorrected proof of the first Electron Press edition -- which we can find no evidence of having been published. First published in 1974. Photocopied typescript. Dusty cover page; near fine. [#035454] $75
$38

San Francisco, North Point, 1990. Her second book, a novel with a narrative arc that changes course when the AIDS crisis claims a close friend of the author's. Inscribed by Maso to renowned choreographer Mark Morris: "For Mark Morris - in esteem once again (page 115). xx/ Carole Maso/ 1994." On page 115, Morris is listed as one of the shared interests of the protagonist/Maso and her father. An excellent association between two gay artists with a reputation for innovation. Fine in a very near fine dust jacket with the typical fading to the spine. [#034894] SOLD

Barcelona, Jose Janes, 1950. The first volume of the 3-volume set of the first Spanish language edition of Maugham's complete works. This copy is inscribed by Maugham to Hamlet Vittino : "To my distinguished friend/ H Vittino - Rio de Janeiro - Nov. 1950/ W. Somerset Maugham." Vittino was an Argentine friend of Maugham's. With Vittino's ownership stamps; page edges foxed; crown wear to the soft boards; very good. [#036418] $450
$293

Paris, (Durand), (1953). Six illustrations by American surrealist artist Leon Kelly. This is Copy No. 47 of an unspecified limitation by this prolific French writer and translator. A near fine copy in self-wrappers, with a very good glassine dustwrapper. [#035597] $100
$65

NY, Holt Rinehart Winston, (1994). The first printing of the 20th anniversary edition of his third book, which was the first volume in his New Mexico Trilogy and the basis for a movie produced and directed by Robert Redford. Fine in a very near fine dust jacket with tiny edge tears at the crown and upper front flap fold, and mild fading to spine. [#036620] $75
$38

Prairie City, Decker Press, (1948). An unrecorded variant of this uncommon title. Gray cloth with the same design as that of the apparently first issue yellow cloth, in a blue dust jacket with gold and black lettering, a price of $1 and the words "THE ARCHIVE of Duke University" in place of "Louis Untermeyer" on the dust jacket copy. According to Morgan, Decker printed about 200 copies of this title, about 20 of which were the first issue, although Morgan doesn't account for all known variants. Fine in a mildly sunned, else fine dust jacket. [#001805] $1,250
$938

NY, Knopf, (1988). The uncorrected proof copy of the first American edition of the second book in his Sally Lockhart trilogy. "Press Copy" markings to cover and summary page; title and date handwritten on spine; else fine in wrappers. Pullman's "His Dark Materials" trilogy, published just after the Sally Lockhart books, became worldwide bestsellers and modern fantasy classics. [#023041] $250
$163

[NY], [Bantam], [1990]. Point of sale display for this title. (No book included.) Cover art: 14" x 16" at longest point, meant to attach to display rack. Rubbed, mild edge wear; near fine. Suitable for framing if cropped. [#023606] $60
$30

(Bretenoux), (Braad Press), (1977). Number 115 of 300 numbered copies, with woodcuts by Ian Tyson laid in. Inscribed by Rothenberg to Clayton [Eshleman] & Caryl, "a book from the cove country. With love." Near fine in wrappers and dust jacket. [#033546] $125
$81

1976. A one-paragraph letter, on Village Voice stationery, saying he can not recommend The Good Soldier Schweik in his column as he hasn't seen it, though he would like to and, despite not having seen it, goes on to say "It is the quintessential German story about the absurd worship of uniforms, and I think it should be shown for its sociological interest." Sarris was the longtime film critic for the Voice and was a key proponent of the auteur theory of filmmaking and film criticism. Folded in thirds for mailing; fine, with envelope. [#032675] $75
$38

Ottawa, Borealis, 1974. Her second book. Fine in wrappers. [#912740] $100
$65

(n.p.), United Press International, 1963. Smith's Pulitzer Prize winning first-hand account of the Kennedy assassination, issued by UPI in pamphlet form. Copies of this pamphlet were included in the 1964 UPI/Colpix record album Four Days That Shook the World. 8 pages of text; shallow lower corner creases; near fine in stapled wrappers. 10 copies in OCLC. [#035981] $250
$163

NY, Heritage Press, (1936). Apparent first Heritage edition. Illustrated with 150 reproductions of Van Gogh's work. Owner name; spine label chipped; near fine in pictorial boards. No dust jacket or slipcase, perhaps as issued. [#035955] $40
$20

[various], [various], 1981-1997. Five various editions of the author's first book, all from the author's own library. Five paperbacks: three first printings (Houghton Mifflin 1981; Penguin 1987; Mariner 1997) and two later printings (Picador and Penguin, both 1987). The Penguin edition has a rear cover crease; otherwise the lot is near fine or better. [#033841] $150
$98

Stanford, Stanford University Press, 1964. Includes Robert Stone's first book appearance, two excerpts from his first novel, then in progress. Other contributors to this volume include Ed McClanahan, Hugh Nissenson, and Merrill Joan Gerber. Edited by Wallace Stegner. Fine in a near fine, price-clipped dust jacket. [#009509] $50
$25

1979, 1986. Two typed letters signed from Stone, the first from Honolulu, the second from Providence, RI. The first grants permission for the recipient to use his name and discusses his time in Hawaii and his delay in responding ["I've been under the weight of burdens real and imaginary here that have played hell with my time."]. The second apparently accompanied a recommendation for the recipient ["If you think of anything they might want beyond this, I think you might add whatever you feel is necessary and sign my name."]. The recipient was a writer who studied with Stone in the Seventies and later became a friend. Both letters are folded for mailing; else fine, with envelopes. Also included is an autograph letter signed by Stone's wife, Janice in which she offers the recipient use of their summer home in the off-season. [#026626] $275
$179

(Melbourne), (UTS Community Law and Legal Research Centre), (2002). A critical reader on surveillance and social control in the post-9/11 age, published in Australia in conjunction with two public events, in Sydney and Melbourne, designed to provoke discussion and debate about the subject. Heavily illustrated, with drawings, photographs (including surveillance photographs), collages, cartoons, and including essays, articles, skits, dialogues and political statements. Oblong wrappers. Rubbed; near fine. [#029179] $60
$30

(Northampton), Tundra, 1991. A book of sketches by Totleben, one of the key artists associated with Swamp Thing and the horror anthology Taboo. Published as Number Two in the Tundra Sketchbook Series, the press that was an offshoot of the Teenage Mutant Ninja Turtle phenomenon. Fine in wrappers. [#034609] $75
$38

NY, Knopf, (1965). A book of poems, one for each month. This is the third of Updike's books for children done in the Sixties, this being the trade binding (there was also a library binding done). Illustrated by Nancy Ekholm Burkert. Fine in a near fine, price-clipped dust jacket. [#912070] $100
$65

NY, Knopf, 1963. His second collection of poems. Inscribed by the author. Spotting to top stain; near fine in a very good dust jacket. [#030156] $175
$114

NY, Knopf, 1963. His second collection of poems. Inscribed by the author. Fine in a near fine, spine-sunned dust jacket with creasing to the base of the spine. [#912067] $300
$195

[1980]. Dated "Jan 1". One paragraph, agreeing to sign books for the recipient's wife. Written on the verso of the colophon for the limited edition of Problems. Signed in blue, with recipient's address hand-written in pink across the top; the colophon has some math written in pink. Folded in thirds for mailing; else fine. [#013416] $115
$75

NY, L.B. Fischer, 1945. The first American edition. Foreword by Edith Sitwell. Front hinge starting; beige cloth dust-darkened; a good copy, lacking the dust jacket. [#035480] $40
$20

NY, Modern Library, 2000. An advance copy in the form of tapebound 8-1/2" x 11" typeset pages, with printed cover. Selections from the 11-year history of The Messenger Reader: Langston Hughes, Zora Neale Hurston, etc. Cover dirt-smudged; else near fine. [#036057] $45
$23

Northampton, Tundra, 1991. The third volume in the Tundra Sketchbook Series. With a very short introduction by Neil Gaiman, quite early in his career. Fine in wrappers. [#034611] $75
$38

NY, Harper & Row, (1982). Zwinger, winner of the John Burroughs Medal, and Teale, winner of the Pulitzer Prize, collaborated on this book about the two rivers that join to form the Concord River, beloved by Thoreau. This copy is signed by Zwinger. A landmark collaboration by two of the most respected naturalists writing at the time. Zwinger, whose writings had generally been about the West, was president of the Thoreau Society at the time this book was published. Foredge foxing and shallow loss of color to boards; a very good copy in a very good dust jacket with wear at the crown and a small sticker removal abrasion on the front panel. [#036489] $300
$195