Weekly Sale

(Chicago), Workers Press, [ca. 1985]. A 16-page pamphlet addressing systemic racism during the Reagan years, although the specific language here includes the "power structure," "fascism," and "legalized terror." Particular attention is paid to the dilution of the Voting Rights Act, particularly in Alabama, and the indictment of the "Marion 3" by U.S. Attorney Jeff Sessions. Deep cross-out and two stains to front cover; lists of dollar amounts in pencil on rear cover; a good copy in stapled wrappers. No copies found in OCLC. [#035281] $150
$98

(San Cristobal), (Lama Foundation), (1975). A later printing of Alpert's enormously popular autobiography and guidebook to enlightenment, first published in 1970 in a different form in an edition of 300 copies under the title From Bindu to Ojas. While others before Alpert -- notably Aldous Huxley and Alan Watts -- had laid the groundwork for understanding principles of Eastern religions in terms familiar to Westerners and also describing the psychedelic drug experience in the terms of mystical religious experience, Alpert's book was a bestseller, being reprinted numerous times, selling hundreds of thousands of copies, and fostering what has come to be known as the "New Age" movement. This copy is inscribed "in love" by the author. Laid in is a ticket and program for Ram Dass's "Cultivating the Heart of Compassion" tour, during which this copy was presumably signed, on November 9, 1986. Rubbing and creasing to the covers; dampstaining to the page edges; a good copy in wrappers. [#035565] $750
$525

1992. A 7-page dot-matrix print-out of a letter by Anderson defending himself against a series of complaints made against him as a faculty member at Boise State University. Together with an unsigned cover letter from 1993 expressing, among other things, a wish he could publish the letter and a tirade against "the new thing, the E-mail," and its allowing people to hide behind a curtain like the Wizard of Oz. Also together with four of Anderson's reviews as a faculty member, three of which have Anderson's holograph annotations (e.g., "don't know how she got this guy in her pocket"). And also together with, and paper-clipped to his faculty reviews, the Pablo Neruda poem "Guilty," on which Anderson has written: "I make my 'Creative Writing' students memorize this for their mid-term." Not signed on the preceding items, but with a 1993 letter of transmittal signed by Anderson, saying, among other things, that he expects he'll be in Boise a few more years "before [they] manage to get rid of me." Rust from paperclips; otherwise all items fine. [#031324] $450
$293

Kirskville, New Odyssey Press, (1998). A bilingual edition of poetry, with translations from the German by Barnes. This copy is signed by Barnes on the title page and inscribed by him on the half title. Slight splaying to boards; else fine in a fine dust jacket. Uncommon, especially signed. [#036425] $125
$81

Garden City, Doubleday, 1966. Signed by the author. A bit of bubbling to pastedowns; else fine in a near fine, mildly spine-sunned, near fine dust jacket. H18 code on last page of text. [#911337] $160
$104

(NY), New Rivers Press, 1974. The scarce hardcover issue of his second book, a collection of poetry. The total edition was 600 copies, of which only 200 were issued in cloth; 400 were issued in wrappers. Well-known these days as a writer of fiction and of essays on fiction, Baxter didn't publish his first novel until 1987, seventeen years after his first book (Chameleon) and thirteen years after this title. Inscribed by the author in 1982. Fine in a slightly rubbed, else fine dust jacket. [#911007] $650
$455

(NY), MR Press, 1962. Poetry with a political edge by this activist poet, written during the volatile era of the Civil Rights Movement and the Vietnam War. Inscribed by Beecher to Will Inman, another poet known for his political and social activism: "For Will Inman/ a poet whose work I like./ John Beecher/ May 22, 1967." Owner name and phone on front flyleaf with inscription on half title; wear to cloth at corners; a near fine copy in a very good dust jacket with a couple small edge chips. A nice literary association copy. [#029630] $80
$40

Tucson, Firsts, 2003. 9 issues, of 10 total (#9 is missing; no issue published in July or August). Articles on P.G. Wodehouse, Thornton Wilder, the Limberlost Press, and fraud on eBay (by Ken Lopez). Fine. May require added postage. [#036325] $45
$23

Tucson, Firsts, 2008. The full year, 10 issues (no issue published in July or August). Articles on Marilynne Robinson, William Styron, Margaret Coel, James Bond, Daniel Woodrell, Gone with the Wind, etc. Fine. May require added postage. [#036330] $50
$25

(Shelburne), Battered Silicon Dispatch Book, 1999. Inscribed by the author in 2000: "How nice to have the Goose Club here." One slight lower corner tap; else fine in a fine dust jacket. [#029350] $60
$30

London, Belmont Press, 2002. Of a total edition of 226, this is the "standard" issue, one of 100 numbered copies signed by Carey and by the illustrator, Eileen Hogan. Fine, without dust jacket, as issued. [#911433] $450
$293

London, Mandrake Press, [1929]. A collection of three stories, issued in the series "Mandrake Booklets." Owner name, address, and 1930 date on the front flyleaf. Near fine in a very good, spine-darkened dust jacket. Rare: we find only one copy listed in OCLC WorldCat. [#034870] $750
$525

NY, Theodore Foster/William Lewer, 1837. February, July, and October issues. The July issue is lacking its covers. Moderate foxing; some staining to covers; good copies overall. [#600029] $75
$38

Edinburgh, Constable, 1822. No. LXXII. Pages 287-586, plus front and back matter. Softbound; covers stained and detached; owner name; a good copy. [#600026] $50
$25

NY, Grove, (2002). The advance reading copy of the second book by the author of the highly praised Lord of the Barnyard, who committed suicide in May, 2005. This copy is signed by Egolf. Fine in wrappers. [#914920] $250
$163

London, Faber and Faber, (1970). Figes's first book of nonfiction, a feminist classic published the same year as Greer's The Female Eunuch and Millet's Sexual Politics. Inscribed by Figes to her parents: "To Mummy & Daddy with love/ Eva/ 23rd May 1970." An excellent association copy, especially for an author who writes "...a woman is taught to desire not what her mother desired for herself, but what her father and all men find desirable in a woman." Spine- and edge-sunned; a near fine copy, in a supplied, near fine dust jacket. [#034714] $1,000
$700

(n.p.), (n.p.), 1988. A 120-page screenplay by Ford for a 1991 film adaptation that he did from stories in his collection Rock Springs. Signed by Ford. An unknown number of copies were produced, but Ford signed seven of them at a reading in 1990. Photo-reproduced sheets on 3-hole paper. In this copy, page 120 was typed on a different typewriter than the first 119 pages. Bound in a flexible blue binder; fine. The film was directed by Michael Fields and starred Dermot Mulroney, Lili Taylor, Sam Shepard and Valerie Perrine. [#911202] $1,000
$700

Somerset, Chicken House, (2003). Signed by the author. Fine in a fine dust jacket. [#915006] $150
$98

Oxford, Dolphin Book Co., 1975. Copy No. 440 of 1000 copies. 87 poems and three prose works reproduced in facsimile, with transcriptions and notes by Rafael Martinez Nadal. Fine in wrappers, in a fine dust jacket and a lightly rubbed, near fine slipcase. [#035644] $300
$195

(London), Faber and Faber, (2004). A limited edition with text by Alex Garland and woodcuts by Nicholas Garland. Of a total edition of 310 copies, this is number 289 of 250 numbered copies (#s 51-300) signed by both Garlands. Folio, 17" x 12"; fine in slipcase. [#914498] $160
$104

Boston, Houghton Mifflin, 1999. A Mariner paperback original, with an introduction by Ian Frazier. Blurb by Philip Roth. Mild foxing to end pages and text block. Near fine. [#036074] $45
$23

Princeton, Contemporary Poetry Press, (2013). First published in 1980, this is a new edition, with a foreword by Carlos Fuentes. This copy is inscribed by the author to the Chinese poet Bei Dao: "For the great poet Bei Dao -- on a wonderful meeting and in memory of [?], Mahmoud Darwish, Ramallah and freedom and justice." Near fine in a near fine dust jacket. Laid in is a typescript copy of Hamod's poem "Sabra/Shatilla: In Sorrow," which does not appear in the collection. [#032647] $115
$75

Boston, New York Graphic Society, (1976). Highwater was one of the controversial figures in the field of Native American literature. He claimed to be of Blackfeet/Cherokee heritage, but critics disputed that and saw it as yet another case of exploitation of Native Americans -- in this case, Native American heritage and ethnicity itself, and the "authenticity" that comes with it -- by self-promoting whites. For nearly 30 years, though, "Highwater" -- his real name was Jackie Marks -- wrote extensively on American Indian culture and was one of the most visible promoters of Native American interests. He won awards for his writing and his other works, including some from Native American organizations and tribes. His ethnicity may have been a sham -- it was -- but for a time he was an important contemporary literary voice dealing with matters of Native American culture and heritage, with a hefty dose of self-promotion folded in. His writing was prolific, and his books -- on Native American painting, dance, and other subjects -- filled voids left by other writers and became landmarks in their fields. This title, Song From the Earth, an introduction to American Indian painting, and The Sweet Grass Lives On, a subsequent volume that introduced 50 contemporary American Indian artists, together helped launch the trend in collecting contemporary Indian art, and reviving memory of such artists as "the Kiowa Five," from the early 20th century, as well as promoting more contemporary artists. Inscribed by the author. Near fine in a near fine, price-clipped dust jacket worn at the corners and spine extremities. [#016662] $60
$30

Smithtown, Exposition Press, (1983). A vanity press publication by a white writer, written for pre-teens. Despite the title, which seems thematically all-encompassing (albeit gender-specific), each chapter is actually a story about food, and the author includes an introduction for teachers stressing that the coming global food crisis can be averted by emulating some Indian practices. A fine copy in a heavily rubbed, very good dust jacket with tiny corner chips. [#016678] $60
$30

(London), Golden Handshake, (1996). Inscribed by the author to Robert Stone and his wife: "Sorry we missed each other. Maybe next time. Anyway/ Much love/ Fran/ P.S. Check out p. 60 I think that's one I owe to Bob." The poem on page 60 is entitled "California of the Mind." Fine in wrappers. [#033795] $60
$30

Garden City, Doubleday, 1986. A Double D Western set around the turn of the 20th century, and Lansdale's first book to be published in hardcover. Inscribed by Lansdale to fellow writer Stanley Wiater: "For Stan, Hope you enjoy your ride on [The Magic Wagon]. Thanks for the Fangoria interview. Joe R. Lansdale." Wiater's Gahan Wilson-designed bookplate front flyleaf; small scrape to rear board; foxing to top edge; near fine in a very near fine dust jacket with a few edge nicks. Wiater's interview with Lansdale appeared in a 1990 issue of Fangoria. A nice inscription and association, and one of the author's scarcer titles. [#029676] $400
$260

NY, Galleon Press, 1935. Aldous Huxley, Erskine Caldwell, Lynd Ward engraving. Tanned cover and pages; cover foredge chipped; about very good. [#036087] $45
$23

NY, Scribner's, 1978. The uncorrected proof copy of his third book, winner of the John Burroughs Medal as the best work of natural history published that year, and a nominee for the National Book Award. A remarkable and unlikely bestseller: the book was reprinted numerous times, brought into a new edition by the publisher (in a smaller format), picked up by the Book of the Month Club, and became a significant commercial success in a trade paperback edition as well. It attempts to explore the wolf both in the objective world and in the subjective ways that humans have seen and imagined it throughout history. This proof copy was printed with the original title, The Book of the Wolf, on the cover and the title page; the ultimate title has been written in by hand on the cover. A fragile, padbound proof with covers beginning to separate at the spine base; several scuff and spots to cover and a handful of page corners turned. Name of author and reviewer Ethel Jacobson across the front cover. A very good copy. A landmark in natural history writing. [#036475] $350
$228

NY, Vintage Books, (1973). The uncorrected proof copy of this anthology of poetry by Native Americans, including Eskimos, Hawaiians, Chicanos and Puerto Ricans. Edited and introduced by poet Walter Lowenfels, with additional introductions by Simon Ortiz and Gloria Truvido. Other contributors include James Welch, Joseph Bruchac, Gerald Vizenor, Robert J. Conley, Duane Niatum, Gladys Cardiff, and Besmilr Brigham, among many others. Published as a paperback original, even the first edition is uncommon. An early proof in what became the "Native American Renaissance," presenting a multicultural view of American literature. This copy, though unmarked, is from Lowenfels' estate. Minor edge sunning; near fine in wrappers. [#034642] $200
$130

NY, Pantheon, (2004). Markel examines six major epidemics in the U.S. in the 20th century, including tuberculosis, the Bubonic Plague, and AIDS. Inscribed by the author in the year of publication. "with great appreciation." Fine in a fine dust jacket. [#034917] $125
$81

NY, Viking, (1983). Matthiessen's controversial and suppressed book about the confrontation between American Indian activists and the FBI in the early 1970s at Pine Ridge Reservation near Wounded Knee that left two federal agents and one Indian dead, and resulted in AIM activist Leonard Peltier imprisoned for life, convicted of the agents' murder in a case that, as Matthiessen describes it, was rife with government malfeasance. This copy is inscribed by Matthiessen in the year of publication: "For Rahda & Jimmy/ with many thanks and love. Peter. In your beautiful house/ Santa Barbara/ March - 1983." Also signed in full on the front pastedown. Trace edge sunning, still a fine copy in a very good, very spine-faded dust jacket with modest edge wear. [#035589] $250
$163

Barcelona, Jose Janes, 1950. The first volume of the 3-volume set of the first Spanish language edition of Maugham's complete works. This copy is inscribed by Maugham to Hamlet Vittino : "To my distinguished friend/ H Vittino - Rio de Janeiro - Nov. 1950/ W. Somerset Maugham." Vittino was an Argentine friend of Maugham's. With Vittino's ownership stamps; page edges foxed; crown wear to the soft boards; very good. [#036418] $450
$293

London, Gollancz, (2017). The advance reading copy of McAuley's science fiction novel of a genetically-edited woman hiding out with a hostage in the newly established Antarctic Peninsula, in a world where the climate has changed dramatically faster than the politics of power, ethnicity or gender. Signed by McAuley. Fine in wrappers, with an announcement for the book signing laid in. [#033888] $100
$65

NY, Simon & Schuster, (1998). The author of The End of Nature and co-founder of the climate organization 350.org here makes an environmental argument for having only one child. Since this book was published, in 1998, the world population has increased 33%, from 6 billion to 8 billion. Signed by the author. Fine in a fine dust jacket. [#035596] $125
$81

Bloomington, Indiana University Press, (1970). The poet's first book. Inscribed by the author to another poet in the year of publication "with love and best wishes, Sandy." Recipient's handmade bookplate on front flyleaf. Near fine, with various portions of the dust jacket clipped and pasted on the boards and endpages. [#022758] $40
$20

(Toronto), McClelland & Stewart, (1996). An advance copy, in the form of comb-bound galleys, typeset but reproducing several holograph corrections. Her third book, first novel, which was first published in Canada, and only in wrappers. Winner of the Orange Prize for Fiction, the Guardian Prize for Fiction, the Books in Canada First Novel Award and the Trillium Prize. Signed by the author. 9" x 11". Fine. [#915362] $650
$455

(Concord/Boston), Atlantic Monthly, 1939. Three issues of The Atlantic, containing Milne's serialized autobiography. April, May, and June issues. The first two issues are very good; the June issue is good only, having an open cover tear and some waviness to the pages as though previously dampened. [#036095] $60
$30

Paris, (Durand), (1953). Six illustrations by American surrealist artist Leon Kelly. This is Copy No. 47 of an unspecified limitation by this prolific French writer and translator. A near fine copy in self-wrappers, with a very good glassine dustwrapper. [#035597] $100
$65

NY, Grove Press, (2001). The author's second collection of poems. Warmly inscribed by the author to writer Charles Newman ("her favorite dinner date") in the year of publication. Fine in wrappers. [#019701] $40
$20

Washington, DC, U.S. General Accounting Office, 1978. Three reports: "Tribal Participation in the Bureau of Indian Affairs Budget System Should Be Increased," "Bureau of Indian Affairs Not Operating Boarding Schools Efficiently," and "The Indian Self-Determination Act--Many Obstacles Remain." The first two are near fine in stapled wrappers, and addressed to Senator Robert Byrd with respect to his role on the Senate Appropriations Committee; the third has some darkening and staining to the front cover, and is addressed to both houses of Congress; very good in stapled wrappers. [#035859] $225
$146

(NY), (Vehicle), (1978). Her second book, a collection of short prose poems. Of a total edition of 500 copies, this is one of 474 copies in wrappers. Inscribed by the author in 1979. Slight rubbing to the spine folds, else fine; a very nice copy. [#011223] $125
$81

1985. A letter written by Reed in his capacity as a fiction contest judge. Although not stated in the letter, the contest celebrated the 1985 Mark Twain Sesquicentennial and sought a story that captured the spirit of Twain. Reed gives his first, second and third choices, and the points to be assigned each vote, as well as a critique of his first two choices. Signed by Reed. Folded for mailing, else fine. [#029529] $115
$75

(Bretenoux), (Braad Press), (1977). Number 115 of 300 numbered copies, with woodcuts by Ian Tyson laid in. Inscribed by Rothenberg to Clayton [Eshleman] & Caryl, "a book from the cove country. With love." Near fine in wrappers and dust jacket. [#033546] $125
$81

Ottawa, Borealis, 1974. Her second book. Fine in wrappers. [#912740] $100
$65

Boston, Houghton Mifflin, 2008. A collection of poems, warmly inscribed to Peter and Maria Matthiessen. Fine in a fine dust jacket. [#032523] $100
$65

[London], Deutsch, [1986]. The uncorrected proof copy of the true first edition of his fourth novel, the British edition having preceded the American edition by one week. Inscribed by the author to author and critic David Lodge: "For David Lodge/ in happy recollection of New Zealand adventures -- until we meet again/ Robert Stone." The inscription is written inside the front cover as this copy, like all copies examined by Stone's bibliographer, Ken Lopez, has no preliminary pages prior to the text. A signed note from Lodge's son attesting to provenance is laid in. Small stains to covers; near fine in wrappers. A scarce proof of Stone's haunting Hollywood novel, and a nice association. [#036010] SOLD

Amherst, Shanachie Press, 1980. A limited edition of a poem by Tate which first appeared in The New American Poetry Review. Of a total intended edition of 135 copies, this is Copy "F" of ten lettered copies reserved for Tate and for the artist, Stephen Riley, and signed by both of them. With etchings and engravings by Riley, each of these lettered and signed by the artist. Riley was a promising artist in the 1970s known for his fantasy illustrations, here accompanying Tate's surrealist poetry. Reportedly, most of the intended edition was never printed, and it's possible that only the 10 author's and artist's copies and 25 Roman-numeraled copies were actually produced. Loose sheets, 11-1/4" x 15", fine, laid into a near fine slipcase. An attractive fine press production, and one of the rarest pieces by the Pulitzer Prize- and National Book Award-winning poet. [#033654] $2,500
$1,875

Dickinson, Dickinson State College, 1974. Tate served as poetry editor for this annual publication, and here contributes an insightful and amusing three-page introduction. The collection includes, among other things, Stratis Haviaras's first poems in English. Spine-sunned, near fine in wrappers, with the stamp of a previous owner inside the front cover. [#030830] $40
$20

NY, Knopf, (1965). A book of poems, one for each month. This is the third of Updike's books for children done in the Sixties, this being the trade binding (there was also a library binding done). Illustrated by Nancy Ekholm Burkert. Fine in a near fine, price-clipped dust jacket. [#912070] $100
$65

(n.p.), (Ewert), (1997). A poem by Updike from A Child's Calendar, here issued as a holiday card. Printed in an edition of 150 copies, this is one of 100 copies issued unsigned, but this copy has been inscribed by the author: "A small item for [your] enormous collection. Sent to both of you with my warm regards of the season. Cheers, John." Fine. [#030255] $150
$98

(NY), Farrar Straus, (1948). A historical romance. Waters' second collaboration with Branch, after River Lady. Waters is better known for his novels and nonfiction about the American Southwest, and in particular Native Americans, than for his historical fiction collaborations with Branch. Handling apparent to boards, a very good copy in a very good dust jacket with shallow edge chipping. [#035048] $100
$65

[1921]. May 30 [1921]. Written to Herbert Fay, Custodian of Lincoln's Tomb. One 8-1/2" x 11" sheet of white lined paper, written on both sides. This letter refers to White Eagle's being in charge of an exhibit in Chicago for the Custer Battlefield Highway Association and to his efforts to contact an Apache named Dr. Montezuma, who lived in Chicago, in order to provide Fay with a photograph for his collection. From Popular Mechanics, 1921: "White Eagle is a full-blood Indian and a deaf-mute who made a pony ride of over 900 miles over the Custer Battlefield Hiway. After the completion of his long ride, the Custer Battlefield Hiway Association purchased 'Red Bird,' the pony, from its owner and presented it to White Eagle." One 8-1/2" x 11" sheet of white lined paper, written on both sides. Folded in sixths for mailing. Near fine. [#003296] $650
$455