Weekly Sale

1992. A 7-page dot-matrix print-out of a letter by Anderson defending himself against a series of complaints made against him as a faculty member at Boise State University. Together with an unsigned cover letter from 1993 expressing, among other things, a wish he could publish the letter and a tirade against "the new thing, the E-mail," and its allowing people to hide behind a curtain like the Wizard of Oz. Also together with four of Anderson's reviews as a faculty member, three of which have Anderson's holograph annotations (e.g., "don't know how she got this guy in her pocket"). And also together with, and paper-clipped to his faculty reviews, the Pablo Neruda poem "Guilty," on which Anderson has written: "I make my 'Creative Writing' students memorize this for their mid-term." Not signed on the preceding items, but with a 1993 letter of transmittal signed by Anderson, saying, among other things, that he expects he'll be in Boise a few more years "before [they] manage to get rid of me." Rust from paperclips; otherwise all items fine. [#031324] $450
$293

NY, Oxford University Press, 1989. The uncorrected proof copy. Edited by William Trevor. Very good in wrappers. [#036269] $45
$23

NY, Dodge, (n.d.). Undated, presumed first edition. Although there was an issue in white cloth, this is a copy in brown leather. Fifty color plates, some detached and laid in. Gift inscription. Spine split at upper front joint. Musty. A good copy. [#035800] $65
$33

Worcester, Metacom Press, 1981. The hardcover issue. The first separate appearance of this short story, which first appeared in Antaeus. Of a total edition of 276 copies, this is one of 26 lettered copies, signed by the author. Fine in a fine dust jacket. [#911362] $250
$163

(Brussels), (Fondation Europeenne pour la Sculpture), (1997). Bell provides a bilingual (English/French) fable as introduction to the catalog of work by Jean de la Fontaine: in 1997 the Luxembourg artist had installed his "Love of Camping" in a Brussels park. Number 452 of 500 numbered copies. Fine in stapled wrappers. A scarce piece by Bell, attractively illustrated. [#917040] $150
$98

NY, Richard W. Baron, (1970). A review copy of Berger's third Reinhart book. Inscribed by Berger to film director Tony Bill "with all the best." Fine in a fine dust jacket with publisher's press release laid in. Also laid in is a print out of John Leonard's review from the New York Times News Service. [#912267] $150
$98

(NY), Simon & Schuster, (2000). Uncorrected proof, in the form of a 8-1/2" x 11" typeset pages, of the British poet's first novel. Cardstock covers, held with a binder clip. Near fine. [#035443] $40
$20

Tucson, Firsts, 2003. 9 issues, of 10 total (#9 is missing; no issue published in July or August). Articles on P.G. Wodehouse, Thornton Wilder, the Limberlost Press, and fraud on eBay (by Ken Lopez). Fine. May require added postage. [#036325] $45
$23

[London], Telegraph Sunday Magazine, [1977]. An article by Morton Cohen about the discovery of the galleys for "A Wasp in a Wig," a story deleted from Carroll's Through the Looking Glass, and missing for more than 100 years, until appearing at auction in 1974. This article is the first published appearance of the galleys for a general audience (just ahead of a limited edition issued by The Lewis Carroll Society of America the same month). Reportedly, the episode had been dropped at the request of the illustrator John Tenniel, who thought drawing the character to be "altogether beyond the appliances of art." The task is completed here by Ralph Steadman. Five pages, taken from the Telegraph: Sunday Magazine, September 4, 1977. Folded in fourths; near fine. Laid into a 1966 Nonesuch Press reprint edition of Alice in Wonderland/Through the Looking Glass. [#035099] $200
$130

NY, (Pynson), 1936. New Series, Volume 1, No. 3. A near fine copy in a preserved, if darkened, glassine dustwrapper. [#033617] $75
$38

San Francisco, Rip Off Press, 1970. First printing, as determined by the word "decadence" partially missing page 17; and with a couple pages (26-27) having mis-aligned art, with panels printed too close to the edge. Near fine. [#036377] $75
$38

NY, Random House, (1977). Conversations between Cott and Maurice Sendak, Henry Miller, Warner Herzog, Oriana Fallaci, Walter Lowenfels, Glenn Gould, Stephane Grappelli, and Harry Partch. Inscribed by Cott in 1978. Foxing to top edge; near fine in a near fine dust jacket. [#035829] $85
$43

(Hay), Hay Festival Press, 2004. The first separate appearance of this story, with an introduction by De Bernieres for this edition. Number 63 of 100 numbered copies signed by the author. Fine without dust jacket, as issued. [#911483] SOLD

London, Godine, (1990). The uncorrected proof copy of the first British edition, and the first proof to contain the full complement of all 23 stories: the U.S. proof was intended to be issued with only ten of the stories; was mistakenly issued with the "left out" 13; and then re-issued with the intended 10. Signed by Dubus. Foxing near the spine; near fine in wrappers. [#033260] $250
$163

Gorham/Portland, [University of Southern Maine], 1971. Poster advertising two dates for a showing of a film "featuring a history of experimental cartoon work and animation" by Charley Murphy and Stan Vanderbeek, and "a new film by Kenneth Anger," plus a "surprise film." 14-1/2" x 16". Black on gold; near fine. [#033333] $100
$65

(NY), Dell, (1980). Inscribed by the author to Pauline Kael: "To Pauline, An exceptional lady. Thanks for your interest in and support of my musical Bingo! Ken Fishman." Dated two months after publication. A paperback original. Lower outer corners dampstained; good in wrappers. [#035492] $50
$25

NY, Hill and Wang, (1972). The uncorrected proof copy of this play by the author of The Connection, who is also known for his association with The Living Theater, an experimental theater group. Notes in text and name of Richard M. Buck on cover. Very good in tall wrappers. Uncommon. [#018598] $50
$25

Boston, Little Brown, (1965). The biography covering the formative years and education of Dr. Connie Guion, who attended Wellesley and Cornell Medical College, with an internship and residency at Bellevue. The biography ends in 1919, when Guion was 37, though she would practice medicine until her death at 88, becoming known as "the dean of women doctors." She was the first woman in the U.S. to be made a professor of clinical medicine; the first woman to become a member of the medical board of the New York Hospital; and the first living female doctor in the U.S. to have a hospital building named in her honor. Guion never married, but had a lifelong partnership with Ruth Smith, a physical education teacher. This copy is signed by Guion and by the two authors, Campion and Stanton on a publisher's tipped-in leaf. Gift inscription front flyleaf and owner's stamp front pastedown. Possible water damage to rear board and spine, and some discoloration there; a good copy in a very good, price-clipped dust jacket. [#036511] $250
$163

Stewartstown, NH, 1862. August 3, 1862. Edith Harriman writes to a friend, "Isabel," about the Civil War, the ensuant draft, and the draft dodgers heading to Canada. Harriman first apologizes to her friend, saying she's written no letters for two years, and that this season especially comes with much work. And then: "Things up here move very similar, as usual except our friends are not at ease about this bloody war. Probably draufing [sic] will have to be resorted to, or at least at first, and then what will be the result we know not, but we must submit to save the country from ruin, and we be reconciled." She then names some of the men not enrolled and some who have gone to Canada. The remainder of the letter speaks of weather and work and health, and she tells Isabel to come home "if it should be sickly in the city." Three pages, written on two sides of one sheet of paper; folded in sixths. Well-preserved; near fine. [#034914] $300
$195

NY, Ballantine/Del Rey, (1978). The hardcover issue. Fine in a fine dust jacket. [#916291] $150
$98

Woodstock, Overlook Press, (2008). Signed by Kelly and inscribed by Jacobs: "Mickey - a brown drama for a warming age. Hope it's instructive." The authors examine decades of fits and starts in clearing the Californian air in this "cautionary tale of environmental crisis." Tanning to page edges, else fine in a fine dust jacket bearing an Independent Publisher Book Awards label. Scarce signed. [#035992] $250
$163

Baltimore, Cemetery Dance Publications, 2001. The lettered limited edition of this "guide to the worlds of Stephen King," written by Stanley Wiater, Christopher Golden, and Hank Wagner. Of 52 copies, this is designated "PC" and as an "Author's Copy," and is from Wiater's library. Signed by Wiater, Golden and Wagner. White leather stamped in black, with silk ribbon marker; fine in a fine dust jacket and fine dark blue leather tray case. [#034608] $650
$455

(NY), (One Story), (2004). His first solo appearance in print, a story that was later included in his collection Sightseeing. Published as Issue 46 of One Story. Lapcharoensap was named as one of Granta's best young American novelists, despite the fact that his one book to that point was a short story collection. Fine in stapled wrappers and signed by the author. [#913211] $125
$81

NY, Dutton, 1963. The first American edition of his sequel to The Centurions. Light shelf wear to the spine extremities; near fine, lacking the dust jacket. [#035359] $75
$38

NY, St. Martin's, (1997). Inscribed by the author to Robert Stone and his wife, in the year of publication, "dear friends that I miss seeing." Fine in a fine dust jacket. [#033751] $75
$38

Eugene, Lone Goose, 1997. One of 16 participant's copies of this limited edition of an essay from Crossing Open Ground, which was later issued in a trade edition by the University of Georgia Press. Here issued with twenty-three 11-3/4" x 11" woodblock images by Robin Eschner, hinged in a continuous presentation almost 22 feet long, encompassing the text. An elaborate production, involving a number of individuals prominent in the book arts, in addition to Lopez and Eschner: Charles Hobson, the designer, whose work is included in the collections of the Whitney Museum and the National Gallery of Art, among others; Sandy Tilcock, the publisher and boxmaker; Susan Acker, the letterpress printer; Nora Pauwells, the relief edition printer; and John DeMerritt, the binder, who is President of the Hand Bookbinders of California. Of a total edition of 66 copies, this is Copy L of 16 lettered copies signed by Lopez and Eschner and including a unique tire-tread print from Lopez's Toyota 4-Runner, the vehicle used in the journey from Oregon to Indiana that is described in the story. Fine, in a clamshell box. [#034702] $3,500
$2,625

NY, Scribner's, 1978. The uncorrected proof copy of his third book, winner of the John Burroughs Medal as the best work of natural history published that year, and a nominee for the National Book Award. A remarkable and unlikely bestseller: the book was reprinted numerous times, brought into a new edition by the publisher (in a smaller format), picked up by the Book of the Month Club, and became a significant commercial success in a trade paperback edition as well. It attempts to explore the wolf both in the objective world and in the subjective ways that humans have seen and imagined it throughout history. This proof copy was printed with the original title, The Book of the Wolf, on the cover and the title page; the ultimate title has been written in by hand on the cover. A fragile, padbound proof with covers beginning to separate at the spine base; several scuff and spots to cover and a handful of page corners turned. Name of author and reviewer Ethel Jacobson across the front cover. A very good copy. A landmark in natural history writing. [#036475] $350
$228

NY/London, Harper/Secker & Warburg, 1954. Matthiessen's own copies of both the first edition and the first British edition of his first book, a novel, written while he was living in Paris, where he helped found the Paris Review. Unmarked, but both copies are from the library of the author. The American edition is mottled and foxed; a good copy only, in a fair dust jacket with several small chips and split unevenly at the front flap and the spine. The British edition is foxed and musty, a good copy, with portions of the dust jacket (front cover, front flap) laid in. [#032363] $375
$244

London/NY, Putnam/Dutton, 1959/1961. A review copy of the American edition, consisting of the true first (British) edition, copyedited on the title page and front flap to reflect changes to be made in the American edition, with a pencil note on the front flyleaf about the projected change in size. With review slip laid in. Correspondence about Miller between Lawrence Durrell and Alfred Perles, with interjections by Miller. Miller met both Durrell and Perles in Paris in the Thirties. Dusty top edge; fine in a very near fine dust jacket. Together with a copy of the American edition, as issued. Fine in a fine dust jacket. [#027323] $100
$65

(n.p.), J. Faraone, 1987. An Oliver North paper doll. Drawn, printed, hand-cut, (i.e. "shredded"), and signed by Jim Faraone, founder of the International Fashion Doll Convention. A political statement, taking aim at National Security Council staff member Oliver North, who, with his secretary Fawn Hall, shredded documents that presumably would have implicated him in the Iran-Contra scandal (the selling of arms to Iran to fund Nicaraguan rebels). A reminder of simpler times in political corruption, when it sufficed to simply hide the truth, as opposed to fabricating new truths and then fighting for them. 8-1/2" x 11". Bottom edge shredded by design; fine. No copies listed in OCLC. [#034903] $200
$130

The first Japanese edition. Fine in wrappers, with publisher's wraparound band. Signed by the author. [#019574] $60
$30

1997. A promotional poster for the annual Toronto literary festival, which each year since 1980 has brought together some of the best writers of contemporary world literature. This is one of only a handful of copies signed by all or most of the year's participants, approximately 54 signatures. Signed by: Robert Stone, Barry Lopez, Richard Ford, Michael Ondaatje, Anne Michaels, Colm Toibin, Bharati Mukherjee, Jamaica Kincaid, Guy Vanderhaeghe, Michael Turner, Jane Urquhart, Mavis Gallant, Ann Beattie, Nino Ricci, James Reaney, and many others. From the collection of the promoter of the festival, Greg Gatenby. Designed by Richard Artschwager. 17" x 23". Rolled, else fine. [#029753] $1,000
$700

NY, Knopf, 2004. The first American edition of this novel by the 2006 winner of the Nobel Prize for Literature. Signed by the author in 2010. Fine in a fine dust jacket. [#035132] $200
$130

(Sydney), Picador, (2003). Signed by the author. Slight bump to crown; else fine in self-wrappers. [#912691] $100
$65

[Hadley], Flying Object, [ca. 2012]. A broadside poem, with an illustration by Rachel Glaser. Approximately 10" x 18". Although issued in an edition of 100, this is apparently a publisher's proof or overrun copy and is unnumbered, and unsigned. Rolled for shipping; near fine. [#035223] $50
$25

NY, Atlantic Monthly, (2000). An epistolary mystery about a missing pet problem advice columnist. Illustrated by Edward Koren. Inscribed by the author to Peter [Matthiessen] and his wife; signed, "love, George, with an added "Happy New Year!!" Fine in a fine dust jacket. [#032515] $300
$195

NY, Scribner's, (1992). The uncorrected proof copy of her second book of fiction and first novel. Winner of the PEN/Faulkner Award. Very mild spine-sunning, else fine in wrappers. [#023936] $200
$130

London, Punch/Bradbury Agnew, ca. 1894. Fifteen issues: Nos. 3-5 and 7-18. Original wrappers, not a bound set. Nearly all covers detaching or detached but present (but for the rear cover of No. 11). Some sunning and dampstaining (particulary No. 11); overall the lot is in good condition. [#600031] $50
$25

(London), Macdonald, (1989). The uncorrected proof copy of the first British edition of the third book in her Vampire Chronicles. Prelims detached and laid in; some foxing and light staining to covers, with a horizontal spine tear. A good copy in wrappers. Scarce. [#035460] $50
$25

[NY], [Bantam], [1990]. Point of sale display for this title. (No book included.) Cover art: 14" x 16" at longest point, meant to attach to display rack. Rubbed, mild edge wear; near fine. Suitable for framing if cropped. [#023606] $60
$30

New Haven, Yale University Press, (2000). A review copy of this collection of Rogoff's theater criticism. With press release and New York Times review laid in. Together with an autograph card signed to film critic Pauline Kael, soliciting comments. One page corner turned, else fine in wrappers. [#023062] $45
$23

NY, Holt Rinehart Winston, (1980). Inscribed by the author to Pauline Kael "who has the dubious distinction of having first put my name and writing between hard covers. With admiration, Rich Setlowe." Setlowe was, among other things, the longtime film reviewer for Variety, and Kael quoted his review, in 1970, of Michelangelo Antonioni's film Zabriskie Point in her own New Yorker review of the same, which was later collected in Deeper Into Movies. Some dust soiling to page edges and covers; near fine in a near fine dust jacket. [#034581] $150
$98

NY, Harper & Row, (1980). The first book by the highly-regarded author of the Pulitzer Prize-winning A Thousand Acres. This copy belonged to the author Robb Forman Dew -- who provided dust jacket blurbs for Smiley's next two books -- and bears her ownership signature. A little dampstaining to lower spine and foxing to top edge; near fine in a very good, dampstained dust jacket with light chipping at the crown. A nice association copy, albeit not a presentation copy. [#019624] $150
$98

NY, Dutton, (1987). A review copy of this collection of poetry. Mild age toning to pages, else fine in a fine dust jacket, with review slip, author photo and promotional pages laid in. [#916868] $100
$65

Cambridge, Pym-Randall, (1975). Apparently the trade edition. (There was a boxed signed limited edition.) Four long sheets of concrete poetry, folded (by design) and inserted into the publisher's envelope. Apparent dried glue to the edge of three of the sheets, not affecting text; else near fine. [#035225] $40
$20

Cambridge, Leavitt & Peirce, 1958. The hardcover issue of this very early appearance in print by Updike [Roberts B2]. Harvard alumni commemorate the 75th anniversary of a tobacco store and gathering place; Updike contributes a poem, "The Old Tobacconist." Two very slight bumps to the boards and a small tear at the front joint; else very near fine, lacking the glassine jacket. [#026900] $175
$114

NY, Knopf, 1965. His first collection of nonfiction, short pieces from The New Yorker and a number of other publications, collected the year after Updike won the National Book Award and was elected to the National Institute of Arts and Letters. Inscribed by the author: "For ___ ___/ Best wishes to a former Beverlyite/ John Updike." Foxing to foredge and cloth, thus very good in a very good dust jacket, which is also foxed, predominantly on verso. Most of the signed copies of this title that show up have been signed on a tipped-in leaf. Inscribed copies are uncommon. [#030159] $175
$114

NY, Knopf, 1963. His second collection of poems. Inscribed by the author. Fine in a near fine, spine-sunned dust jacket with creasing to the base of the spine. [#912067] $300
$195

NY, Knopf, 2001. A volume in Knopf's "Everyman Library," collecting Bech: A Book, Bech is Back, Bech at Bay, and adding "His Oeuvre." Inscribed by the author: "For ___ ___/ warm regards, John Updike/ 4/19/01." Fine in a fine dust jacket. [#030267] $200
$130

NY, Knopf, 1959. His third book and first collection of stories. Fine in a near fine, lightly rubbed, price-clipped dust jacket. A very nice copy. [#027123] $225
$146

(Toronto), (Aya Press), (1982). Number 407 of 500 numbered copies signed by Jane Urquhart and by Tony Urquhart, the artist. 18-3/8" x 4-3/4". This is the second issue, in gray cloth. Pages uncut; two very slight corner taps; else fine. [#914603] $150
$98

NY, Modern Library, 2000. An advance copy in the form of tapebound 8-1/2" x 11" typeset pages, with printed cover. Selections from the 11-year history of The Messenger Reader: Langston Hughes, Zora Neale Hurston, etc. Cover dirt-smudged; else near fine. [#036057] $45
$23