Search Results

(n.p.), (Grenfell Press), (1999). A fine press limited edition: one of 35 copies of the first book publication of this story, which first appeared in the New Yorker and was later published, in 2001, in Ford's collection A Multitude of Sins, with several small changes to this text. An elaborate and elegant production by one of the premier fine presses in the country, with seven etchings by artist Jane Kent. This is Copy No. 21 of 35 copies, and is signed by both Ford and Kent. Unbound folios, 10-1/4" x 15-1/2", with tissue guards protecting each of the etchings, and all laid into the publisher's clamshell case, which was made by Claudia Cohen. A fine copy, offered at the publisher's price. [#911206] $5,000

Elmwood, Raven Editions, 1988. A limited edition of this essay, a shorter version of which had appeared in Harper's. Issued in a total edition of 140 copies, of which only 40 were hardbound: 26 lettered copies and 14 presentation copies. This is number 10 of 14 presentation copies signed by the author, with a frontispiece by noted artist Russell Chatham, hand-shaded and signed by Chatham as well. Designed and printed letterpress by Carol Blinn at Warwick Press. Hand-bound in quarter leather and decorated paste paper over boards. A fine copy of a beautiful production. [#911170] $2,000

Elmwood, Raven Editions, 1988. One of only 14 presentation copies of this roughly 10,000 word essay on the arc of Ford's mother's life and their relationship, a shorter version of which had appeared in Harper's. Issued in a total edition of 140 copies, only 40 of which were hardbound: 26 lettered copies and 14 presentation copies. This, Copy No. 3 of the 14 presentation copies, is signed by Ford, and with a frontispiece by noted artist Russell Chatham, hand-shaded and signed by Chatham as well. Although not called for, this copy is signed twice by Ford, once on the colophon and once on the half-title. Designed and printed letterpress by Carol Blinn at Warwick Press. Hand-bound in quarter leather and decorated paste paper over boards. Nearly imperceptible bowing to boards; very near fine. [#028916] $2,000

Elmwood, Raven Editions, 1988. A limited edition of this essay, a shorter version of which had appeared in Harper's. Issued in a total edition of 140 copies, of which only 40 were hardbound and, of those 40, only 26 were offered for sale. This is copy 'G' of 26 lettered copies signed by the author, with a frontispiece by noted artist Russell Chatham, hand-shaded and signed by Chatham as well. Designed and printed letterpress by Carol Blinn at Warwick Press. A fine copy of a beautiful production, with publisher's prospectus laid in. [#914652] $1,250

(n.p.), (n.p.), 1988. A 120-page screenplay by Ford for a 1991 film adaptation that he did from stories in his collection Rock Springs. Signed by Ford. An unknown number of copies were produced, but Ford signed seven of them at a reading in 1990. Photo-reproduced sheets on 3-hole paper. In this copy, page 120 was typed on a different typewriter than the first 119 pages. Bound in a flexible blue binder; fine. The film was directed by Michael Fields and starred Dermot Mulroney, Lili Taylor, Sam Shepard and Valerie Perrine. [#911202] $1,000

(n.p.), (n.p.), 1988. A 120-page screenplay by Ford for a 1991 film adaptation he did from stories in his collection Rock Springs. The film was directed by Michael Fields and starred Dermot Mulroney, Lili Taylor, Sam Shepard and Valerie Perrine. Apparently a later generation photocopy, as the text is less sharp; also the rectos of the pages tend to stick to the versos of the pages preceding. This copy is signed by the author. Near fine, in maroon binder. [#911203] $1,000

1997. A promotional poster for the annual Toronto literary festival, which each year since 1980 has brought together some of the best writers of contemporary world literature. This is one of only a handful of copies signed by all or most of the year's participants, approximately 54 signatures. Signed by: Robert Stone, Barry Lopez, Richard Ford, Michael Ondaatje, Anne Michaels, Colm Toibin, Bharati Mukherjee, Jamaica Kincaid, Guy Vanderhaeghe, Michael Turner, Jane Urquhart, Mavis Gallant, Ann Beattie, Nino Ricci, James Reaney, and many others. From the collection of the promoter of the festival, Greg Gatenby. Designed by Richard Artschwager. 17" x 23". Rolled, else fine. [#029753] $1,000

Boston, Houghton Mifflin, 1981. A review copy of his second novel, a hard-boiled thriller involving American expatriates in Mexico. Signed by the author. Partly because of the weak construction at the rear hinge, which tends to crack, this title has become harder to locate, particularly in fine condition, than his first book. This copy has just a hint of the start of a crack at the lower rear joint and is otherwise fine in a very near fine dust jacket with one tiny, closed edge tear at the heel. With publisher's review slip laid in. [#024053] $500

Derry/Ridgewood, Babcock & Koontz, (1987). Ford's first limited edition and the first and only separate appearance of this story, which was originally published in Esquire and later collected in Rock Springs. Of a total edition of 240 copies, this is copy "IV" of 40 hardcover, Roman-numeraled copies signed by the author. Fine. [#914963] $350

1987. July 20, 1987. Ford writes, presumably to a publisher, declining to offer unspecified praise (review or book blurb) for another writer's book, despite having "some genuine admiration for it" and admitting that "he's a nice writer of sentences." At the same time, Ford gets in a pitch for Richard Bausch's book Spirits. Folded for mailing, else fine. [#912557] $150

London, Harvill Press, (1995). The first British edition of the second book in Ford's three-book Bascombe sequence. Winner of both the Pulitzer Prize and the PEN/Faulkner Award. Signed by the author. Light lower corner taps, else fine in a very near fine dust jacket. [#028424] $125

NY, Knopf, 2002. The uncorrected proof of the first American edition of this collection of stories. Signed by the author. Fine in wrappers. [#912523] $50

(NY), (Newsweek), 1981. An essay about major league ballparks. Signed by Ford. Fine. [#914985] $50

NY, Atlantic Monthly, (1987). An advance reading excerpt from his fourth book, first collection of stories. Warmly inscribed by the author: "For ___. With great gratitude to you. And with the happy memories of seeing you again. Richard. Portland. June 30, 1995[?]." Fine in stapled wrappers. [#912543] $50

NY, Knopf, 1997. The uncorrected proof copy of the first trade edition of this collection of three novellas. Signed by the author. Fine in wrappers. [#914975] $50

NY, Atlantic Monthly, (1987). A review copy of his fourth book, first collection of stories. Signed by the author. Fine in a very near fine dust jacket lightly tapped at the crown. Publisher's press release and author photo laid in. [#912540] $40

NY, Knopf, 2006. A review copy of Ford's sequel to Independence Day. Signed by the author. Fine in a fine dust jacket and with a thick packet of promotional material. [#912547] $40

(San Francisco), Banana Republic, 1988. The inaugural issue of a travel magazine sponsored by Banana Republic. Ford contributes a reminiscence of Little Rock, Arkansas, in the Fifties. Fine. [#912526] $35

NY, Knopf, 2002. The first American edition of this collection of stories, which was published in England the previous year. Signed by the author. Fine in a fine dust jacket. [#914979] $35

NY, Vintage, (1996). The first Vintage Contemporaries printing of his 1995 Pulitzer Prize-winning novel. Signed by the author. Fine in wrappers, with reading group guide laid in. [#914970] $35

Portland, Oregon Public Broadcasting, 2002. Videotape; labeled, no box; apparently fine. [#912558] $35

NY, Vintage Books, (2004). The advance reading copy (marked "Uncorrected Proof") of this selection of Ford's previously published work. Fine in wrappers. [#914982] $35

NY, Knopf, 1997. The first trade edition of this collection of three novellas. Signed by the author. Fine in a fine dust jacket. [#912565] $35

Jackson, University Press of Mississippi, (2000). A collection of nine essays on Ford, edited by Guagliardo. Plus an interview with Ford. Fine in wrappers. [#912569] $35

NY, Vintage, (1988). The first Vintage Contemporaries printing of his 1987 book, his first collection of stories. Signed by the author. Fine in wrappers. [#914964] $30

(NY), (Granta), (1995). Fine in wrappers. [#912552] $21

NY, Atlantic Monthly, (1990). His fifth book, a novel. Fine in a fine dust jacket. [#912560] $21

NY, Knopf, 2002. The first American edition of this collection of stories, which was published in England the previous year. Fine in a fine dust jacket, with a "compliments of the author" card laid in. [#027610] $20

New York, Atlantic Monthly Press, (1987). Very Good in Very Good DJ. [#702368] $20