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All books are first printings of first editions or first American editions unless otherwise noted.

click for a larger image of item #914629, Winter Insomnia (Santa Cruz), (Kayak Books), (1970). The rare white issue of Carver's first regularly published book (after Near Klamath, published by the English Club of Sacramento State College). Kayak Books was a small but established publisher, which produced a literary magazine as well as issuing books of poetry. Winter Insomnia is a collection of poems, designed and printed by George Hitchcock and illustrated with prints by Robert McChesney. Issued in an attractive edition of 1000 copies, the overwhelming majority (perhaps more than 99%) were issued in yellow wrappers. William Stull's Carver checklist said that three copies were known in the white wrappers. Since that checklist was published, we have seen three more copies in white wrappers, including this one, bringing the total number of known copies to six. Without knowing exactly how many white copies there were, we can say with assurance that this issue is exceedingly scarce; we've seen dozens, if not hundreds, of the issue in yellow wrappers. This copy is inscribed by Carver: "For Rush - with good wishes. Ray Carver. 3-3-83." Spine and edge sunning to covers; near fine. [#914629] $3,000
click for a larger image of item #33665, Where Water Comes Together with Other Water NY, Random House, (1985). Inscribed by Carver to Robert Stone: "For Bob, with hopes you'll find some of these to your liking. With love, Ray. Port Angeles. July 22, 1985." A collection of poetry. Mild foxing; near fine in a very good, partially faded dust jacket with one short edge tear and a creased front flap. A good association copy. [#033665] $1,500
click for a larger image of item #912310, At Night the Salmon Move Santa Barbara, Capra Press, 1976. The hardcover issue of Carver's third collection of poems, and his second book to be issued by Capra. Of a total edition of 1100 copies, this is copy 43 of 100 numbered hardcover copies signed by Carver. Fine without dust jacket, as issued. Illustrated with drawings by Marcia/maris. [#912310] $750
click for a larger image of item #912361, Winter Insomnia (Santa Cruz), (Kayak), (1970). Carver's first regularly published book, a collection of poems, issued in an attractive edition of 1000 copies designed and printed by George Hitchcock and illustrated with prints by Robert McChesney. Bound in yellow wrappers printed in green. (A few copies were bound in white wrappers printed in green.) Signed by the author. Fine. [#912361] $750
click for a larger image of item #912354, Two Poems (Salisbury), Scarab, (1982). Carver's first limited edition after his first brush with commercial success. Of a total edition of 100 numbered copies, this is one of 25 copies that were reserved for the author's use. Signed by Carver. Fine in saddle-stitched wrappers. [#912354] $500
click for a larger image of item #4067, Commencement Address, Typescript (West Hartford), (U. of Hartford), (1988). A photocopy of the typescript of the untitled speech Carver gave when he received an honorary Doctor of Letters degree at the University of Hartford. The typescript differs from the published version in paragraphing and in the deletion of one 17-word clause, which has been circled in ink on the photocopy -- thus providing an earlier view of the text of the speech than that which was published in the program of the Commencement (a copy of which is included here). The typescript is near fine; the program is fine. [#004067] $350
Concord, William B. Ewert, 1986. A collection of poems. One of 10 sets of advance sheets prepared by the publisher. Twelve 9" x 12" double flat gatherings printed on the rectos only, laid into a gray folding cardstock case, with a card laid in presenting the sheets with compliments, indicating the limitation, and signed by the publisher. A fine set of this rare advance issue. [#912317] $350
Concord, Ewert, 1987. The first publication of this story. One of 12 advance copies, signed by the publisher, William Ewert, but not by Carver. Fine in wrappers. [#912329] $325
click for a larger image of item #912353, Two Poems Concord, Ewert, 1986. A holiday greeting issued by Ewert. There were 100 copies consisting of a single sheet, folded once; there were 26 lettered copies that were bound in brown wrappers, lettered, and signed by the author. This is letter M of 26 lettered copies signed by Carver. Fine. [#912353] $325
London, Collins Harvill, 1988. The uncorrected proof copy of a collection of seven stories for which there is no comparable U.S. edition. Five of the stories appeared in Where I'm Calling From -- copyright problems reportedly kept the publisher from reissuing the other stories included in that collection. Tiny, shiny spot to front cover; else fine in wrappers. [#912320] $175
London, Collins Harvill, 1987. This title was only published in England, and is a collection of poems from Carver's two Random House collections in the U.S. -- Where Water Comes Together With Other Water and Ultramarine. They have been rearranged, and an epigraph added to the collection that doesn't appear in either U.S. volume. Fine in a fine dust jacket. [#912326] $175
NY, Atlantic Monthly, 1988. The uncorrected proof copy of the trade edition, which was preceded by the Franklin Library edition. Where I'm Calling From is the definitive collection of Carver's fiction, published just before he died and containing therefore the "final" versions of many of his most important and frequently anthologized stories, as well as seven stories previously uncollected. Fine in wrappers. [#912358] $175
(London), Picador/Pan, (1985). The first publication in Great Britain of Carver's collected fiction, this being a volume with no U.S. equivalent, and including all three of his major collections: Will You Please Be Quiet, Please?; What We Talk About When We Talk About Love; and Cathedral. Only issued in wrappers. Slight age-toning to page edges and mild spine creasing; near fine. [#912347] $100
Port Townsend, Graywolf, 1984. The wrappered issue of the simultaneous trade edition. A collection of Kittredge's stories edited and with an introduction by Raymond Carver. Signed by Carver. Fine. [#912365] $100
NY, Atlantic Monthly, 1988. The definitive collection of his fiction, published just before he died and containing therefore the "final" versions of a number of his most important and frequently anthologized stories, as well as seven stories previously uncollected. This is the uncorrected proof copy of the trade edition, which was preceded by the Franklin Library edition. Lip print on the epigraph page; first leaf loosening; one short and unnecessarily glued edge tear to front cover. Overall, still near fine in wrappers. [#004064] $95
click for a larger image of item #19153, Raymond Carver Remembered: Three Early Stories One of 15 tear sheet reprints of an offprint from Studies in Short Fiction, Vol. 25, No. 4, 1988. The cover reproduces the table of contents rather than adding a typeset cover with title and author. Signed by Stull. Stapled; fine. [#019153] $95
click for a larger image of item #31646, Where I'm Calling From Franklin Center, Franklin Library, 1988. The correct first edition of this title, preceding the trade edition. Leatherbound; page edges gilt; with a silk ribbon marker bound in. An attractive edition in the Franklin Library's "Signed First Edition" series, with an interesting introduction by Carver which does not appear anywhere else. Signed by the author. Because Carver died shortly after the publication of this collection, signed copies of this title are uncommon, other than the Franklin Library edition. Carver prepared this volume knowing that he was dying of lung cancer, and many of these stories, although they had been published previously, were revised for this edition and stand as his definitive versions of them. Fine in publisher's original shrinkwrap. [#031646] $60
NY, Vintage, (1992). The uncorrected proof copy of the American edition. A posthumous collection, edited by William Stull and with a foreword by Tess Gallagher. Fine in wrappers. [#912333] $45
(n.p.), Fine Line Features, (n.d.). Production Notes for the Altman film. Thirty-five pages including bios of Carver, Altman and the cast and several pages on the genesis of the project. Stapled in upper left corner; near fine. [#912337] $30
NY, Vintage, (1992). Advance Uncorrected Proof. Very good in wrappers. [#700967] $20
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