Search Results, p. 2

Elmwood, Raven Editions, 1987. The first separate edition of this story by Dubus, expanded from its magazine publication back to its original length. An attractive limited edition, designed and printed by Carol Blinn of Warwick Press. Copy No. 34 of 60 numbered copies, of a total edition of 70 copies signed by the author. Unmarked, but from the library of Robert Stone. Fine, without dust jacket, as issued. [#033672] $450

London, Godine, (1990). The uncorrected proof copy of the first British edition, and the first proof to contain the full complement of all 23 stories: the U.S. proof was intended to be issued with only ten of the stories; was mistakenly issued with the "left out" 13; and then re-issued with the intended 10. Signed by Dubus. Foxing near the spine; near fine in wrappers. [#033260] $250

NY, Knopf, 1998. The uncorrected proof copy of his last book, his second collection of essays. Dubus was best known as a short story writer, and his last collection of stories was a finalist for the National Book Critics Circle Award in 1996. He won the Rea Award for the Short Story in 1991 and a MacArthur Foundation "genius grant" in 1988. He was the father of the acclaimed novelist and memoirist Andre Dubus III. Signed by the author. Fine in wrappers. [#021063] $115

Boston, Godine, (1991). His first book of nonfiction, a collection of essays, which was a finalist for the 19992 Pulitzer Prize in the category of General Nonfiction. Inscribed by Dubus to another author (of children's books) who at the time lived in a neighboring town. Also signed in full by Dubus on the title page. Fine in a fine dust jacket. A nice literary association, and a reminder that Dubus was famous for being supportive of, and a mentor to, younger writers: for many years he held a weekly writers' workshop in his home, free of charge, as a way (he said) of giving back for all the help he received from his literary friends and colleagues after his traumatic accident. [#030714] $100

NY, Knopf, 1998. His last book, a collection of essays. One of an unspecified number of copies signed by the author on a tipped-in leaf. Fine in a fine dust jacket. [#912455] $80

(n.p.), (n.p.), [2001]. The screenplay by Festinger and Field, based on the Dubus story "Killings," and submitted to the Academy for award consideration. Bradbound in cardstock covers; small label removal abrasion to front cover; else fine. [#912464] $80

(n.p.), Stuart Wright, (1984). His first limited edition, a single story issued in an edition of 200 copies. Dubus was a contemporary master of the short story form and the most accomplished writer of novellas in the U.S.; he was compared on numerous occasions to Chekhov. Clothbound, with paper spine label, issued without dust jacket. Covers splaying slightly, as is common with this title; spine label faded; near fine. Although the edition was done as a signed edition, this copy is not signed -- the only copy we have seen thus. [#026975] $60

NY, Dial, 1967. His first book, and his only novel -- a military tale not unlike William Styron's book The Long March -- a story of the peacetime military and the challenges to manhood and honor that its rigid code of morals creates. Dubus was once quoted as saying that after he wrote this novel someone introduced him to Chekhov's short stories, and he threw away the manuscript of what was to be his next novel and began writing short fiction -- of which he became one of our most acclaimed and accomplished practitioners. Dampstaining to lower boards; a very good copy in a very good dust jacket with a small droplet on spine, light corner chipping, and one internally mended edge tear. [#029303] $60

(Otisville), Birch Brook, (1989). The first separate appearance of this story from The Times Are Never So Bad. A small, attractive letterpress limited edition. One of 300 numbered copies, signed by the author. Approximately 6" x 4-1/2". Mild spine roll, else fine in wrappers. [#912453] $55

NY, Knopf, 1996. The uncorrected proof copy, in plain printed wrappers, and far less common than the advance reading copy in pictorial wrappers which is sometimes identified as a proof. Fine. [#912447] $35

(London), Picador/Pan, (1987). The first British edition of his only novella to be published on its own, outside of a collection. Billed as "a novel" for marketing purposes. Only published in wrappers in the U.K. Page edges darkening; else fine. [#912462] $35

NY, Crown, (1984). A collection of his novellas, all of which had been previously published in other collections together with short stories. Only issued in wrappers in this country. Near fine. [#912463] $35

NY, Knopf, 1996. A review copy of his last collection of stories, nominated for the National Book Critics Circle Award. Fine in a fine dust jacket. [#912446] $21

NY, Knopf, 1996. An advance reading excerpt, consisting of three stories from the published collection. Fine in wrappers. [#912449] $21

NY, Knopf, 1998. His last book, a collection of essays. Fine in a fine dust jacket. [#912454] $21

Boston, Godine, (1984). His only novella to be published on its own, outside of a collection. Billed as "a novel" for marketing purposes. Fine in a fine dust jacket. [#912460] $21

Boston, Godine, (1984). His only novella to be published on its own, outside of a collection. Billed as "a novel" for marketing purposes. Fine in a fine, price-clipped dust jacket. [#912461] $21

Boston, Godine, (1991). The uncorrected proof copy of this well-received collection of essays, Dubus' first book of nonfiction. With an introduction by Tobias Wolff. Near fine in wrappers. [#005104] $20

NY, Knopf, 1996. An advance reading excerpt consisting of three of the stories from the collection. Fine in wrappers. [#013181] $20

NY, Knopf, 1998. The uncorrected proof copy of his last book, a collection of essays. Fine in wrappers. [#013584] $20

Boston, David R. Godine, (1984). Very Good in Very Good DJ. [#702071] $20

Boston, David R. Godine, (1984). Very Good in Very Good (price-clipped) DJ. Ownership inscription on half-title page. [#704657] $20